{"id":1192,"date":"2009-12-20T20:34:04","date_gmt":"2009-12-20T19:34:04","guid":{"rendered":"http:\/\/kennethwoods.net\/blog1\/?p=1192"},"modified":"2009-12-20T22:04:21","modified_gmt":"2009-12-20T21:04:21","slug":"2009-repertoire-report-paavo-jarvi","status":"publish","type":"post","link":"https:\/\/kennethwoods.net\/blog1\/2009\/12\/20\/2009-repertoire-report-paavo-jarvi\/","title":{"rendered":"2009 Repertoire Report- Paavo Jarvi"},"content":{"rendered":"<p>David from Cincinnati has kindly taken up my suggestion, and collated<a href=\"http:\/\/www.paavojarvi.com\/dates.htm\" target=\"_blank\"> Paavo Jarvi\u2019s repertoire for 2009 based on the listing of programs on his website.<\/a> David writes that after watching Paavo\u2019s work for many years with the CSO he considers him his favorite conductor. Paavo&#8217;s <a href=\"http:\/\/kennethwoods.net\/blog1\/2008\/12\/16\/conductor-repertoire-report-paavo-jarvi-2009\/\">2008 Repertoire Report is here.<\/a><\/p>\n<p>As with last year, the list shows Paavo very much carving out a niche as a big-time maestro in the classic, Central European mode. Compared with last year, there is less Russian, Scandavian and Baltic repertoire and even more Germanic and Hungarian repertoire, balanced with a lot of Bernstein and Britten.<\/p>\n<p>It\u2019s also interesting to see just how incredibly selective Paavo is with soloists- he obviously has a team of colleagues he is comfortable working with.<\/p>\n<p>Some obvious riffs leap out at me- the Beethoven cycle, lots of Bartok and Bernstein, the 3 concertos of Schumann. No opera for Paavo this year, and very little choral music- Beethoven 9, Mahler 2, Mozart C minor Mass and the Brahms German Requiem. Only three living composers on his list- Marc-Andre Dalbavie, Erkki Sven Tuur and Arvo Part. Exactly 104 works in all for Paavo this year.<\/p>\n<p>What works have you performed this year? What has your local symphony done in 2009? Submit your 2009 repertoire report via info@kennethwoods.net<\/p>\n<p>1-\u00a0\u00a0\u00a0\u00a0\u00a0 Barber: Knoxville: Summer of 1915<\/p>\n<p><!--more--><\/p>\n<p>2-\u00a0\u00a0\u00a0\u00a0\u00a0 Barber: Adagio for Strings<\/p>\n<p>3-\u00a0\u00a0\u00a0\u00a0\u00a0 Bart\u00f3k: Music for Percussion, Strings, and Celesta<\/p>\n<p>4-\u00a0\u00a0\u00a0\u00a0\u00a0 Bart\u00f3k: Concerto for Orchestra<\/p>\n<p>5-\u00a0\u00a0\u00a0\u00a0\u00a0 Bart\u00f3k: Piano Concerto No.1 (Goodyear)<\/p>\n<p>6-\u00a0\u00a0\u00a0\u00a0\u00a0 Bart\u00f3k: Concerto for violin and orchestra No.1 (Janine Jansen)<\/p>\n<p>7-\u00a0\u00a0\u00a0\u00a0\u00a0 Bart\u00f3k: Violin Concerto (Tetzlaff)<\/p>\n<p>8-\u00a0\u00a0\u00a0\u00a0\u00a0 Bart\u00f3k: Two Portraits<\/p>\n<p>9-\u00a0\u00a0\u00a0\u00a0\u00a0 Bart\u00f3k: Dance Suite<\/p>\n<p>10-\u00a0 Bart\u00f3k: Rhapsodie for violin and orchestra (Janine Jansen)<\/p>\n<p>11-\u00a0 Beethoven: Overture &#8220;Die Weihe des Hauses&#8221;<\/p>\n<p>12-\u00a0 Beethoven: Meeresstille und gl\u00fcckliche Fahrt<\/p>\n<p>13-\u00a0 Beethoven: Violin Concerto (Janine Jansen)<\/p>\n<p>14-\u00a0 Beethoven: Concerto for Piano, Violin, Cello and Orchestra C major (Tetzlaff, Tetzlaff, Vogt<\/p>\n<p>15-\u00a0 Beethoven: Concerto for Piano No. 1 C major (Leonskaja)<\/p>\n<p>16-\u00a0 Beethoven: Piano Concerto No. 2 (Lang Lang)<\/p>\n<p>17-\u00a0 Beethoven: