We thought it would be interesting to combine the repertoire reports from 2007-9 to see if there are any interesting trends which emerge. Each year tends to have its own quirks, but over 3, one should be able to get a pretty balanced sense of what my interests are. Still, there are some glaring aberrations here- I love Bartok more than most composers, yet I\u2019ve not done a piece of his in the last 3 years. How awful!<\/p>\n
You can see a side by side listing of the 3 years here<\/a>. By a bizarre coincidence, I ended up performing almost exactly the same number of works in each of the last 3 years- 75, 75 and 76. Out of a possible 225 \u00a0works, we ended up with 206 distinct titles, which means there is remarkably little overlap from season to season. Most of the overlapping pieces are things like Beethoven and the late Mozart symphonies. The one piece that stands out as being something I\u2019ve done in all 3 years is Elgar 1- not an obvious choice, but a wonderful one!<\/p>\n There are 17 works of Beethoven- all but one (the 9th<\/sup>) of the Symphonies, and the relative rarities of the Serioso Quartet and Leonore 2, 12 works of Haydn and 20 by Mozart, which is a bit of a surprise for someone who considers Haydn the great composer. Arnold shows up 4 times in spite of the fact that I\u2019m not a huge, huge fan of his music, and Khatchaturian twice- I\u2019d gladly trade all of those for some Bartok.<\/p>\n <\/p>\n 1-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Arnold- Guitar Concerto<\/p>\n 2-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Arnold- Scottish Dances<\/p>\n 3-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Arnold- Piano Trio # \u00a0*<\/p>\n 4-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Arnold- Serenade for Guitar and Strings<\/p>\n 5-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Barber- Adagio for Strings<\/p>\n 6-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Beethoven- Egmont Overture<\/p>\n 7-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Beethoven- Leonore Overture No. 2<\/p>\n 8-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Beethoven- Coriolan Overture<\/p>\n 9-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Beethoven- Leonore Overture no. 3<\/p>\n 10-\u00a0\u00a0 Beethoven arr. Mahler- String Quartet in F Minor Op. 95 \u201cSerioso\u201d<\/p>\n 11-\u00a0\u00a0 Beethoven- String Quartet in F major, op 18 no. 1 *.<\/p>\n 12-\u00a0\u00a0 Beethoven- Piano Trio in D Major, op. 70 no. 1 \u201cGhost\u201d \u00a0*<\/p>\n 13-\u00a0\u00a0 Beethoven- Piano Concerto no. 4<\/p>\n 14-\u00a0\u00a0 Beethoven- String Trio in C minor, op 9 no 3.<\/p>\n 15-\u00a0\u00a0 Beethoven- String Trio in G major, op 9 no. 1 VC<\/p>\n 16-\u00a0\u00a0 Beethoven- Symphony no. 1 (2)<\/p>\n 17-\u00a0\u00a0 Beethoven- Symphony no. 2 in D major<\/p>\n 18-\u00a0\u00a0 Beethoven- Symphony no. 4<\/p>\n 19-\u00a0\u00a0 Beethoven- Symphony No. 5 in C minor<\/p>\n 20-\u00a0\u00a0 Beethoven- Symphony no. 6 in F Major \u201cPastoral\u201d<\/p>\n 21-\u00a0\u00a0 Beethoven Symphony no. 7<\/p>\n 22-\u00a0\u00a0 Beethoven- Symphony no. 8 in F major<\/p>\n 23-\u00a0\u00a0 Bloch- Concerto Grosso no 2.<\/p>\n 24-\u00a0\u00a0 Bloch- Schelomo: Hebraic Rhapsody for Cello and Orchestra<\/p>\n 25-\u00a0\u00a0 Bloch- Suite for Cello and Orchestra<\/p>\n 26-\u00a0\u00a0 Brahms- Clarinet Quintet *<\/p>\n 27-\u00a0\u00a0 Brahms- Academic Festival Overture<\/p>\n 28-\u00a0\u00a0 Brahms- Piano Concerto no. 1 in D minor<\/p>\n 29-\u00a0\u00a0 Brahms- Double Concerto in A Minor for Violin and Cello *<\/p>\n 30-\u00a0\u00a0 Brahms- Serenade in D Major, op 11<\/p>\n 31-\u00a0\u00a0 Brahms- Symphony No. 1 in C minor<\/p>\n 32-\u00a0\u00a0 Brahms- Symphony no. 2 in D major<\/p>\n 33-\u00a0\u00a0 Britten- Simple Symphony<\/p>\n 34-\u00a0\u00a0 Brown<\/a>– Novara (Welsh Premiere)<\/p>\n 35-\u00a0\u00a0 Bruckner- Symphony no. 4 in E Flat Major \u201cRomantic\u201d<\/p>\n 36-\u00a0\u00a0 Chambers, Evan- String Quartet \u201cThree Memories\u201d<\/p>\n 37-\u00a0\u00a0 Chambers- The Tall-Eared Fox and the Wild-Eyed Man (UK Premiere)<\/p>\n 38-\u00a0\u00a0 Chopin- \u00a0Piano Concerto no. 1 in E minor<\/p>\n 39-\u00a0\u00a0 Copland- Appalachian Spring (13 Instrument Version) m #<\/p>\n 40-\u00a0\u00a0 Copland- Suite from “Rodeo”<\/p>\n 41-\u00a0\u00a0 Copland- Quiet City<\/p>\n 42-\u00a0\u00a0 Debussy- Cello Sonata VC<\/p>\n 43-\u00a0\u00a0 Debussy- Prelude to the Afternoon of a Faun<\/p>\n 44-\u00a0\u00a0 Debussy- Nuages and Fetes from Three Nocturnes<\/p>\n 45-\u00a0\u00a0 Dohnanyi- Serenade for String Trio VC<\/p>\n 46-\u00a0\u00a0 Downie<\/a>– forms 7 (World Premiere