A new review from critic John Puccio at Classical Candor. Read the whole thing here
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A short excerpt:
….The main thing is that Maestro Kenneth Woods and his Orchestra of the Swan play both symphonies exceedingly well, which is all we really want…Maestro Woods and his team play up the more tranquil sections deftly, like the long, slow introduction and the elegiac Adagio. Still, Woods finds himself at home in the sprightly, energetic moods of the second-movement scherzo as well, catching its bouncing rhythms in easy fashion…The composer said he considered the symphony’s big, central Adagio “more consolation than funeral music,” even though it does have a very solemn tone. Nevertheless, Woods manages to make it quite affecting, quite beautiful, quite graceful; at least until the midway point when the high violins disrupt the tranquility of the setting. This is probably as close as we get in the music to Gal’s private adversities, but Woods does not overdramatize or over sentimentalize it. By the time the finale draws to a close, we recognize, at least in hands of Woods, a memorable and perhaps unfairly underappreciated work.