{"id":1207,"date":"2009-12-22T11:20:23","date_gmt":"2009-12-22T10:20:23","guid":{"rendered":"http:\/\/kennethwoods.net\/blog1\/?p=1207"},"modified":"2010-01-06T12:53:26","modified_gmt":"2010-01-06T11:53:26","slug":"2009-repertoire-report-marin-alsop","status":"publish","type":"post","link":"https:\/\/kennethwoods.net\/blog1\/2009\/12\/22\/2009-repertoire-report-marin-alsop\/","title":{"rendered":"2009 Repertoire Report- Marin Alsop"},"content":{"rendered":"

Judy, a young conductor in Baltimore, has looked up to Marin Alsop<\/a> for many years \u201cmore because I love her programming and her passion for connection with audiences than because she\u2019s also a woman,\u201d so she\u2019s assembled a repertoire report for Marin to see just how that programming breaks down.<\/p>\n

A great and interesting list! I suppose it is not surprising that Marin\u2019s list has the most in common with Leonard\u2019s, but at 77 works it\u2019s quite a bit shorter. There is a huge amount of music by living American composers, mostly done at her festival in Cabrillo of Contemporary Music (my teacher, Gerhard Samuel, was the festival\u2019s first music director back in the day).<\/p>\n

I wonder if we can look forward to some Dvorak symphony recordings from Marin soon? Doing no’s 5-8 in one year doesn\u2019t look like an accident. Interestingly, unless we\u2019ve overlooked something, Marin is the first conductor we\u2019ve come across to go a year without conducting a Beethoven symphony (no Haydn either, nor Mendelssohn, Schubert, or Schumann and one Mozart- her interests seem much more on late Romantic and 20th<\/sup> c. repertoire than on classics, early Romantics or even Baroque composers).<\/p>\n

I’m looking forward to seeing more lists of major conductors like Marin and Leonard, but it would also be great to have lists from some young conductors, university conductors and some more mid-sized orchestra’s like Patty’s. \u00a0I’d love to see a repertoire report or two from some freelancers: what does a freelance violist get through in a year? I know some of you keep track of these things (you know who you are- don’t make me send my research assistant to your website!). What did you play this year, and how many orchestras did you go through?<\/p>\n

What about composers? Many of you combine composition and performing- what did you write\/perform\/organize this year? Whatever you do, what did your artistic year look like?<\/p>\n

Meanwhile, on to Marin Alsop’s 2009 Repertoire Report.<\/p>\n

1-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tray Anastasio ??????<\/p>\n

2-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 BARBER: Knoxville: Summer of 1915, Op.24<\/p>\n

3-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 BARBER: Violin Concerto, Op.14<\/p>\n

<\/p>\n

4-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 BARBER: Symphony no.1<\/p>\n

5-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 BART\u00d3K: Concerto for Orchestra<\/p>\n

6-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 BARTOK: The Miraculous Mandarin, Op.19<\/p>\n

7-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 BEETHOVEN: Egmont Overture<\/p>\n

8-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 BEETHOVEN: Violin Concerto in D major, op.61<\/p>\n

9-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 BERLIOZ: Symphonie Fantastique<\/p>\n

10-\u00a0\u00a0 BERNSTEIN: Opening Prayer<\/p>\n

11-\u00a0\u00a0 Bernstein: Symphony no 1 “Jeremiah”<\/p>\n

12-\u00a0\u00a0 BRAHMS: Hungarian Dances<\/p>\n

13-\u00a0\u00a0 BRAHMS: Tragic Overture<\/p>\n

14-\u00a0\u00a0 BRAHMS: Piano Concerto no.1 in D minor, Op.15<\/p>\n

15-\u00a0\u00a0 BRAHMS: Piano Concerto no.2<\/p>\n

16-\u00a0\u00a0 BRAHMS: – Symphony No. 1<\/p>\n

17-\u00a0\u00a0 BRAHMS: Symphony no.4 op. 98<\/p>\n

18-\u00a0\u00a0 BRAHMS: Variations on a theme of Haydn, Op.56a<\/p>\n

19-\u00a0\u00a0 Dave and Chris Brubeck: Ansel Adams: America<\/p>\n

20-\u00a0\u00a0 BRUCH: Violin Concerto no. 1 in G minor<\/p>\n

21-\u00a0\u00a0 ENRICO CHAPELA: Inguesu<\/p>\n

22-\u00a0\u00a0 CHOPIN: Piano Concerto no. 1 in E minor op. 11<\/p>\n

23-\u00a0\u00a0 COPLAND: Symphony no.3<\/p>\n

24-\u00a0\u00a0 MICHAEL DAUGHERTY: \u201cRed Cape Tango\u201d from Metropolis Symphony<\/p>\n

