{"id":2233,"date":"2011-01-05T00:16:46","date_gmt":"2011-01-04T23:16:46","guid":{"rendered":"http:\/\/kennethwoods.net\/blog1\/?p=2233"},"modified":"2011-01-05T00:17:35","modified_gmt":"2011-01-04T23:17:35","slug":"2007-10-kw-repertoire-report-statistical-analysis-and-listing","status":"publish","type":"post","link":"https:\/\/kennethwoods.net\/blog1\/2011\/01\/05\/2007-10-kw-repertoire-report-statistical-analysis-and-listing\/","title":{"rendered":"2007-10 KW Repertoire Report Statistical Analysis and Listing"},"content":{"rendered":"<p>My initial impulse in the Repertoire Report project came from frustration observing the difficult of getting a clear or even honest answer from teachers, famous conductors , artist managers or orchestra administrators when many of my fellow students at workshops and festivals would ask things like \u201chow many pieces does a working professional conductor need to be able to learn and perform in a year?\u201d The numbers, when offered, were often comically inflated- \u201cOh, I suppose I generally conduct 300-400 works a year, but don\u2019t be intimidated- I only do about 250 of those from memory.\u201d Over the last few years, we\u2019ve seen that for most big time conductors we\u2019ve looked at, the norm is <strong><em>75-125 works per year<\/em><\/strong>, with some who do a great deal of opera much lower and probably a few crazies much higher.<\/p>\n<p>now that we\u2019ve got a few years of data to work with, we can go farther, and see where repertoire overlaps from season to season and get a much better sense of how often the old favourites turn up and how often one is preparing pieces that are either completely new or haven\u2019t been done in a long time. One would expect almost no overlap, especially in consecutive years, from a single orchestra- you can&#8217;t expect audiences to come to the same programs year after year. On the other hand, a freelance conductor like me, who works with \u00a0many orchestras every year, might have some rep overlap, and a soloist, probably has mostly overlap. It would be very rare for a concerto soloist to add more than a couple of major solo works with orchestra per year.<\/p>\n<p><a href=\"http:\/\/kennethwoods.net\/blog1\/2009\/12\/21\/kw-repertoire-report-2007-9\/\">An analysis of 2007-2009 is here.<\/a><\/p>\n<p><a href=\"http:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2011\/01\/Kenneth-Woods-repertoire-reports-comparison-9-10\u2026.pdf\" target=\"_blank\">This table compares repertoire from 2010 to 2009<\/a>. Pieces from 2009 that were repeated in 2010 are highlighted in yellow. Only five works from 2009 re-appeared in 2010. That makes for 1<strong>62 separate works<\/strong> between <strong><em>2009 and 2010.<\/em><\/strong> In other words, <em><strong>94%\u00a0 of the pieces played in 2010 were not played in 2009<\/strong><\/em>.