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	<title>Comments on: A Fierce Farewell</title>
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	<link>http://kennethwoods.net/blog1/2009/06/22/a-fierce-farewell/</link>
	<description>Music, opinion, life as a performing musician</description>
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		<title>By: Kenneth Woods</title>
		<link>http://kennethwoods.net/blog1/2009/06/22/a-fierce-farewell/comment-page-1/#comment-76831</link>
		<dc:creator>Kenneth Woods</dc:creator>
		<pubDate>Tue, 23 Jun 2009 16:55:04 +0000</pubDate>
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		<description>Indeed, Zoltan, I&#039;m sure you have heard that about Schumann. It&#039;s pure bullshit, plain and simple. Complete crap. He was a wonderful and imaginative orchestrator who created some very interesting new uses of brass instruments. A genius.</description>
		<content:encoded><![CDATA[<p>Indeed, Zoltan, I&#8217;m sure you have heard that about Schumann. It&#8217;s pure bullshit, plain and simple. Complete crap. He was a wonderful and imaginative orchestrator who created some very interesting new uses of brass instruments. A genius.</p>
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		<title>By: Zoltan</title>
		<link>http://kennethwoods.net/blog1/2009/06/22/a-fierce-farewell/comment-page-1/#comment-76827</link>
		<dc:creator>Zoltan</dc:creator>
		<pubDate>Tue, 23 Jun 2009 15:09:04 +0000</pubDate>
		<guid isPermaLink="false">http://kennethwoods.net/blog1/2009/06/22/a-fierce-farewell/#comment-76827</guid>
		<description>:)

Let&#039;s see what I can find in the music library today...

(of course, I meant that baroque music sounded too tame on most recordings in the past than today, thus we need more lively Haydn as well)

And indeed, there&#039;s also a lot of prejudice at work in music. Even though I know so little of Schumann&#039;s works (too much music, too little time -- but I&#039;m getting there!) I already heard quite a lot about lack of skill in his orchestration (second probably only to Chopin).</description>
		<content:encoded><![CDATA[<p> <img src='http://kennethwoods.net/blog1/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
<p>Let&#8217;s see what I can find in the music library today&#8230;</p>
<p>(of course, I meant that baroque music sounded too tame on most recordings in the past than today, thus we need more lively Haydn as well)</p>
<p>And indeed, there&#8217;s also a lot of prejudice at work in music. Even though I know so little of Schumann&#8217;s works (too much music, too little time &#8212; but I&#8217;m getting there!) I already heard quite a lot about lack of skill in his orchestration (second probably only to Chopin).</p>
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		<title>By: Kenneth Woods</title>
		<link>http://kennethwoods.net/blog1/2009/06/22/a-fierce-farewell/comment-page-1/#comment-76825</link>
		<dc:creator>Kenneth Woods</dc:creator>
		<pubDate>Tue, 23 Jun 2009 14:39:18 +0000</pubDate>
		<guid isPermaLink="false">http://kennethwoods.net/blog1/2009/06/22/a-fierce-farewell/#comment-76825</guid>
		<description>Hi Zoltan- We&#039;ll make a Haydn fan of you yet! Harnoncourt is one of the more interesting Haydn guys, to be sure, and his 45 is very thought provoking. Well worth hearing.

Still, whether it&#039;s Haydn or Vivaldi or later music, there&#039;s more to be learned from the scores themselves than from past or current performers. With Haydn and Schumann, the accrued misconceptions about them and their work is actually destructive, where with Brahms its probably more a matter of there being a bit of complacency. Still, the scores have so much to teach us, and it&#039;s so much better to read them without prejudice...... Hopefully the best Beethoven and Haydn and Schumann and Mahler all await in generations to come....

Many thanks!
Ken</description>
		<content:encoded><![CDATA[<p>Hi Zoltan- We&#8217;ll make a Haydn fan of you yet! Harnoncourt is one of the more interesting Haydn guys, to be sure, and his 45 is very thought provoking. Well worth hearing.</p>
<p>Still, whether it&#8217;s Haydn or Vivaldi or later music, there&#8217;s more to be learned from the scores themselves than from past or current performers. With Haydn and Schumann, the accrued misconceptions about them and their work is actually destructive, where with Brahms its probably more a matter of there being a bit of complacency. Still, the scores have so much to teach us, and it&#8217;s so much better to read them without prejudice&#8230;&#8230; Hopefully the best Beethoven and Haydn and Schumann and Mahler all await in generations to come&#8230;.</p>
<p>Many thanks!<br />
Ken</p>
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		<title>By: Zoltan</title>
		<link>http://kennethwoods.net/blog1/2009/06/22/a-fierce-farewell/comment-page-1/#comment-76819</link>
		<dc:creator>Zoltan</dc:creator>
		<pubDate>Tue, 23 Jun 2009 11:36:32 +0000</pubDate>
		<guid isPermaLink="false">http://kennethwoods.net/blog1/2009/06/22/a-fierce-farewell/#comment-76819</guid>
		<description>You&#039;re on to something here Ken! Reading this post I got reminded how baroque music (Vivaldi especially) sounds different nowadays than from recordings 30 years ago: too tame. Maybe that&#039;s what Haydn needs as well.
Perhaps it&#039;s time for me to dig into Haydn with Harnoncourt!</description>
		<content:encoded><![CDATA[<p>You&#8217;re on to something here Ken! Reading this post I got reminded how baroque music (Vivaldi especially) sounds different nowadays than from recordings 30 years ago: too tame. Maybe that&#8217;s what Haydn needs as well.<br />
Perhaps it&#8217;s time for me to dig into Haydn with Harnoncourt!</p>
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		<title>By: Woah &#124; The Wrong End of a Telescope</title>
		<link>http://kennethwoods.net/blog1/2009/06/22/a-fierce-farewell/comment-page-1/#comment-76799</link>
		<dc:creator>Woah &#124; The Wrong End of a Telescope</dc:creator>
		<pubDate>Mon, 22 Jun 2009 16:16:21 +0000</pubDate>
		<guid isPermaLink="false">http://kennethwoods.net/blog1/2009/06/22/a-fierce-farewell/#comment-76799</guid>
		<description>[...] Now this is great writing on music.  Posted in Uncategorized &#124;     Leave a Comment [...]</description>
		<content:encoded><![CDATA[<p>[...] Now this is great writing on music.  Posted in Uncategorized |     Leave a Comment [...]</p>
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