Commission)<\/p>\n 47-\u00a0\u00a0 Dvorak- Romance for Violin<\/p>\n 48-\u00a0\u00a0 Dvorak- Husitska Overture<\/p>\n 49-\u00a0\u00a0 Dvorak- Serenade for Winds<\/p>\n 50-\u00a0\u00a0 Dvorak Slavonic Dances op 46 and 72<\/p>\n 51-\u00a0\u00a0 Dvorak- Symphony no. 9 “From the New World”<\/p>\n 52-\u00a0\u00a0 Elgar- Cello Concerto in E Minor\u00a0VC<\/p>\n 53-\u00a0\u00a0 Elgar- Cockaigne Overture<\/p>\n 54-\u00a0\u00a0 Elgar- Serendade for Strings<\/p>\n 55-\u00a0\u00a0 Elgar- Symphony no. 1 in A flat Major<\/p>\n 56-\u00a0\u00a0 Elgar- Variations on an Original Theme (Enigma), Op. 36<\/p>\n 57-\u00a0\u00a0 \u00a0Elgar- Violin Concerto<\/p>\n 58-\u00a0\u00a0 Espinosa- Movement for Strings (World Premiere)<\/p>\n 59-\u00a0\u00a0 Faur\u00e9- Suite from \u201cPelleas and Melisande\u201d<\/p>\n 60-\u00a0\u00a0 Gal- Concertino for Violin and Strings<\/p>\n 61-\u00a0\u00a0 Gal- Concerto for Violin and Chamber Orchestra<\/p>\n 62-\u00a0\u00a0 Gal- Triptych<\/p>\n 63-\u00a0\u00a0 Gershwin- An American in Paris<\/p>\n 64-\u00a0\u00a0 Ginasterra- Harp Concerto<\/p>\n 65-\u00a0\u00a0 Glinka- Kamarinskaya<\/p>\n 66-\u00a0\u00a0 Glinka Overture to Russlan and Ludmilla<\/p>\n 67-\u00a0\u00a0 Gregson- Trombone Concerto<\/p>\n 68-\u00a0\u00a0 Grieg- Piano Concerto in A Minor<\/p>\n 69-\u00a0\u00a0 Handel- Messiah (complete)<\/p>\n 70-\u00a0\u00a0 Haydn- Cello Concerto no. 1 in C major<\/p>\n 71-\u00a0\u00a0 Haydn- Cello Concerto no. 2 in D major<\/p>\n 72-\u00a0\u00a0 Haydn- Sinfonia Concertante for Oboe, Bassoon, Violin and Cello<\/p>\n 73-\u00a0\u00a0 Haydn- Symphony no. 45 “Farewell”<\/p>\n 74-\u00a0\u00a0 Haydn- Symphony no. 59 in A Major, \u201cFire Symphony\u201d<\/p>\n 75-\u00a0\u00a0 Haydn- Symphony no. 60 “Il Distratto\u201d<\/p>\n 76-\u00a0\u00a0 Haydn- Symphony no. 72<\/p>\n 77-\u00a0\u00a0 Haydn- Symphony no. 86 in D Major<\/p>\n 78-\u00a0\u00a0 Haydn- Symphony no. 92 \u201cOxford<\/p>\n 79-\u00a0\u00a0 Haydn-<\/a> Symphony no. 94 “Surprise”.<\/p>\n 80-\u00a0\u00a0 Haydn- Symphony no. 101 \u201cThe Clock<\/p>\n 81-\u00a0\u00a0 Haydn- Symphony no. 104<\/p>\n 82-\u00a0\u00a0 Higdon- Soprano Saxophone Concerto<\/p>\n 83-\u00a0\u00a0 Hovaness- String Trio<\/p>\n 84-\u00a0\u00a0 Ives- Symphony no. 3<\/p>\n 85-\u00a0\u00a0 Janacek- Quartet no 2 \u201cIntimate Letters\u201d *<\/p>\n 86-\u00a0\u00a0 Janacek- Pohadka for Cello and Piano VC<\/p>\n 87-\u00a0\u00a0 Khatchaturian- Violin Concerto<\/p>\n 88-\u00a0\u00a0 Khatchaturian- Sabre Dance<\/p>\n 89-\u00a0\u00a0 Klein- String Trio<\/p>\n 90-\u00a0\u00a0 Kodaly- Summer Evening<\/p>\n 91-\u00a0\u00a0 Kodaly- Dances of Galanta<\/p>\n 92-\u00a0\u00a0 Kodaly- Intermezzo for String Trio<\/p>\n 93-\u00a0\u00a0 Krasa- \u201cTanec\u201d for String Trio<\/p>\n 94-\u00a0\u00a0 Linkola- Two Miniatures for Piano Trio # *<\/p>\n 95-\u00a0\u00a0 Mahler- Ruckert Lieder<\/p>\n 96-\u00a0\u00a0 \u00a0Mahler- Symphony No. 1 in D Major<\/p>\n 97-\u00a0\u00a0 Mahler- Symphony no. 3 in D minor<\/p>\n 98-\u00a0\u00a0 Mahler- Symphony no. 4 in G major<\/p>\n 99-\u00a0\u00a0 Mahler- Symphony no. 5<\/p>\n 100-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mahler\/ arr. Schoenberg- Das Lied von der Erde (Chamber orchestra version)<\/p>\n 101-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mefano- Interferences (Mendelssohn-<\/p>\n 102-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Piano Trio in D minor UK Premiere)<\/p>\n 103-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mendelssohn- Songs Without Words<\/p>\n 104-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mendelssohn- Hebrides Overture<\/p>\n 105-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mendelssohn- Violin Concerto in E minor<\/p>\n 106-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Messiaen- Louange a l\u2019eternite de Jesus from\u201cQuartet from the End of Time\u201d *<\/p>\n 107-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart\/Bach- Adagio and Fugue in D minor for String Trio<\/p>\n 108-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Eine Kleine Nachtmusik<\/p>\n 109-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Clarinet Quintet<\/p>\n 110-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Gran Partita for Winds<\/p>\n 111-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart\/Wendt- Harmonie from Figaro<\/p>\n 112-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Overture to La Clemenza di Tito (2)<\/p>\n 113-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Impresario Overture<\/p>\n 114-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Overture to \u201cDie Zauberflote\u201d #<\/p>\n 115-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Overture