<\/p>\n<p>However, there are some similarities between the two seasons- the Schumann content is almost exactly complimentary for example- Symphonies 2 and 4 in \u201909, 1 and 3 in \u201910; Konzerstucke, Overture, Scherzo and Finale and Bride of Messina (GREAT piece) in \u201809 Violin, Cello and Piano Concertos and Manfred Overture in \u201910. Two Shostakovich works in each year, one Rossini Overture, five Beethoven Symponies in 09, six in\u201910. There\u2019s Mahler in both years, more in \u201910, but an even split of vocal works and symphonies in both. One Wagner Overture per year seems to be a comfortable number right now. It starts to look like I have a balanced yearly repertoire diet-if only it were so elegantly planned.<\/p>\n<p><a href=\"http:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2011\/01\/Kenneth-Woods-repertoire-reports-comparison-07-9-w-10.pdf\" target=\"_blank\">This table compares repertoire from 2010 to the three previous years.<\/a> Pieces that appeared in any of the previous seasons are highlighted in red. <strong><em>19 pieces in 2010 had appeared sometime in 2007-9<\/em><\/strong>, although two of those (the Schumann and Elgar Cello Concertos) had me working one time as cellist and another time as conductor. Add it all up, we have a <strong><em>four year sampling with 279 works<\/em><\/strong>. That means\u00a0<em> 79% of 2010 repertoire had not been done in the previous 3 years<\/em>. This makes sense, as one would expect standard and favourite works to loop back into repertoire over a 3-4 year time period.<\/p>\n<p>Over four years, we\u2019re up to 279 pieces, compared to 206 last year. Out of 317 slots, that means onl7 38 pieces have been done more than once. In other words, a piece is likely to be unique in the 4 year window 88% of the time.<\/p>\n<p>To my surprise, I\u2019ve also found this analysis helpful in seeing where reality and perception align and diverge in terms of how I see my own artistic life. It may surprise readers to know that for most conductors, programming is a painful and frustrating process, filled with sacrifice and compromise. As I cellist, I can pick up the Bach Suites any day and play them, but if I long to conduct the complete Brucker symphonies (which I do), that means convincing boards and players to let me. Every time one announces a season, more dreams are delayed or destroyed than fulfilled. On the other hand, looking at this list, I can see that somehow, I\u2019m making good progress with some composers, even where others are suffering. The last four years have been good for Beethoven and Mozart (no surprise there, <a href=\"http:\/\/kennethwoods.net\/blog1\/2009\/12\/22\/2009-repertoire-report-marin-alsop\/\">although I think Marin Alsop did no Beethoven symphonies in 2009<\/a>) with 21 works each. Haydn is doing well at 16- hopefully he can pass Mozart soon. Elgar was far less prolific than any of those three Classical masters, so 8 works represents a pretty healthy chunk of his output, not bad! I\u2019m also pretty pleased with Schumann and Mahler\u2019s representation.<\/p>\n<p>Other composers dear to me, however, have not been lucky. Bart\u00f3k has been completely absent. This makes me crazy, but I get tremendous (and completely incomprehensible) resistance when trying to program his music. Bruckner? One symphony is not enough! Tchaikovsky- only one symphony once in 4 years? That seems very odd? And why so much Malcom Arnold? It\u2019s not that I dislike his music, but I hardly got into music to do 5 times as much Arnold as Bach or Bruckner!