This Thursday, April 30th is the priority application deadline for the 2009 Rose City International Conductors Workshop, July 20-26th in Portland, Oregon. Applications may still be considered on a space available basis after this date, but for full, guaranteed consideration, conductors are strongly encouraged to apply this week. Full application details are on the workshop website- http://www.rosecityworkshop.org/
Returning for their fourth summer together are RCICW faculty members Christopher Zimmerman, chair of conducting and orchestral studies at the Hartt School of Music, David Hoose, director of orchestras and orchestral conducting at Boston University and course director Kenneth Woods, music director of the Oregon East Symphony and Chorale.
Key to the success of the workshop in past years has been the seamless team-teaching approach of the faculty. Alumni have commented “I’ve never been to a workshop where faculty members with such unique and diverse approaches were able to work so effortlessly together without the slightest hint of ego or rivalry” and “The RCICW faculty are unfailingly positive while remaining absolutely tenacious about getting each student to give their very best.”
The RCICW offers students extensive opportunities to work with our faculty in the formal teaching sessions, but also to interact, ask questions and build mentoring relationships outside of the classes.
We hope interested conductors will consider joining us for a lively week of great repertoire- Verdi’s Aida with professional singers, Beethoven’s 4th Piano Concerto with concert pianist and recording artist Rick Rowley, Haydn’s Symphony no. 99 in celebration of the 200th anniversary of his death and the Mozart Gran Partita for Winds.
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Below, you can find out more about our faculty-
Hailed by the Washington Post as an “up-and-coming conductor” and a “true star” of the podium, Kenneth Woods is Music Director and Conductor of the Oregon East Symphony and Chorale, Principal Guest Conductor of the Rose City Chamber Orchestra and a regular guest conductor of the BBC National Orchestra of Wales. Mr. Woods has also been a member of the conducting staff at the Cincinnati Symphony Orchestra and the Cincinnati Pops. In 2009, he makes his first CD recordings with Northern Sinfonia for Avie Records, and makes his debut at the Stratford Proms with Orchestra of the Swan.
Already known in America as one of the most exciting conductors of the new generation, Kenneth Woods is quickly becoming recognized as major talent on the international scene. He has worked with many orchestras of international distinction including the National Symphony Orchestra, the Cincinnati Symphony, the BBC National Orchestra of Wales, the Budapest Festival Orchestra and the State of Mexico Symphony Orchestra. He has also appeared of the stages of some of the world’s leading music festivals, including Aspen, Lucerne, Round Top and Scotia. His work on the concert platform and in the recording studio has led to numerous broadcasts on BBC Radio 3, National Public Radio, and the Canadian Broadcasting Corporation.
In the spring of 2001, Kenneth Woods was selected by Leonard Slatkin as one of four participants in the Kennedy Center National Conducting Institute. At the completion of the Institute, he led the National Symphony Orchestra in a debut concert, drawing great critical acclaim. Toronto Symphony Music Director Designate Peter Oundjian has praised Woods as “a conductor with true vision and purpose. He has a most fluid and clear style and an excellent command on the podium… a most complete musician.”
Woods’ activities as an active proponent of contemporary music include collaborations as a conductor or cellist with such figures as John Corigliano, Krystopf Penderecki, Peter Lieberson, Oliver Knussen and many others. He is a highly regarded teacher of conducting who has been a clinician for masterclasses offered by the BBC National Orchestra of Wales, and in 2005 was asked by the musicians of the Rose City Chamber Orchestra to found a new training institute for emerging professional conductors, the Rose City International Conductor’s Workshop. Guest masterclasses and adjudication include the Royal College of Music in London, Boston University and in 2009 the University of Wisconsin. He is also artist in residence at the Ischia Chamber Music Festival in Italy and Music Director of the Harlech Orchestral Academy in Wales.
As a cellist he has been recipient of the Aspen Fellowship (Mr. Woods has received the Aspen Fellowship as both a cellist and conductor), the Dale Gilbert Award (the only musician to win this award in consecutive years), the Strelow Quartet Fellowship, the National Endowment for the Arts Rural Residency Grant and has recorded and toured extensively as soloist and chamber musician. He has played chamber music with members of the Chamber Music Society of Lincoln Center, the Smithsonian Chamber Players, the Cincinnati, Chicago and Toronto symphonies, and the Minnesota, Gewandhaus and Concertgebow orchestras. As a student, he coached with members of many of the worlds leading quartets, including the Tokyo, Vermeer, La Salle, Pro Arte, Borodin, Emerson and Vegh.
Mr. Woods pursued his advanced conducting studies at the University of Cincinnati College-Conservatory of Music, and has also studied at leading summer institutes and workshops around the world. He has studied conducting with Leonard Slatkin, David Zinman.
Of his professional debut, with the Royal Philharmonic Orchestra, The Daily Telegraph of London wrote, “Contact with the orchestra seemed immediate, the result a reading in which the playing responded keenly to gestures which themselves were expressive both of the symphony’s fiery vigour and of its finer nuances. Christopher Zimmerman revealed a sharp interpretative profile and control of orchestral timbre….a most auspicious London debut.”