Piano Concerto No.4<\/p>\n<p>18-\u00a0 Beethoven: Symphony No 1<\/p>\n<p>19-\u00a0 Beethoven: Symphony No 2<\/p>\n<p>20-\u00a0 Beethoven: Symphony No 3<\/p>\n<p>21-\u00a0 Beethoven: Symphony No 4<\/p>\n<p>22-\u00a0 Beethoven: Symphony No 5<\/p>\n<p>23-\u00a0 Beethoven: Symphony No 6<\/p>\n<p>24-\u00a0 Beethoven: Symphony No 7<\/p>\n<p>25-\u00a0 Beethoven: Symphony No 8<\/p>\n<p>26-\u00a0 Beethoven: Symphony No 9<\/p>\n<p>27-\u00a0 Berlioz: Orchestral Music from Romeo and Juliet<\/p>\n<p>28-\u00a0 Berlioz: Roman Carneval Overture<\/p>\n<p>29-\u00a0 Bernstein: Divertimento for Orchestra<\/p>\n<p>30-\u00a0 Bernstein: Serenade (Gluzman)<\/p>\n<p>31-\u00a0 Bernstein: Overture to Candide<\/p>\n<p>32-\u00a0 Bernstein: Symphonic Dances from West Side Story<\/p>\n<p>33-\u00a0 Bizet: Jeux d&#8217;enfants, petite suite d&#8217;orchestre<\/p>\n<p>34-\u00a0 Bizet: Symphony No.1 in C major<\/p>\n<p>35-\u00a0 Borodin: Polovtsian Dances from Prince Igor<\/p>\n<p>36-\u00a0 Boulez: Notations VII<\/p>\n<p>37-\u00a0 Brahms: Violin Concerto<\/p>\n<p>38-\u00a0 Brahms: Piano Concerto No.1 (Angelich)<\/p>\n<p>39-\u00a0 Brahms: Piano Concerto No.2 (Bronfman)<\/p>\n<p>40-\u00a0 Brahms: Ein Deutsches Requiem<\/p>\n<p>41-\u00a0 Brahms: Symphony No.1<\/p>\n<p>42-\u00a0 Britten: American Overture<\/p>\n<p>43-\u00a0 Britten: Sinfonia da Requiem<\/p>\n<p>44-\u00a0 Bruckner: Symphony No.2<\/p>\n<p>45-\u00a0 Bruckner: Symphony No.4<\/p>\n<p>46-\u00a0 Bruckner: Symphony No.5<\/p>\n<p>47-\u00a0 Copland: Fanfare for the Common Man<\/p>\n<p>48-\u00a0 Dalbavie: Flute Concerto (US premi\u00e8re)<\/p>\n<p>49-\u00a0 Debussy: La mer<\/p>\n<p>50-\u00a0 Dvo\u0159\u00e1k: Symphonic Variations<\/p>\n<p>51-\u00a0 Dvo\u0159\u00e1k: Symphony No.7<\/p>\n<p>52-\u00a0 Dvo\u0159\u00e1k: Symphony No. 9 &#8216;From the New World&#8217;<\/p>\n<p>53-\u00a0 Faur\u00e9: Dolly Suite<\/p>\n<p>54-\u00a0 Gershwin: Rhapsody in Blue (Krystian Zimerman)<\/p>\n<p>55-\u00a0 Haydn: Symphony No.82 (&#8220;The Bear&#8221;)<\/p>\n<p>56-\u00a0 Hindemith: Symphony &#8220;Mathis der Maler&#8221;<\/p>\n<p>57-\u00a0 Hindemith: Violin Concerto (Zimmermann)<\/p>\n<p>58-\u00a0 Kagel: \u00c9tude No.3<\/p>\n<p>59-\u00a0 Kod\u00e1ly: Concerto for Orchestra<\/p>\n<p>60-\u00a0 Ligeti: Concert rom\u00e2nesc<\/p>\n<p>61-\u00a0 Mahler, arr. Britten: What the Wild Flowers tell me<\/p>\n<p>62-\u00a0 Mahler: Symphony No.1 (&#8220;Titan&#8221;)<\/p>\n<p>63-\u00a0 Mahler: Symphony No.2 (&#8220;Resurrection&#8221;)<\/p>\n<p>64-\u00a0 Mahler: Symphony No.9<\/p>\n<p>65-\u00a0 Mahler: Totenfeier<\/p>\n<p>66-\u00a0 Martin\u016f: Die Fresken des Piero della Francesca<\/p>\n<p>67-\u00a0 Mendelssohn: Violin Concerto (Jansen)<\/p>\n<p>68-\u00a0 Mendelssohn: Symphony No.3 (Scottish)<\/p>\n<p>69-\u00a0 Messiaen: Les offrandes oubli\u00e9es<\/p>\n<p>70-\u00a0 Messiaen: Le Tombeau resplendissant<\/p>\n<p>71-\u00a0 Mozart: Mass in C minor<\/p>\n<p>72-\u00a0 Mozart: Piano Concerto No.21 (Lortie)<\/p>\n<p>73-\u00a0 Nielsen: Symphony No. 2<\/p>\n<p>74-\u00a0 P\u00e4rt: Cantus in Memoriam Benjamin Britten<\/p>\n<p>75-\u00a0 Prokofiev: Sinfonia concertante<\/p>\n<p>76-\u00a0 Prokofiev: Romeo and Juliet Suite<\/p>\n<p>77-\u00a0 Prokofiev: Symphony No.6<\/p>\n<p>78-\u00a0 Poulenc\/Berkely: Flute Sonata (Pahud)<\/p>\n<p>79-\u00a0 Rachmaninoff: Symphony No.2<\/p>\n<p>80-\u00a0 