25-\u00a0\u00a0 BRETT DEAN: Amphitheatre<\/p>\n

26-\u00a0\u00a0 BRETT DEAN: Moments of Bliss<\/p>\n

27-\u00a0\u00a0 AVNER DORMAN: Spices, Fumes, Toxins!<\/p>\n

28-\u00a0\u00a0 DVORAK: Slavonic Dance #1, Op. 46<\/p>\n

29-\u00a0\u00a0 DVORAK: Scherzo Capriccioso op.66<\/p>\n

30-\u00a0\u00a0 DVORAK: Symphony No. 5<\/p>\n

31-\u00a0\u00a0 DVORAK: Symphony no.6 in D, Op. 60<\/p>\n

32-\u00a0\u00a0 DVORAK: Symphony no. 7<\/p>\n

33-\u00a0\u00a0 DVORAK: Symphony no.8 in G, Op. 88<\/p>\n

34-\u00a0\u00a0 GERSHWIN: Rhapsody in Blue<\/p>\n

35-\u00a0\u00a0 GERSHWIN: Concerto in F<\/p>\n

36-\u00a0\u00a0 GERSHWIN: \u201cI Got Rhythm\u201d Variations<\/p>\n

37-\u00a0\u00a0 GOLIJOV: Azul<\/p>\n

38-\u00a0\u00a0 DAVID HEATH: Rise from the Dark<\/p>\n

39-\u00a0\u00a0 HIGDON: Violin Concerto (Hahn)<\/p>\n

40-\u00a0\u00a0 JENNIFER HIGDON: Concerto 4\u20103<\/p>\n

41-\u00a0\u00a0 Hindemith: Symphony Mathis der Maler<\/p>\n

42-\u00a0\u00a0 MATTHEW HINDSON: Rave-Elation (Schindowski Mix)<\/p>\n

43-\u00a0\u00a0 IVES: The Unanswered Question<\/p>\n

44-\u00a0\u00a0 \u00a0additional works by Adams, Barber<\/p>\n

45-\u00a0\u00a0 LEE JOHNSON: Dead Symphony no. 6<\/p>\n

46-\u00a0\u00a0 AARON JAY KERNIS: Invisible Mosaic III<\/p>\n

47-\u00a0\u00a0 MAGNUS LINDBERG: Seht die Sonne (Behold the Sun)<\/p>\n

48-\u00a0\u00a0 LISZT: Piano Concerto no.1<\/p>\n

49-\u00a0\u00a0 LISZT: Les Pr\u00e9ludes<\/p>\n

50-\u00a0\u00a0 LISZT: Totentanz<\/p>\n

51-\u00a0\u00a0 JAMES MACMILLAN: The Sacrifice: Three Interludes<\/p>\n

52-\u00a0\u00a0 MAHLER 1<\/p>\n

53-\u00a0\u00a0 MAHLER: Symphony no. 4<\/p>\n

54-\u00a0\u00a0 MAHLER: Symphony no. 5<\/p>\n

55-\u00a0\u00a0 MAHLER: Symphony no.9 in A minor, ‘Tragic’ (We think they mean Symphony no. 6, which is in A minor, and sometimes called the \u201cTragic\u201d)<\/p>\n

56-\u00a0\u00a0 INGRAM MARSHALL: Kingdom Come<\/p>\n

57-\u00a0\u00a0 Mozart Deconstructed<\/p>\n

58-\u00a0\u00a0 MOZART: Eine Kleine Nachtmusik<\/p>\n

59-\u00a0\u00a0 MOZART: Piano Concerto No.22 in E flat K482<\/p>\n

60-\u00a0\u00a0 MOZART: Symphony No.29 in A Major K.201<\/p>\n

61-\u00a0\u00a0 KEVIN PUTS: Two Mountain Scenes<\/p>\n

62-\u00a0\u00a0 RACHMANINOV: Piano Concerto no.3<\/p>\n

63-\u00a0\u00a0 RACHMANINOV: Symphonic Dances<\/p>\n

64-\u00a0\u00a0 RAVEL: Daphnis and Chloe (second suite)<\/p>\n

65-\u00a0\u00a0 SAINT-SAENS: Symphony no.3 ‘Organ Symphony’<\/p>\n

66-\u00a0\u00a0 SCHWANTNER: New Morning of the World<\/p>\n

67-\u00a0\u00a0 Shostakovich: Symphony no 5 in D minor, Op. 47<\/p>\n

68-\u00a0\u00a0 STRAUSS RICHARD: Till Eulenspiegel<\/p>\n

69-\u00a0\u00a0 STRAUSS, RICHARD: Alpine Symphony<\/p>\n

70-\u00a0\u00a0 STRAVINSKY: L’Oiseau de Feu Suite no.2 (1919)<\/p>\n

71-\u00a0\u00a0 STRAVINSKY: Rite of Spring<\/p>\n

72-\u00a0\u00a0 JOBY TALBOT: Desolation Wilderness<\/p>\n

73-\u00a0\u00a0 TCHAIKOVSKY: Hamlet<\/p>\n

74-\u00a0\u00a0 TCHAIKOVSKY: First Piano Concerto<\/p>\n

75-\u00a0\u00a0 TCHAIKOVSKY: Symphony no. 4<\/p>\n

76-\u00a0\u00a0 GEORGE TSONTAKIS: Clair de Lune<\/p>\n

77-\u00a0\u00a0 WAGNER: Orchestral extracts from the Nibelung Ring<\/p>\n