<\/p>\n<p>What trends do fellow conductors see in their own work? What trends do you see in mine? Should I be doing more opera or more new music (I&#8217;d say yes to both)? Please take a moment to leave your thoughts and insights in the comments!<\/p>\n<p><strong>KW- Repertoire Report 2007-2010<\/strong><\/p>\n<p>1-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Arnold- Guitar Concerto<\/p>\n<p><!--more--><\/p>\n<p>2-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Arnold- Scottish Dances<\/p>\n<p>3-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Arnold- Piano Trio # \u00a0*<\/p>\n<p>4-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Arnold- The Inn of Sixth Happiness<\/p>\n<p>5-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Arnold- Serenade for Guitar and Strings<\/p>\n<p>6-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Bach- Goldberg Variations (arr. Sitkovetsky for string trio) (5)<\/p>\n<p>7-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Barber- Adagio for Strings<\/p>\n<p>8-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Beethoven- Egmont Overture<\/p>\n<p>9-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Beethoven- Leonore Overture No. 2<\/p>\n<p>10-\u00a0\u00a0 Beethoven- Coriolan Overture<\/p>\n<p>11-\u00a0\u00a0 Beethoven- Fidelio Overture<\/p>\n<p>12-\u00a0\u00a0 Beethoven- Leonore Overture no. 3<\/p>\n<p>13-\u00a0\u00a0 \u00a0Beethoven- \u00a0Romance no. 1 for Violin and Orchestra<\/p>\n<p>14-\u00a0\u00a0 Beethoven arr. Mahler- String Quartet in F Minor Op. 95 \u201cSerioso\u201d<\/p>\n<p>15-\u00a0\u00a0 Beethoven- String Quartet in F major, op 18 no. 1 *.<\/p>\n<p>16-\u00a0\u00a0 Beethoven- Piano Trio in D Major, op. 70 no. 1 \u201cGhost\u201d \u00a0*<\/p>\n<p>17-\u00a0\u00a0 Beethoven- Piano Concerto no. 4<\/p>\n<p>18-\u00a0\u00a0 Beethoven- String Trio in C minor, op 9 no 3.<\/p>\n<p>19-\u00a0\u00a0 Beethoven- String Trio in G major, op 9 no. 1 VC<\/p>\n<p>20-\u00a0\u00a0 Beethoven- String Trio in D Major, op 9 no. 2 (5)<\/p>\n<p>21-\u00a0\u00a0 Beethoven- Symphony no. 1 (2)<\/p>\n<p>22-\u00a0\u00a0 Beethoven- Symphony no. 2 in D major<\/p>\n<p>23-\u00a0\u00a0 <a href=\"http:\/\/kennethwoods.net\/blog1\/2010\/09\/14\/tales-from-the-rep-lvb-3-eroica-red-music-and-crazy-furtwangler\/\">Beethoven- Symphony no. 3 \u201cEroica\u201d<\/a> (more\u00a0<a href=\"http:\/\/kennethwoods.net\/blog1\/2010\/09\/20\/awakening-of-happy-thoughts-upon-arrival-at-beethovens-marcia-funebre\/\">here <\/a>and \u00a0<a href=\"http:\/\/kennethwoods.net\/blog1\/2010\/09\/22\/metamorphosing-beethoven\/\">here<\/a>)<\/p>\n<p>24-\u00a0\u00a0 Beethoven- Symphony no. 4<\/p>\n<p>25-\u00a0\u00a0 Beethoven- Symphony No. 5 in C minor<\/p>\n<p>26-\u00a0\u00a0 Beethoven- Symphony no. 6 in F Major \u201cPastoral\u201d<\/p>\n<p>27-\u00a0\u00a0 Beethoven Symphony no. 7<\/p>\n<p>28-\u00a0\u00a0 Beethoven- Symphony no. 8 in F major<\/p>\n<p>29-\u00a0\u00a0 Berlioz- Carnival Romaine Overture<\/p>\n<p>30-\u00a0\u00a0 Berlioz- Overture \u201cLe Corsaire\u201d<\/p>\n<p>31-\u00a0\u00a0 Bloch- Concerto Grosso no 2.