Mahler 6: Some of the reasons why I conduct Scherzo-Andante (and why I could be wrong)

There are few more contentious subjects amongst Mahlerians than the order of movements in the 6th Symphony. As part of the Performer’s Perspective series last year, I tried to explain what a big and fairly complicated question it is. More recently, as part of my interview with Erik Klackner the other day at Everything but […]

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