A new review from critic Dan Morgan at MusicWeb. Read the whole thing here. 

A short sample follows

Just Released- Volume Three of the Complete Symphonies of Hans Gal and Robert Schumann

The Second Symphony opens with a most unsettling string theme that blossoms into a mellifluous, pulsing tune whose mood and manner might well suggest pared-down Bruckner. Structurally it’s more tightly drawn – no dancing mountains here – and in that sense Gál’s musical language tends to look backwards more than it does forward. That’s not a criticism, merely a marker, for it’s clear this music inhabits a strange, half-lit world between the warm Romanticism of the 19^th century and the cooler climes of the 20^th. That said, the gloaming is occasionally pierced with shafts of pure, unexpected loveliness.

This band plays with admirable finesse and concentration, and the recording is clean and well focused. Gál’s textures – often spare, but never emaciated – are alleviated somewhat by the greater amplitude and more rhythmically alert Allegro energico. At times there’s a hint of Mahler in dancerly mode, but what strikes one most forcibly is Gál’s propensity for periods of lucence and chamber-like intensity. It’s a persuasive mix, and there are no longueurs to speak of. As for that gorgeous Adagio, with its haunting cello line at the outset, it’s startling in its blend of radiance and gravitas. Eloquent playing, too.