| Kenneth Woods, conductor |
| Biography |
Hailed by the Washington Post as an “up-and-coming conductor” and
a “true star” of the podium, Kenneth Woods has built a reputation as a
multifaceted musician whose credits range from the Mahler and Shostakovich
symphonies to collaborations with members of James Brown’s classic band.
Already known in America as one of the most exciting conductors of
the new generation, Kenneth Woods is quickly becoming recognized as major
talent on the international scene. He has worked with many orchestras of
international distinction including the National Symphony Orchestra, the
Cincinnati Symphony, the BBC National Orchestra of Wales, the Budapest
Festival Orchestra and the State of Mexico Symphony Orchestra. He has also
appeared on the stages of some of the world’s leading music festivals,
including Aspen, Lucerne, Round Top and Scotia. His work on the concert
platform and in the recording studio has led to numerous broadcasts on BBC
Radio 3, National Public Radio, and the Canadian Broadcasting Corporation. He
is currently Music Director of the Oregon East Symphony, Surrey Mozart Players
and Principal Guest Conductor of the Rose City Chamber Orchestra.
During the 2006-7 season, Kenneth Woods made his first appearances at the
Bridgewater Hall, Menuhin Hall, Albert Hall, Royal Concert Hall of Nottingham
and Bute Hall, and was the subject of extensive press coverage in the
Gramophone, The Herald and a received a major, multi-page feature in The
Sunday Oregonian. His new blog, A View from the Podium, became a hit with
music lovers in the UK, Canada and the US and received wide
acknowledgement from the music critics of the New Yorker, Wall Street Journal,
Independent and Gramophone. 2007-8 sees him making more important UK
debuts, doing extensive studio and concert work for the BBC and making his
debut recording in London for Avie Records.
In the spring of 2001, Kenneth Woods was selected by Leonard Slatkin as one
of four participants in the National Conducting Institute. At the completion of the
Institute, he led the National Symphony Orchestra in a debut concert, drawing
great critical acclaim and a return invitation from the NSO. In the spring of 2000,
David Zinman selected Kenneth Woods from a pool of over 200 applicants to be
a fellow in the inaugural class of the American Academy of Conducting at
Aspen. Toronto Symphony Music Director Peter Oundjian has praised Woods
as “a conductor with true vision and purpose. He has a most fluid and clear
style and an excellent command on the podium… a most complete musician.”
Kenneth Woods has conducted critically praised productions of operas from
Britten to Puccini, and ballet scores as diverse as Giselle, the Nutcracker and
Firebird. Woods’ work as an active proponent of contemporary music includes
collaborations with composers including John Corigliano, Krystopf Penderecki,
Peter Lieberson and Oliver Knussen.
As music director of the Oregon East Symphony since 2000, he has transformed
a tiny orchestra in a remote, rural area into possibly the most talked-about
orchestra in the Pacific Northwest, who have won universal praise for their
ongoing Mahler cycle and their innovative youth programs. In the spring of 2007,
the OES made national news when their offices and music library were burned to
the ground in a devastating fire. Despite the catastrophic losses, Woods initiated
a fire recovery campaign on the web that mean the orchestra was able to
complete its season in the black.
In 2005 he was invited by the Rose City Chamber Orchestra to start a new
international workshop for young conductors, which now attracts top emerging
conducting talents from Korea, Japan, Germany, Spain, Argentina, Canada and
the UK as well as the USA.
As a cellist he has been recipient of the Aspen Fellowship (Mr. Woods has
received the Aspen Fellowship as both a cellist and conductor), the Dale Gilbert
Award (the only musician to win this award in consecutive years), the Strelow
Quartet Fellowship, the National Endowment for the Arts Rural Residency
Grant and has recorded and toured extensively as soloist and chamber
musician. He has played chamber music with members of the Chamber Music
Society of Lincoln Center, the Smithsonian Chamber Players, the Cincinnati,
Chicago and Toronto symphonies, and the Minnesota, Gewandhaus and
Concertgebow orchestras. He was founding cellist of the National Endowment
for the Arts recognized Taliesin Trio, and of the Masala Quartet, who have
recorded for Vienna Modern Masters and appeared at festivals and concert
series’ in the US and Europe
Mr. Woods pursued his advanced conducting studies as a fellowship student at
the University of Cincinnati College-Conservatory of Music, and also studied at
leading summer institutes and workshops around the world. He has studied
conducting with Leonard Slatkin, David Zinman, Jorma Panula, and Gerhard
Samuel. In his capacity as an assistant, he has collaborated with James Conlon,
Jesus Lopez-Cobos, Paavo Jarvi, Richard Hickox, Robert Spano, Tadaaki Otaka,
Jiri Belohlavek and Peter Oundjian.
a “true star” of the podium, Kenneth Woods has built a reputation as a
multifaceted musician whose credits range from the Mahler and Shostakovich
symphonies to collaborations with members of James Brown’s classic band.