to Marriage of Figaro<\/p>\n 116-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Piano Quartet in E-flatr Major # \u00a0*<\/p>\n 117-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Requiem<\/p>\n 118-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Piano Concerto No. 17 in G Major<\/p>\n 119-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Piano Concerto in A major K 488<\/p>\n 120-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Sinfonia Concertante for Violin and Viola (2)<\/p>\n 121-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Symphony no. 13<\/p>\n 122-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Symphony no. 31 \u201cParis\u201d (2)<\/p>\n 123-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Symphony no. 34 in C major<\/p>\n 124-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Symphony no. 39 in E-flat<\/p>\n 125-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart Symphony no. 40 in G minor<\/p>\n 126-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Symphony no. 41 in C Major<\/p>\n 127-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mussorgsky- A Night on Bald Mountain<\/p>\n 128-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mussorgsky (arr. Ravel)- Pictures at an Exhibition<\/p>\n 129-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nielsen- Helios Overture<\/p>\n 130-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Piston- Sinfonietta<\/p>\n 131-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Prokofiev- Concerto No. 5 for Piano and Orchestra .\u00a0\u00a0 .<\/p>\n 132-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Prokofiev- Violin Concerto no. 2 in G minor<\/p>\n 133-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Prokofiev- Sonata for Cello and Piano in C Major\u00a0VC<\/p>\n 134-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Prokofiev- Violin Concerto no2 in G minor<\/p>\n 135-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Prokofiev- Sonata for Cello and Piano in C Major\u00a0VC<\/p>\n 136-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Prokofiev- Lt Kije Suite<\/p>\n 137-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Poulenc- Sinfonietta<\/p>\n 138-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Puccini- Madama Butterfly +.<\/p>\n 139-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Rachmaninoff- Sonata for Cello and Piano<\/p>\n 140-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Rachmaninoff- Symphony no. 1 in D minor<\/p>\n 141-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ravel- Mother Goose Suite<\/p>\n 142-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Rossini- Cenerentola Overture<\/p>\n 143-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Rossini- Overture \u201cTancredi\u201d<\/p>\n 144-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0Rossini- Overture to Barber of Seville.<\/p>\n 145-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Saint-Saens- Cello Concerto in A minor<\/p>\n 146-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Saint-Saens- Cello Concerto no. 2 in D minor<\/p>\n 147-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sawyers- Gale of Life (UK Premiere)<\/p>\n 148-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Philip Sawyers-<\/a> Symphony no. 2<\/p>\n 149-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 James Schlefer-<\/a> Concerto for Shakuhachi and Chamber Orchestra<\/p>\n 150-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schinittke- String Trio<\/p>\n 151-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schubert- Quintet in C major for Two Violins, Viola and Two Cellos<\/p>\n 152-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schubert- Overture in D Major in the Italian Style<\/p>\n 153-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schubert- Trio Satz in B-flat<\/p>\n 154-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schubert (arr Mahler\/Woods)- Quartet in D minor \u201cDeath and the Maiden\u201d<\/p>\n 155-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schubert- Symphony no. 4 in C minor \u201cTragic\u201d<\/p>\n 156-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schumann- Genoveva Overture<\/p>\n 157-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schumann- Piano Concerto in A minor<\/p>\n 158-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schumann- Violin Concerto<\/p>\n 159-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schumann- Cello Concerto in A minor<\/p>\n 160-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schumann- Konzertsucke for Four Horns<\/p>\n 