<\/p>\n<p>32-\u00a0\u00a0 Bloch- Schelomo: Hebraic Rhapsody for Cello and Orchestra<\/p>\n<p>33-\u00a0\u00a0 Bloch- Suite for Cello and Orchestra<\/p>\n<p>34-\u00a0\u00a0 Brahms- Clarinet Quintet *<\/p>\n<p>35-\u00a0\u00a0 Brahms- Academic Festival Overture<\/p>\n<p>36-\u00a0\u00a0 Brahms- Piano Concerto no. 1 in D minor<\/p>\n<p>37-\u00a0\u00a0 Brahms- Double Concerto in A Minor for Violin and Cello *<\/p>\n<p>38-\u00a0\u00a0 Brahms- Hungarian Dances no.\u2019s 1,3,5<\/p>\n<p>39-\u00a0\u00a0 Brahms- Serenade in D Major, op 11<\/p>\n<p>40-\u00a0\u00a0 Brahms- Symphony No. 1 in C minor<\/p>\n<p>41-\u00a0\u00a0 Brahms- Symphony no. 2 in D major<\/p>\n<p>42-\u00a0\u00a0 <a href=\"http:\/\/kennethwoods.net\/blog1\/2010\/06\/17\/george-szells-little-brahms-revelation\/\">Brahms- Symphony no. 4 in E minor<\/a><\/p>\n<p>43-\u00a0\u00a0 Brahms- Variations on a Theme of Haydn<\/p>\n<p>44-\u00a0\u00a0 Britten- Simple Symphony<\/p>\n<p>45-\u00a0\u00a0 <a href=\"http:\/\/www.earle-brown.org\/\">Brown<\/a>&#8211; Novara (Welsh Premiere)<\/p>\n<p>46-\u00a0\u00a0 Bruch- Violin Concerto<\/p>\n<p>47-\u00a0\u00a0 Bruckner- Symphony no. 4 in E Flat Major \u201cRomantic\u201d<\/p>\n<p>48-\u00a0\u00a0 Chambers, Evan- String Quartet \u201cThree Memories\u201d<\/p>\n<p>49-\u00a0\u00a0 Chambers- The Tall-Eared Fox and the Wild-Eyed Man (UK Premiere)<\/p>\n<p>50-\u00a0\u00a0 Chopin- \u00a0Piano Concerto no. 1 in E minor<\/p>\n<p>51-\u00a0\u00a0 Copland- Appalachian Spring (13 Instrument Version) m #<\/p>\n<p>52-\u00a0\u00a0 Copland- Suite from &#8220;Rodeo&#8221;<\/p>\n<p>53-\u00a0\u00a0 Copland- Quiet City<\/p>\n<p>54-\u00a0\u00a0 Debussy- Cello Sonata VC<\/p>\n<p>55-\u00a0\u00a0 Debussy- Prelude to the Afternoon of a Faun<\/p>\n<p>56-\u00a0\u00a0 Debussy- Nuages and Fetes from Three Nocturnes<\/p>\n<p>57-\u00a0\u00a0 Andrew Devine- Faith<\/p>\n<p>58-\u00a0\u00a0 Dohnanyi- Serenade for String Trio VC<\/p>\n<p>59-\u00a0\u00a0 <a href=\"http:\/\/www.gordondownie.net\/\">Downie<\/a>&#8211; forms 7 (World Premiere Commission)<\/p>\n<p>60-\u00a0\u00a0 <a href=\"http:\/\/kennethwoods.net\/blog1\/2010\/12\/31\/my-2010-january-with-dvorak-and-dragons\/\">Dvorak- Cello Concerto (soloist)<\/a><\/p>\n<p>61-\u00a0\u00a0 Dvorak- Romance for Violin<\/p>\n<p>62-\u00a0\u00a0 Dvorak- Husitska Overture<\/p>\n<p>63-\u00a0\u00a0 Dvorak- Serenade for Winds<\/p>\n<p>64-\u00a0\u00a0 Dvorak Slavonic Dances op 46 and 72<\/p>\n<p>65-\u00a0\u00a0 Dvorak- Symphony no. 7 in D minor (<a href=\"http:\/\/www.southwalesargus.co.uk\/leisure\/reviews\/2237664.Abergavenny_Symphony_Orchestra__Our_Lady_and_St_Michael_s_Church__Abergavenny\/\">review<\/a>)<\/p>\n<p>66-\u00a0\u00a0 Dvorak- Symphony no. 9 &#8220;From the New  World&#8221;<\/p>\n<p>67-\u00a0\u00a0 Elgar- Cello Concerto in E Minor\u00a0VC<\/p>\n<p>68-\u00a0\u00a0 Elgar- Cockaigne Overture<\/p>\n<p>69-\u00a0\u00a0 Elgar- Serendade for Strings<\/p>\n<p>70-\u00a0\u00a0 Elgar- Introduction and Allegro<\/p>\n<p>71-\u00a0\u00a0 Elgar- Sea Pictures<\/p>\n<p>72-\u00a0\u00a0 Elgar- Symphony no. 1 in A flat Major<\/p>\n<p>73-\u00a0\u00a0 Elgar- Variations on an Original Theme (Enigma), Op. 36<\/p>\n<p>74-\u00a0\u00a0 \u00a0Elgar- Violin Concerto<\/p>\n<p>75-\u00a0\u00a0 Espinosa- Movement for Strings (World Premiere)<\/p>\n<p>76-\u00a0\u00a0 Faur\u00e9- Suite from \u201cPelleas and Melisande\u201d<\/p>\n<p>77-\u00a0\u00a0 <a