{"id":1204,"date":"2009-12-21T20:35:10","date_gmt":"2009-12-21T19:35:10","guid":{"rendered":"http:\/\/kennethwoods.net\/blog1\/?p=1204"},"modified":"2009-12-22T20:17:51","modified_gmt":"2009-12-22T19:17:51","slug":"2009-repertoire-report-leonard-slatkin","status":"publish","type":"post","link":"https:\/\/kennethwoods.net\/blog1\/2009\/12\/21\/2009-repertoire-report-leonard-slatkin\/","title":{"rendered":"2009 Repertoire Report- Leonard Slatkin"},"content":{"rendered":"<p>Shelly from St Louis has taken the initiative to organize Leonard Slatkin\u2019s repertoire for 200<a href=\"http:\/\/leonardslatkin.com\/\">9 based on the listing of programs on his website<\/a>. Shelly writes that Leonard has been her favorite conductor ever since he did a memorable clinic with her youth orchestra about 15 years ago.<\/p>\n<p>As with last year, it is an awe-inspiring list- diverse, unpretentious, not afraid to be fun, and seems to me to be a list of a conductor who is happy to take chances. How refreshing to see a conductor of international stature who lists Leroy Anderson alongside Mahler. Amazingly, it is 121 pieces compared to, um, 121 pieces <a href=\"http:\/\/kennethwoods.net\/blog1\/2008\/12\/16\/conductor-repertoire-report-leonard-slatkin-may-08-april-09-2\/\">last year<\/a>. (Correction- see Keith Fitch&#8217;s comment below. 3 of the Erb pieces were not done by Leonard, after all. Now go check out Keith&#8217;s music!)<\/p>\n<p>Of course, Leonard\u2019s list would be even longer if he\u2019d been well these last several weeks. We\u2019ve all been sending good wishes and karma since his heart attack. I wouldn\u2019t be surprised if Leonard reads this (he\u2019s a self- confessed internet junkie), so let me just wish my old teacher and mentor a very Merry Christmas and Happy New year- may 2010 be a time of good health, happiness and many more successes. Thanks for all your wisdom and support, Leonard.<\/p>\n<p>1-\u00a0\u00a0\u00a0\u00a0 AHO: Concerto for Contrabassoon and Orchestra<\/p>\n<p><!--more--><\/p>\n<p>2-\u00a0\u00a0\u00a0\u00a0 ANDERSON: Blue Tango; The Waltzing Cat; The Syncopated Clock<\/p>\n<p>3-\u00a0\u00a0\u00a0\u00a0 BARBER: Overture to \u201cThe School for Scandal\u201d<\/p>\n<p>4-\u00a0\u00a0\u00a0\u00a0 BARBER: Adagio for Strings<\/p>\n<p>5-\u00a0\u00a0\u00a0\u00a0 BARBER: Piano Concerto<\/p>\n<p>6-\u00a0\u00a0\u00a0\u00a0 BARBER: Symphony No. 1<\/p>\n<p>7-\u00a0\u00a0\u00a0\u00a0 BARBER: Prayers of Kierkegaard<\/p>\n<p>8-\u00a0\u00a0\u00a0\u00a0 BARBER: Medea\u2019s Meditation and Dance<\/p>\n<p>9-\u00a0\u00a0\u00a0\u00a0 BEETHOVEN: Egmont Overture<\/p>\n<p>10- BEETHOVEN: Piano Concerto No. 3<\/p>\n<p>11- BEETHOVEN: Symphony No. 7<\/p>\n<p>12- BEETHOVEN: Symphony No. 8<\/p>\n<p>13- BEETHOVEN: Symphony No. 9<\/p>\n<p>14- BERG: Violin Concerto<\/p>\n<p>15- BERNSTEIN: Overture to\u00a0<em>Candide<\/em><\/p>\n<p>16- BERNSTEIN: Facsimile<\/p>\n<p>17- BERLIOZ: Overture to\u00a0<em>Benvenuto Cellini<\/em><\/p>\n<p>18- BERLIOZ: Symphonie Fantastique<\/p>\n<p>19- BERMEL: Swing Song<\/p>\n<p>20- BIZET\/F. SLATKIN: Carmen&#8217;s Hoe-Down<\/p>\n<p>21- BOLCOM: Violin Concerto<\/p>\n<p>22- BORZOVA: Songs of Lada<\/p>\n<p>23- BORZOVA: To the New World (DSO premiere)<\/p>\n<p>24- BRAHMS: Academic Festival Overture<\/p>\n<p>25- BRAHMS: Hungarian Dance No.