{"id":1054,"date":"2009-11-04T11:44:40","date_gmt":"2009-11-04T10:44:40","guid":{"rendered":"http:\/\/kennethwoods.net\/blog1\/?page_id=1054"},"modified":"2021-07-25T16:34:40","modified_gmt":"2021-07-25T15:34:40","slug":"bio","status":"publish","type":"page","link":"https:\/\/kennethwoods.net\/blog1\/bio\/","title":{"rendered":"Biography"},"content":{"rendered":"

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“The charismatic American conductor, Kenneth Woods\u201d\u00a0 <\/strong>\"\"<\/a><\/h3>\n

Hailed by Gramophone Magazine as \u201ca symphonic conductor of stature\u201d, American conductor Kenneth Woods was appointed Artistic Director and Principal Conductor of the English Symphony Orchestra in 2013, and has quickly built up an impressive and acclaimed body of work with them. Woods was also recently appointed Artistic Director of both the Colorado MahlerFest \u2013 the only US organisation other than the New York Philharmonic to receive the International Gustav Mahler Society\u2019s Gold Medal \u2013 and the Elgar Festival in Worcester.<\/p>\n

As a guest, Woods has conducted ensembles including the National Symphony Orchestra (Washington), Royal Philharmonic Orchestra, Cincinnati Symphony, BBC National Orchestra of Wales, Budapest Festival Orchestra, Royal Northern Sinfonia and the English Chamber Orchestra, and has made numerous broadcasts for BBC Radio 3, National Public Radio and the Canadian Broadcasting Corporation. He has appeared on the stages of some of the world\u2019s leading music festivals, such as Aspen, Scotia and Lucerne.<\/p>\n

Under Kenneth Woods\u2019 leadership, the English Symphony Orchestra has gained widespread recognition as one of the most innovative and influential orchestras in the UK. They received Classical Music Magazine\u2019s \u201cPremiere of the Year\u201d plaudit for both Donald Fraser\u2019s orchestration of the Elgar Piano Quintet in 2015 and John Joubert\u2019s opera Jane Eyre in 2016. Jane Eyre also marked the ESO\u2019s first foray into opera, and the premiere and subsequent Somm Recordings CD were both received with international critical acclaim including a string of five-star reviews, Disc of the Month and MusicWeb Opera Recording of the Year nods, and was named the Birmingham Post\u2019s \u201cclassical music highlight of 2016.”<\/p>\n

The first of Woods\u2019 many acclaimed ESO discs was volume one in the Complete Piano Concertos of Ernst Krenek, selected by The Times as one of their \u201cBest Recordings of 2016,\u201d with Volume 2 chosen by Forbes Magazine as one of their \u201cTop 11 Classical CDs of 2017.\u201d Their recording of Fraser\u2019s Elgar orchestrations for Avie was a Classic FM Disc of the Month, and An Eventful Morning in East London (a collection of 21st Century violin concertos with soloist Harriet Mackenzie) for Nimbus received a five-star review in The Times. Woods\u2019 recording of his own orchestration of Brahms\u2019 Piano Quartet in A major was chosen by The Arts Desk as one of their Top Ten Classical CDs of 2018.<\/p>\n

In 2016, Woods and the ESO launched their \u201c21st Century Symphony Project,\u201d an ambitious multi-year effort to commission, premiere and record nine new symphonies by leading composers, with Philip Sawyers\u2019 Third Symphony, a work described by ClassicalSource as \u201ca masterpiece\u201d following its triumphant St John\u2019s Smith Square premiere in 2017. In 2018 The Spectator selected the premiere of the second work in the 21CSP, David Matthews\u2019 Ninth Symphony, as one of the top-10 classical concerts of 2018. In 2019, the ESO premiered Matthew Taylor\u2019s Fifth Symphony at Cadogan Hall, and this work was welcomed by Robert Matthew-Walker, editor of Musical Opinion as \u201ca masterwork of genuine symphonic thinking.\u201d<\/p>\n

Highlights in 2018-19 included the ESO\u2019s sold-out debut at St George\u2019s Bristol with Sheku Kanneh-Mason, a triumphant return to the Orchestra of the Swan with two programmes combining Mahler symphonies with the music of David Matthews, world-premiere recordings of three new symphonies by Christopher Gunning for Signum with the BBC National Orchestra of Wales, a gala concert with the North Czech Philharmonic at Prague Castle and the ESO\u2019s first foray into Wagnerian opera with a performance of Act One of Die Walk\u00fcre. As Artistic Director of the Colorado MahlerFest, Ken has overseen an expansion of the artistic program, introducing a new chamber orchestra concert alongside an acclaimed final concert which included Mahler\u2019s First Symphony and the Korngold Violin Concerto. In his second year as Artistic Director of the Elgar Festival, Ken conducted the ESO and Raphael Wallfisch in the official 100th<\/sup> Anniversary performance of Elgar\u2019s iconic Cello Concerto in a gala concert at Worcester Cathedral which crowned a week of sold-out concerts.<\/p>\n

2019-20 saw Woods making his debut with the Madison Symphony Orchestra in a program featuring Richard Strauss\u2019s Ein Heldenleben<\/em>. At the ESO he was joined by Nicola Benedetti for the Elgar Violin Concerto, and Isata Kanneh-Mason and Alexander Sitkovetsky for piano and violin concertos by Ludwig van Beethoven as part of the orchestra\u2019s year-long celebration of that composers 250th<\/sup> birthday.<\/p>\n

Following the March 2020 Covid-19 lockdown, Ken the the English Symphony Orchestra to one of the earliest and most acclaimed returns to work of any orchestra. Through their “Music from Wyastone” series of virtual concerts, the ESO presented dozens of world-premieres of new works and new arrangements, all recorded in hi-res audio and video. Highlights have included a chamber version of Mahler’s Ninth Symphony, Bart\u00f3k’s Bluebeard’s Castle, composer portrait concerts showcasing the music of Steven Gerber and Adrian Williams and a series of new storytelling works for children narrated by Hugh Bonneville, Gemma Whelan, Henry Goodman and Davood Ghadami.<\/p>\n

A widely read writer and frequent broadcaster, Woods\u2019 blog, A View from the Podium, is one of the 25 most popular classical blogs in the world. He has spoken on Mahler on NPR\u2019s All Things Considered and is a regular speaker on BBC radio programmes. Since 2014, he has been Honorary Patron of the Hans G\u00e1l Society.<\/p>\n