Ravel: Piano Concerto in G major (Alice Sara Ott)<\/p>\n<p>81-\u00a0 Saint-Sa\u00ebns: Symphony No.3 (&#8220;Organ Symphony&#8221;)<\/p>\n<p>82-\u00a0 Schumann: Cello Concerto (M\u00f8rk)<\/p>\n<p>83-\u00a0 Schumann: Violin Concerto (Tetzlaff)<\/p>\n<p>84-\u00a0 Schumann: Piano Concerto (Radu Lupu)<\/p>\n<p>85-\u00a0 Schumann: Symphony No.1 (&#8220;Spring Symphony&#8221;)<\/p>\n<p>86-\u00a0 Schumann: Symphony No.3 &#8216;Rhenish&#8217;<\/p>\n<p>87-\u00a0 Schumann: Symphony No.4<\/p>\n<p>88-\u00a0 Shostakovich: Symphony No.6<\/p>\n<p>89-\u00a0 Sibelius: Violin Concerto (Sayaka Shoji)<\/p>\n<p>90-\u00a0 Strauss: Concertino<\/p>\n<p>91-\u00a0 Strauss: Oboe Concerto (Leleux)<\/p>\n<p>92-\u00a0 Strauss: Till Eulenspiegel&#8217;s Merry Pranks<\/p>\n<p>93-\u00a0 Strauss:\u00a0<em>Freundliche Vision; Zueignung; Winterweihe; Verf\u00fchrung<\/em><em><br \/>\n<\/em>Rene\u00e9 Fleming, soprano<\/p>\n<p>94-\u00a0 Stravinsky: Pulcinella Suite<\/p>\n<p>95-\u00a0 Stravinsky: Petrushka<\/p>\n<p>96-\u00a0 Stravinsky: The Rite of Spring<\/p>\n<p>97-\u00a0 Tchaikovsky: Violin Concerto (Alina Pogostkina)<\/p>\n<p>98-\u00a0 Tchaikovsky: Symphony No.5<\/p>\n<p>99-\u00a0 T\u00fc\u00fcr: New work (world premi\u00e8re)<\/p>\n<p>100-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tchaikovsky: Piano Concerto No.2 (Matsuev)<\/p>\n<p>101-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 T\u00fc\u00fcr: Symphony No. 7 (U.S. premiere)<\/p>\n<p>102-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 T\u00fc\u00fcr: The Path and the Traces (US premi\u00e8re)<\/p>\n<p>103-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Wagner: Vorspiel und Liebestod from Tristan und Isolde<\/p>\n<p>104-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Webern: Langsamer Satz<\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:100px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"https:\/\/kennethwoods.net\/blog1\/2009\/12\/20\/2009-repertoire-report-paavo-jarvi\/\" send=\"false\" layout=\"box_count\" width=\"450\" show_faces=\"true\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>David from Cincinnati has kindly taken up my suggestion, and collated Paavo Jarvi\u2019s repertoire for 2009 based on the listing of programs on his website. David writes that after watching Paavo\u2019s work for many years with the CSO he considers him his favorite conductor. Paavo&#8217;s 2008 Repertoire Report is here. As with last year, the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[58],"tags":[209,1070],"class_list":["post-1192","post","type-post","status-publish","format-standard","hentry","category-repertoire-reports","tag-jarvi","tag-repertoire-reports"],"_links":{"self":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/1192","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/comments?post=1192"}],"version-history":[{"count":3,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/1192\/revisions"}],"predecessor-version":[{"id":1195,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/1192\/revisions\/1195"}],"wp:attachment":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/media?parent=1192"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/categories?post=1192"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/tags?post=1192"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}