Christopher Zimmerman graduated from Yale with a B.A. in Music, and received his Master’s from the University of Michigan. He also studied with Seiji Ozawa and Gunther Schuller at Tanglewood, and at the Pierre Monteux School in Maine. Zimmerman served as an apprentice to Andrew Davis and the Toronto Symphony and in Prague as assistant conductor to Vaclav Neumann and the Czech Philharmonic Orchestra. Zimmerman made his professional debut in 1985 with the Royal Philharmonic Orchestra, followed by engagements with the London Symphony Orchestra and the Royal Liverpool Philharmonic. He has also conducted the Prague Symphony, the Slovak Philharmonic, the Seoul Philharmonic, the Mexico City Philharmonic, the Edmonton Symphony, the Hartford Symphony, the El Paso Symphony, the Ohio Chamber Orchestra and the Prague Philharmonic Chamber Orchestra among many other orchestras. In opera he has worked as the assistant conductor for “Carmen” at the Nimes Festival and as the assistant conductor for “Salome” at the Mexico City Opera, where he was immediately reinvited to conduct a production of “Gianni Schicchi”. In 1989 he co-founded and became Music Director of the City of London Chamber Orchestra.
In 1993 Christopher Zimmerman became Music Director of the Cincinnati Concert Orchestra. He made his U.S. operatic debut conducting this orchestra in a production of “Susannah” by Carlisle Floyd, and has since conducted “The Turn of the Screw,” “Gianni Schicchi,” “Suor Angelica,” “Don Pasquale,” “The Song of Majnun,” and “Julius Caesar,” the last two winning the National Opera Association’s First Prize. In 1999 Zimmerman was a featured conductor in the American Symphony Orchestra League’s Conductors’ Preview with the Utah Symphony Orchestra.
Mr. Zimmerman was appointed to succeed Werner Torkanowsky as Music Director of the Bangor Symphony Orchestra in 1994 and in 1999 was appointed Music Director of the Hartt Symphony. In 2001 Mr. Zimmerman was appointed Music Director of the Symphony of Southeast Texas.
David Hoose is Music Director of two distinguished Boston musical institutions, the Cantata Singers & Ensemble, a organization whose repertoire reaches from Bach and Handel to the music of today, with all in between, and Collage New Music, a chamber ensemble devoted to music of the twentieth and twenty-first centuries and whose members include musicians from the Boston Symphony Orchestra. As well, Mr. Hoose has recently completed eleven years as Music Director of the Tallahassee Symphony Orchestra. He is Professor of Music at the Boston University School of Music where he is Director of Orchestral Activities and Chairman of the Conducting Department.
Mr. Hoose has just been awarded the 2005 Alice M. Ditson Conductors Award, given in recognition of his commitment to the performance of American Music. He has also received the Dmitri Mitropoloulos Award and, as a member of the Emmanuel Wind Quintet, the Walter W. Naumburg Award for Chamber Music. Mr. Hoose’s recordings appear on the New World, Koch, Nonesuch, Delos, CRI and GunMar labels. His recordings of John Harbison’s Motteti di Montale with Collage New Music and Harbison’s Four Psalms and Emerson with the Cantata Singers & Ensemble have been recently released by New World Records, and his recordings of Peter Child’s chamber opera Embers and of the complete chamber music of Donald Sur are forthcoming. The recording of the Harbison Motteti di Montale has been nominated for a 2006 Grammy Award.
Mr. Hoose has conducted the Singapore Symphony Orchestra, Saint Louis Symphony, Utah Symphony, Chicago Philharmonic, Korean Broadcasting Symphony (KBS), Orchestra Regionale Toscana (Florence), Quad Cities Symphony Orchestra, Ann Arbor Symphony, Opera Festival of New Jersey, and at the Warebrook, New Hampshire, Monadnock and Tanglewood music festivals. In Boston he has appeared as guest conductor with the Boston Symphony Chamber Players, Handel & Haydn Society, Back Bay Chorale, Chorus Pro Musica, Fromm Chamber Players, Dinosaur Annex, Auros, and many times both with the Pro Arte Chamber Orchestra and with Emmanuel Music. For many summers he has conducted the Boston University Tanglewood Institute Young Artists Orchestra, and he has been guest conductor at New England Conservatory, Eastman School, Shepherd School of Rice University and University of Southern California.
David Hoose studied composition at the Oberlin Conservatory with Walter Aschaffenburg and Richard Hoffmann (student and amanuensis of Arnold Schoenberg), and at Brandeis University with Arthur Berger and Harold Shapero. His horn studies were with Barry Tuckwell, with Joseph Singer, principal horn of the New York Philharmonic, and with Richard Mackey of the Boston Symphony Orchestra. His principal study of conducting was at the Tanglewood Music Center, where he studied with Gustav Meier and worked with Leonard Bernstein and Seiji Ozawa.
The Rose City International Conductors Workshop is an educational program of the Rose City Chamber Orchestra, a 501 c3 non-profit organization.
The mission of the Rose City International Conductor’s Workshop is to provide advanced professional training at the highest levels to emerging conductors from all over the world.