Already known in America as one of the most exciting conductors of
the new generation, Kenneth Woods is quickly becoming recognized as major
talent on the international scene. He has worked with many orchestras of
international distinction including the National Symphony Orchestra, the
Cincinnati Symphony, the BBC National Orchestra of Wales, the Budapest
Festival Orchestra and the State of Mexico Symphony Orchestra. He has also
appeared on the stages of some of the world’s leading music festivals,
including Aspen, Lucerne, Round Top and Scotia. His work on the concert
platform and in the recording studio has led to numerous broadcasts on BBC
Radio 3, National Public Radio, and the Canadian Broadcasting Corporation. He
is currently Music Director of the Oregon East Symphony, Surrey Mozart Players
and Principal Guest Conductor of the Rose City Chamber Orchestra.
During the 2006-7 season, Kenneth Woods made his first appearances at the
Bridgewater Hall, Menuhin Hall, Albert Hall, Royal Concert Hall of Nottingham
and Bute Hall, and was the subject of extensive press coverage in the
Gramophone, The Herald and a received a major, multi-page feature in The
Sunday Oregonian. His new blog, A View from the Podium, became a hit with
music lovers in the UK, Canada and the US and received wide
acknowledgement from the music critics of the New Yorker, Wall Street Journal,
Independent and Gramophone. 2007-8 sees him making more important UK
debuts, doing extensive studio and concert work for the BBC and making his
debut recording in London for Avie Records.
In the spring of 2001, Kenneth Woods was selected by Leonard Slatkin as one
of four participants in the National Conducting Institute. At the completion of the
Institute, he led the National Symphony Orchestra in a debut concert, drawing
great critical acclaim and a return invitation from the NSO. In the spring of 2000,
David Zinman selected Kenneth Woods from a pool of over 200 applicants to be
a fellow in the inaugural class of the American Academy of Conducting at
Aspen. Toronto Symphony Music Director Peter Oundjian has praised Woods
as “a conductor with true vision and purpose. He has a most fluid and clear
style and an excellent command on the podium… a most complete musician.”
Kenneth Woods has conducted critically praised productions of operas from
Britten to Puccini, and ballet scores as diverse as Giselle, the Nutcracker and
Firebird. Woods’ work as an active proponent of contemporary music includes
collaborations with composers including John Corigliano, Krystopf Penderecki,
Peter Lieberson and Oliver Knussen.
As music director of the Oregon East Symphony since 2000, he has transformed
a tiny orchestra in a remote, rural area into possibly the most talked-about
orchestra in the Pacific Northwest, who have won universal praise for their
ongoing Mahler cycle and their innovative youth programs. In the spring of 2007,
the OES made national news when their offices and music library were burned to
the ground in a devastating fire. Despite the catastrophic losses, Woods initiated
a fire recovery campaign on the web that mean the orchestra was able to
complete its season in the black.
In 2005 he was invited by the Rose City Chamber Orchestra to start a new
international workshop for young conductors, which now attracts top emerging
conducting talents from Korea, Japan, Germany, Spain, Argentina, Canada and
the UK as well as the USA.
As a cellist he has been recipient of the Aspen Fellowship (Mr. Woods has
received the Aspen Fellowship as both a cellist and conductor), the Dale Gilbert
Award (the only musician to win this award in consecutive years), the Strelow
Quartet Fellowship, the National Endowment for the Arts Rural Residency
Grant and has recorded and toured extensively as soloist and chamber
musician. He has played chamber music with members of the Chamber Music
Society of Lincoln Center, the Smithsonian Chamber Players, the Cincinnati,
Chicago and Toronto symphonies, and the Minnesota, Gewandhaus and
Concertgebow orchestras. He was founding cellist of the National Endowment
for the Arts recognized Taliesin Trio, and of the Masala Quartet, who have
recorded for Vienna Modern Masters and appeared at festivals and concert
series’ in the US and Europe
Mr. Woods pursued his advanced conducting studies as a fellowship student at
the University of Cincinnati College-Conservatory of Music, and also studied at
leading summer institutes and workshops around the world. He has studied
conducting with Leonard Slatkin, David Zinman, Jorma Panula, and Gerhard
Samuel. In his capacity as an assistant, he has collaborated with James Conlon,
Jesus Lopez-Cobos, Paavo Jarvi, Richard Hickox, Robert Spano, Tadaaki Otaka,
Jiri Belohlavek and Peter Oundjian.
| Did you know? Ken made his opera conducting debut stepping in without rehearsal for Gerhard Samuel in the CCM Opera Theatre's production of Britten's Albert Herring. The Cincinnati Enquirer said of the occasion “Conductor Kenneth Woods was alert, efficient and confident, and stayed with the singers unflaggingly. The 13-piece orchestra created a sense of atmosphere between scene changes and punctuated the text colorfully.” |
| Contact info@kennethwoods.net |
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Read the personal
biography and get his
thoughts on matters
musical and non on
ken's page
and at the blog
biography and get his
thoughts on matters
musical and non on
ken's page
and at the blog
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