Re-blogged from the Bobby and Hans Campaign Indiegogo page
The countdown to our final Bobby and Hans project is underway. In one week, the orchestra will take to the stage for the first live performance of Gal’s First Symphony in over 43 years.Concert details are here.
There’s been a surge of interest in the project you made possible over the last few weeks, so we thought we might take a moment to update you.
Over at Capital Radio, music programming director Kent Teeters offers up an audio review of vol. 2.
The audiophile magazine Positive Feedback reviews vol. 3 in their most recent issue. “Woods, proves a persuasive advocate for the score, balancing an ear for detail with a sense of the music’s long line; … they produce polished, full-bodied sounds and phrase expressively.”
There’s an essay on Gal in the current issue of Listen Magazine. Ken discusses Gal’s life, music and importance, and offers a behind the scenes look into the process of learning and recording this long-lost music. “In 2009, I wrote a blog post entitled “Who is Hans Gál and why are you recording his music?” On that September morning, Gál was, in the words of one colleague, “the very best composer in the world that nobody has ever heard of.”
Fanfare Magazine has a review in their current issue for volume three in our series. “Woods’s album is a valuable addition to our understanding of the 20th-century symphony.”
Bob Shingleton, aka Pliable, cites our Indiegogo campaign in a stinging critique of classical music’s misplaced priorities. “Recordings of Hans Gal’s Symphonies by Kenneth Woods and Missy Mazolli’s opera are just two important projects that relied on crowdfunding. $13,500 was needed to deliver the acclaimed Gal Symphonies; 0.08% of the amount reportedly paid each year to Gergiev”
Radio host Rich Samuels at WORT-FM continues to broadcast performances from our series. His most recent show included the complete recording of Gal’s 2nd Symphony, which you can listen to online until Thanksgiving this week. The Gal starts at 2 hours 8 minutes
A review from Andrew Achenbach on the Classical Ear for volume 3: “Woods and the Orchestra of the Swan lend this radiant and substantial score the most eloquent and affecting advocacy, and go on to give a comparably accomplished and invigorating account of Schumann’s masterly Fourth Symphony – a strikingly fresh-faced, spontaneous-sounding display, full of illuminating touches, personable warmth and genuine freshness of new discovery. Do investigate this bold, enormously rewarding coupling.”