<\/p>\n<p>26- BRAHMS: Violin Concerto<\/p>\n<p>27- BRAHMS: Piano Concerto No. 1 in D minor<\/p>\n<p>28- BRAHMS: Symphony No. 1<\/p>\n<p>29- BRAHMS: Symphony No. 2<\/p>\n<p>30- BRAHMS: Symphony No. 4<\/p>\n<p>31- BRITTEN: Four Sea Interludes from\u00a0<em>Peter Grimes<\/em><\/p>\n<p>32- BRITTEN: Sinfonia da requiem, op. 20<\/p>\n<p>33- BROUWER: Rhapsody for Orchestra (World Premiere)<\/p>\n<p>34- BRUCH: Concerto for Viola, Clarinet and Orchestra<\/p>\n<p>35- BRUCH: Violin Concerto No. 1, op. 26 in G minor<\/p>\n<p>36- COPLAND: Appalachian Spring Suite<\/p>\n<p>37- COPLAND: Selections from\u00a0<em>Rodeo<\/em><\/p>\n<p>38- COPLAND: Four Dance Episodes from \u201cRodeo\u201d<\/p>\n<p>39- COPLAND: El Salon Mexico<\/p>\n<p>40- COPLAND: Lincoln Portrait<\/p>\n<p>41- COPLAND: Symphony No. 3<\/p>\n<p>42- CORIGLIANO: Elegy<\/p>\n<p>43- DANIELPOUR: A Woman\u2019s Life<\/p>\n<p>44- DEBUSSY: Prelude a l&#8217;apres-midi d&#8217;un faune<\/p>\n<p>45- DVORAK: Carnival Overture<\/p>\n<p>46- DVORAK: Symphony No. 8<\/p>\n<p>47- DVO\u0158\u00c1K: Symphony No. 9<\/p>\n<p>48- DONALD ERB MEMORIAL CONCERT Remembrances (1994)<\/p>\n<p>49- Erb Sonata for Solo Harp (1995)<\/p>\n<p>50- Erb The Devil&#8217;s Quickstep (1982)<\/p>\n<p>51- Erb Ritual Observances (1991)<\/p>\n<p>52- FOSS: Time Cycle for Soprano and Orchestra<\/p>\n<p>53- GERSHWIN: An American in Paris<\/p>\n<p>54- GERSHWIN: Rhapsody in Blue<\/p>\n<p>55- GERSHWIN: Cuban Overture<\/p>\n<p>56- GERSHWIN: Lullaby for Strings<\/p>\n<p>57- GERSHWIN: Strike Up The Band<\/p>\n<p>58- GERSHWIN: Second Rhapsody<\/p>\n<p>59- GERSHWIN:\u00a0<em>Porgy and Bess:<\/em> Symphonic Picture<\/p>\n<p>60- GLAZUNOV: Violin Concerto<\/p>\n<p>61- GLINKA:\u00a0<em>Russlan and Ludmilla<\/em> Overture<\/p>\n<p>62- GOULD: American Salute<\/p>\n<p>63- HAYDN: Symphony No. 67<\/p>\n<p>64- HINDEMITH: Symphonic Metamorphosis<\/p>\n<p>65- IVES: Unanswered Question<\/p>\n<p>66- JOPLIN: The Entertainer<\/p>\n<p>67- LALO: Symphonie Espagnole<\/p>\n<p>68- LISZT: Piano Concerto No. 1<\/p>\n<p>69- MAHLER: Symphony No. 1 in D major \u2013 Blumine<\/p>\n<p>70- MAHLER: Symphony No. 1 in D major<\/p>\n<p>71- MAHLER: Symphony No. 5<\/p>\n<p>72- MATHES: A Standing Crowd Concertino for Orchestra (World Premiere, NSO commission)<\/p>\n<p>73- MANCINI\/CUSTER: A Tribute to Henry Mancini<\/p>\n<p>74- McTEE: Einstein&#8217;s Dream<\/p>\n<p>75- MENDELSSOHN: Nocturne and Wedding March from\u00a0<em>A Midsummer Night\u2019s Dream<\/em><\/p>\n<p>76- MENDELSSOHN: Violin Concerto<\/p>\n<p>77- MENNIN: Moby Dick<\/p>\n<p>78- MEYER, FLECK, HUSSAIN: Triple Concerto<\/p>\n<p>79- MOZART: Concerto for Flute, No. 2, K. 314 in D major<\/p>\n<p>80- MOZART: Double Piano Concerto K. 365<\/p>\n<p>81- MOZART: Symphony No. 40 in G minor<\/p>\n<p>82- MUSSORGSKY: Pictures at an Exhibition<\/p>\n<p>83- NICOLAI: Overture to\u00a0<em>The Merry Wives of <\/em><em>Windsor<\/em><\/p>\n<p>84- PORTER: \u201cSo in Love\u201d and \u201cI Hate Men\u201d from\u00a0<em>Kiss Me Kate<\/em><\/p>\n<p>85- PRIMIAMI: Sirens (World Premiere)<\/p>\n<p>86- RACHMANINOFF: Rhapsody on a Theme of Paganini<\/p>\n<p>87- RACHMANINOFF: Vocalise<\/p>\n<p>88- RACHMANINOFF: Symphonic Dances<\/p>\n<p>89- RACHMANINOFF: Piano Concerto No. 3<\/p>\n<p>90- RACHMANINOFF: Symphony No. 1 in D minor, Op. 13<\/p>\n<p>91- RACHMANINOFF: Symphony No. 2<\/p>\n<p>92- RODGERS: \u201cFalling in Love with Love\u201d from\u00a0<em>The Boys from <\/em><em>Syracuse<\/em><\/p>\n<p>93- RODRIGO: Fantasia para un gentilhombre<\/p>\n<p>94- ROSSINI: \u201cWillow Song\u201d from\u00a0<em>Otello<\/em><\/p>\n<p>95- ROSSINI:\u00a0<em>La Gazza Ladra<\/em> Overture<\/p>\n<p>96- ROSZA: Sinfonia Concertante &#8211; Double Concerto for Violin and Cello<\/p>\n<p>97- ROUSE: Friandises<\/p>\n<p>98- SCHUMANN: Symphony No. 3<\/p>\n<p>99- BRIGHT SHENG: Harp Concerto<\/p>\n<p>100-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 SHOSTAKOVICH: Cello