{"id":8034,"date":"2018-01-01T23:38:26","date_gmt":"2018-01-01T22:38:26","guid":{"rendered":"http:\/\/kennethwoods.net\/blog1\/?page_id=8034"},"modified":"2018-01-01T23:39:34","modified_gmt":"2018-01-01T22:39:34","slug":"john-joubert-jane-eyre-an-opera","status":"publish","type":"page","link":"https:\/\/kennethwoods.net\/blog1\/bio\/discography\/john-joubert-jane-eyre-an-opera\/","title":{"rendered":"John Joubert- Jane Eyre, An Opera"},"content":{"rendered":"<h2><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-7721\" src=\"http:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2017\/03\/jane-eyre-cover.jpg\" alt=\"\" width=\"400\" height=\"400\" srcset=\"https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2017\/03\/jane-eyre-cover.jpg 600w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2017\/03\/jane-eyre-cover-420x420.jpg 420w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2017\/03\/jane-eyre-cover-90x90.jpg 90w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2017\/03\/jane-eyre-cover-150x150.jpg 150w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2017\/03\/jane-eyre-cover-300x300.jpg 300w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2017\/03\/jane-eyre-cover-570x570.jpg 570w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2017\/03\/jane-eyre-cover-380x380.jpg 380w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2017\/03\/jane-eyre-cover-285x285.jpg 285w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/>MusicWeb International Recording of the Year, 2017<\/h2>\n<p>Planet Hugill- Top Recordings of 2017<\/p>\n<p>\u201cFive stars&#8230;strongly recommended.\u201d\u00a0 &#8211; Guy Rickards, Musical Opinion<\/p>\n<p>&#8220;&#8230;.a sensual, melodic score that despite employing only [22-]35 players sounds rich and full with sensitively integrated orchestral piano and substantially deployed percussion leading the powerful climaxes\u201d\u00a0 &#8211; Clive Paget, Limelight Magazine (Australia)<\/p>\n<p>\u201cJoubert\u2019s\u00a0Jane Eyre\u00a0communicates much about the particularities of individual human experience&#8230;The joyful warmth of the impassioned reunion scene leads to a transcendent closing duet.\u201d \u00a0&#8211; Claire Seymour, Opera Today<\/p>\n<p>\u201cFive stars. It\u2019s a thrilling, emotional experience characterised by a score rich in feeling (variously conjuring Wagner, Strauss, Puccini, Britten and others) and dramatic focus.\u201d &#8211; Michael Quinn, The Classical Ear<\/p>\n<p><a href=\"http:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2018\/01\/JE-Programme-WEB.pdf\"><strong>LEARN MORE<\/strong><\/a><\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:100px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"https:\/\/kennethwoods.net\/blog1\/bio\/discography\/john-joubert-jane-eyre-an-opera\/\" send=\"false\" layout=\"box_count\" width=\"450\" show_faces=\"true\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>MusicWeb International Recording of the Year, 2017 Planet Hugill- Top Recordings of 2017 \u201cFive stars&#8230;strongly recommended.\u201d\u00a0 &#8211; Guy Rickards, Musical Opinion &#8220;&#8230;.a sensual, melodic score that despite employing only [22-]35 players sounds rich and full with sensitively integrated orchestral piano and substantially deployed percussion leading the powerful climaxes\u201d\u00a0 &#8211; Clive Paget, Limelight Magazine (Australia) \u201cJoubert\u2019s\u00a0Jane [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7718,"parent":4172,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-8034","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/pages\/8034","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/comments?post=8034"}],"version-history":[{"count":2,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/pages\/8034\/revisions"}],"predecessor-version":[{"id":8036,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/pages\/8034\/revisions\/8036"}],"up":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/pages\/4172"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/media\/7718"}],"wp:attachment":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/media?parent=8034"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}