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	<title>Comments on: Disco Post Mortem</title>
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	<link>http://kennethwoods.net/blog1/2006/10/10/disco-post-mortem/</link>
	<description>Music, opinion, life as a performing musician</description>
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		<title>By: Sharon</title>
		<link>http://kennethwoods.net/blog1/2006/10/10/disco-post-mortem/comment-page-1/#comment-33300</link>
		<dc:creator>Sharon</dc:creator>
		<pubDate>Thu, 10 Jan 2008 22:32:49 +0000</pubDate>
		<guid isPermaLink="false">http://kennethwoods.net/blog1/2006/10/10/disco-post-mortem/#comment-33300</guid>
		<description>Dear Ken,

It was an immense pleasure to make music together with you, both on the professional and on the personal level!

It would be fantastic to collaborate again, (preferably without the excerpts, unless you really insist…). There is loads of interesting repertoire, (I have to date 7 dedicated concertos by i.a. Aho, Gubaidulina, Beamish) And there is of course the standard repertoire.

Warmest regards from rainy Sweden .

PS- Do you know Christopher Rouse’s stunning flute concerto?</description>
		<content:encoded><![CDATA[<p>Dear Ken,</p>
<p>It was an immense pleasure to make music together with you, both on the professional and on the personal level!</p>
<p>It would be fantastic to collaborate again, (preferably without the excerpts, unless you really insist…). There is loads of interesting repertoire, (I have to date 7 dedicated concertos by i.a. Aho, Gubaidulina, Beamish) And there is of course the standard repertoire.</p>
<p>Warmest regards from rainy Sweden .</p>
<p>PS- Do you know Christopher Rouse’s stunning flute concerto?</p>
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		<title>By: Kenneth Woods- a view from the podium &#187; Archivio &#187; UPCOMING BROADCAST- BBC National Orchestra of Wales</title>
		<link>http://kennethwoods.net/blog1/2006/10/10/disco-post-mortem/comment-page-1/#comment-7007</link>
		<dc:creator>Kenneth Woods- a view from the podium &#187; Archivio &#187; UPCOMING BROADCAST- BBC National Orchestra of Wales</dc:creator>
		<pubDate>Fri, 30 Mar 2007 18:43:51 +0000</pubDate>
		<guid isPermaLink="false">http://kennethwoods.net/blog1/2006/10/10/disco-post-mortem/#comment-7007</guid>
		<description>[...] You can read about our experiences preparing the program here, and there is a nice, informal review from the blog &#8220;Cardiff to Catalonia&#8221;  here. [...]</description>
		<content:encoded><![CDATA[<p>[...] You can read about our experiences preparing the program here, and there is a nice, informal review from the blog &#8220;Cardiff to Catalonia&#8221;  here. [...]</p>
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		<title>By: Kenneth Woods- a view from the podium &#187; Halftime show part II</title>
		<link>http://kennethwoods.net/blog1/2006/10/10/disco-post-mortem/comment-page-1/#comment-637</link>
		<dc:creator>Kenneth Woods- a view from the podium &#187; Halftime show part II</dc:creator>
		<pubDate>Thu, 02 Nov 2006 23:40:13 +0000</pubDate>
		<guid isPermaLink="false">http://kennethwoods.net/blog1/2006/10/10/disco-post-mortem/#comment-637</guid>
		<description>[...] It’s a rare treat to get to do the same piece twice in close succession, especially to do a thorny work like the Nielsen Flute concerto twice in three days with different orchestras and soloists. As I’ve written elsewhere, Nielsen didn’t seem to care if the piece entertained or annoyed, so bringing it to life in a compelling way (it will never be satisfying in the way Rachmaninoff is) is a huge challenge. Working toward a solution with two such different yet equally marvelous soloists was fascinating, and both succeeded in getting this subversive piece to reach our audiences. [...]</description>
		<content:encoded><![CDATA[<p>[...] It’s a rare treat to get to do the same piece twice in close succession, especially to do a thorny work like the Nielsen Flute concerto twice in three days with different orchestras and soloists. As I’ve written elsewhere, Nielsen didn’t seem to care if the piece entertained or annoyed, so bringing it to life in a compelling way (it will never be satisfying in the way Rachmaninoff is) is a huge challenge. Working toward a solution with two such different yet equally marvelous soloists was fascinating, and both succeeded in getting this subversive piece to reach our audiences. [...]</p>
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