Concerto No. 2<\/p>\n<p>101-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 SIBELIUS: Violin Concerto<\/p>\n<p>102-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 SIBELIUS: Symphony No. 2<\/p>\n<p>103-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 SIBELIUS: Symphony No. 5<\/p>\n<p>104-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 SIERRA: Missa Latina<\/p>\n<p>105-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 R. STRAUSS: Don Quixote<\/p>\n<p>106-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 R. STRAUSS: Ein Heldenleben<\/p>\n<p>107-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 STRAVINSKY: Violin Concerto<\/p>\n<p>108-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 STUCKY: Son et lumiere<\/p>\n<p>109-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 TCHAIKOVSKY:\u00a0<em>Romeo and Juliet<\/em> Fantasy Overture<\/p>\n<p>110-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 TCHAIKOVSKY: Symphony No. 5, Op. 64 in E minor<\/p>\n<p>111-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 TCHAIKOVSKY: Capriccio Italien<\/p>\n<p>112-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 TCHAIKOVSKY: Violin Concerto, op. 35 in D major<\/p>\n<p>113-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 TCHAIKOVSKY: Suite from Swan Lake<\/p>\n<p>114-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 TCHAIKOVSKY: 1812 Overture<\/p>\n<p>115-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 TCHAIKOVSKY: Symphony No. 4 in F Minor, op. 36<\/p>\n<p>116-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 TOWER: Made in America<\/p>\n<p>117-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 VERDI: Requiem<\/p>\n<p>118-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 WALTON: Partita for Orchestra<\/p>\n<p>119-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 WALTON: Partita for Orchestra<\/p>\n<p>120-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 WILLIAMS: The Imperial March from\u00a0<em>Star Wars<\/em><\/p>\n<p>121-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 WILLIAMS: Concerto for Horn<\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:100px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"https:\/\/kennethwoods.net\/blog1\/2009\/12\/21\/2009-repertoire-report-leonard-slatkin\/\" send=\"false\" layout=\"box_count\" width=\"450\" show_faces=\"true\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>Shelly from St Louis has taken the initiative to organize Leonard Slatkin\u2019s repertoire for 2009 based on the listing of programs on his website. Shelly writes that Leonard has been her favorite conductor ever since he did a memorable clinic with her youth orchestra about 15 years ago. As with last year, it is an [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[58],"tags":[208],"class_list":["post-1204","post","type-post","status-publish","format-standard","hentry","category-repertoire-reports","tag-slatkin"],"_links":{"self":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/1204","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/comments?post=1204"}],"version-history":[{"count":3,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/1204\/revisions"}],"predecessor-version":[{"id":1206,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/1204\/revisions\/1206"}],"wp:attachment":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/media?parent=1204"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/categories?post=1204"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/tags?post=1204"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}