161-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schumann- Overture, Scherzo and Finale<\/p>\n 162-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schumann- Overture to “Bride of Messina”<\/p>\n 163-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schumann- Symphony no. 2 in C (2)<\/p>\n 164-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schumann- Symphony no. 3 in E-flat, \u201cRhenish\u201d<\/p>\n 165-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schumann- Symphony no. 4 in D minor<\/p>\n 166-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Shostakovich- Chamber Symphony op. 73a<\/p>\n 167-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Shostakovich- Chamber Symphony op 83a<\/p>\n 168-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Shostakovich- Festive Overture<\/p>\n 169-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Shostakovich- Concerto no. 1 for Piano, Trumpet and Strings<\/p>\n 170-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Shostakovich- Piano Concerto no. 2<\/p>\n 171-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Shostakovich- Sonata for Cello and Piano<\/p>\n 172-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sibelius- Valse Triste<\/p>\n 173-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sibelius- Violin Concerto<\/p>\n 174-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sibelius- Symphony no. 2 in D major<\/p>\n 175-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sibelius- Symphony no. 5 in E Flat<\/p>\n 176-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sousa- The Liberty Bell<\/p>\n 177-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Strauss- Death and Transfiguration<\/p>\n 178-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Strauss, R- Oboe Concerto<\/p>\n 179-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Strauss, R- Romanze for Cello and Orchestra<\/p>\n 180-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Strauss, R- Serenade for Winds, op 7<\/p>\n 181-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Strauss, R- Cello Sonata VC<\/p>\n 182-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Strauss- Concerto No. 1 for Horn<\/p>\n 183-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Strauss- Horn Concerto no. 2<\/p>\n 184-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Stravinsky- Octet for Winds +<\/p>\n 185-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Stravinsky- L\u2019histoire du soldat<\/p>\n 186-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Stravinsky- Suite from \u201cThe Firebird\u201d (1919 Version)<\/p>\n 187-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tchaikovsky- Romeo and Juliet, Fantasy Overture<\/p>\n 188-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tchaikovsky- Andante Cantabile for Cello and Strings*<\/p>\n 189-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tchaikovsky- Souvenir de Florence *<\/p>\n 190-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tchaikovsky- Rococo Variations for Cello and Orchestra<\/p>\n 191-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tchaikovsky Violin Concerto in D major, Op. 35<\/p>\n 192-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tchaikovsky- Quartet no. 3 in E flat minor<\/p>\n 193-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tchaikovsky- Symphony no. 4 in F minor<\/p>\n 194-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Thomas- \u201cPrimordial Monkey Soup\u201d for Cello Quartet and Solo Viola (World Premiere) *<\/p>\n 195-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Christopher Thomas- Snapshots (world premiere)<\/p>\n 196-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Vaughan Williams- Overture to \u201cThe Wasps\u201d<\/p>\n 197-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Vaughan Williams- The Lark Ascending<\/p>\n 198-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Vaughan-Williams- Symphony no. 5<\/p>\n 199-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Varese- Octandre<\/p>\n 200-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Verdi- Aida<\/p>\n 201-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Verdi- Il Trovatore<\/p>\n 202-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Vivaldi- Four Seasons<\/p>\n 203-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Wagner- Rienzi Overture.<\/p>\n 204-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Wagner- Prelude and Liebestod from Tristan and Isolde<\/p>\n 205-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Williams- Suite from Star Wars<\/p>\n 206-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Xenakis<\/a>– Akrata (Welsh Premiere)<\/p>\n