{"id":4233,"date":"2012-05-26T11:09:38","date_gmt":"2012-05-26T10:09:38","guid":{"rendered":"http:\/\/kennethwoods.net\/blog1\/?page_id=4233"},"modified":"2012-05-29T23:38:43","modified_gmt":"2012-05-29T22:38:43","slug":"features-news-and-profiles","status":"publish","type":"page","link":"https:\/\/kennethwoods.net\/blog1\/bio\/crits-bits\/features-news-and-profiles\/","title":{"rendered":"Features, news and profiles"},"content":{"rendered":"

Features, news and profiles<\/h2>\n

New York times (feature)<\/a><\/strong><\/p>\n

The Classical Review- Feature Interview by Colin
\n<\/a>Anderson<\/a><\/strong><\/p>\n

Classical Music Magazine- Interview by Phil Somerich
\n<\/a>“Bold Advocate”<\/a><\/strong><\/p>\n

Washington Post (Feature)<\/a><\/strong><\/p>\n

Gramophone<\/a>\u00a0Blogwatch<\/strong><\/p>\n

Classical Music Magazine “My Kind of Gal”<\/strong><\/a><\/p>\n

Classical Music Magazine- Premiere of\u00a0<\/a>the Fortnight<\/a><\/strong><\/p>\n

“The Most Dangerous Man in Music\u00a0<\/a>History”- Kansas City
\n<\/a>Examiner\u00a0<\/a>Woods\/Haydn<\/a><\/strong><\/p>\n

The Oregonian (Feature<\/a>–\u00a0<\/a>Woods\/Haydn<\/a>) (August\u00a0<\/a>2009)<\/a><\/strong><\/p>\n

“Kenneth Woods’ OES Swan Song”\u00a0<\/a>(<\/a>East Oregonian
\n<\/a>Feature)<\/a><\/strong><\/p>\n

Birmingham Post Feature<\/a><\/strong><\/p>\n

Musical America\u00a0<\/a>(<\/a>Feature on\u00a0<\/a>NCI 2001<\/a>)<\/a><\/strong><\/p>\n

The Oregonian<\/a>\u00a0(Feature- OES\/Mahler 1)<\/a><\/strong><\/p>\n

Washington Post (Review)<\/a><\/strong><\/p>\n

Daily News Tribune<\/a>\u00a0(Woods\/Rock n’ Roll\u00a0<\/a>Feature)<\/a>\u00a0(June
\n<\/a>’09<\/a>)<\/a><\/strong><\/p>\n

Newburyport Arts Journal (June 09)<\/a><\/strong><\/p>\n