href=\"http:\/\/kennethwoods.net\/blog1\/2010\/06\/24\/franck-and-the-lost-middle-ground\/\">Franck- Symphony in D minor<\/a><\/p>\n<p>78-\u00a0\u00a0 Gal- Concertino for Violin and Strings<\/p>\n<p>79-\u00a0\u00a0 Gal- Concerto for Violin and Chamber Orchestra<\/p>\n<p>80-\u00a0\u00a0 Gal- Serenade for String Trio op 41 (9)<\/p>\n<p>81-\u00a0\u00a0 <a href=\"http:\/\/kennethwoods.net\/blog1\/2010\/12\/02\/orchestra-of-the-swan-concert-preview-hans-gal-symphony-no-3\/\">Gal- Symphony no. 3<\/a><\/p>\n<p>82-\u00a0\u00a0 Gal- Triptych<\/p>\n<p>83-\u00a0\u00a0 Gershwin- An American in Paris<\/p>\n<p>84-\u00a0\u00a0 Ginasterra- Harp Concerto<\/p>\n<p>85-\u00a0\u00a0 Glinka- Kamarinskaya<\/p>\n<p>86-\u00a0\u00a0 Glinka Overture to Russlan and Ludmilla<\/p>\n<p>87-\u00a0\u00a0 Gregson- Trombone Concerto<\/p>\n<p>88-\u00a0\u00a0 Grieg- Piano Concerto in A Minor<\/p>\n<p>89-\u00a0\u00a0 Handel- Messiah (complete)<\/p>\n<p>90-\u00a0\u00a0 Haydn- Cello Concerto no. 1 in C major<\/p>\n<p>91-\u00a0\u00a0 Haydn- Cello Concerto no. 2 in D major<\/p>\n<p>92-\u00a0\u00a0 Haydn- Trumpet Concerto<\/p>\n<p>93-\u00a0\u00a0 Haydn- Sinfonia Concertante for Oboe, Bassoon, Violin and Cello<\/p>\n<p>94-\u00a0\u00a0 Haydn- Symphony no. 45 &#8220;Farewell&#8221;<\/p>\n<p>95-\u00a0\u00a0 \u00a0Haydn- Symphony no. 49 \u201cLa Passione\u201d<\/p>\n<p>96-\u00a0\u00a0 Haydn- Symphony no. 59 in A Major, \u201cFire Symphony\u201d<\/p>\n<p>97-\u00a0\u00a0 Haydn- Symphony no. 60 &#8220;Il Distratto\u201d<\/p>\n<p>98-\u00a0\u00a0 Haydn- Symphony no. 72<\/p>\n<p>99-\u00a0\u00a0 Haydn- Symphony no. 82 (\u201cBear\u201d)<\/p>\n<p>100-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Haydn- Symphony no. 86 in D Major<\/p>\n<p>101-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Haydn- Symphony no. 92 \u201cOxford<\/p>\n<p>102-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <a href=\"http:\/\/kennethwoods.net\/HaydnJahr.html\">Haydn-<\/a> Symphony no. 94 &#8220;Surprise&#8221;.<\/p>\n<p>103-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Haydn- Symphony no. 100 in G Major \u201cMilitary\u201d<\/p>\n<p>104-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Haydn- Symphony no. 101 \u201cThe Clock<\/p>\n<p>105-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Haydn- Symphony no. 104<\/p>\n<p>106-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Higdon- Soprano Saxophone Concerto<\/p>\n<p>107-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Hoddinott- Investature Dances<\/p>\n<p>108-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Honegger- Symphony no. 4<\/p>\n<p>109-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Hovaness- String Trio<\/p>\n<p>110-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Humperdinck- Hansel and Gretel Overture<\/p>\n<p>111-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ives- Symphony no. 3<\/p>\n<p>112-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Janacek- Quartet no 2 \u201cIntimate Letters\u201d *<\/p>\n<p>113-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Janacek- Pohadka for Cello and Piano VC<\/p>\n<p>114-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <a href=\"http:\/\/kennethwoods.net\/blog1\/2010\/08\/20\/janaceks-blood-stained-flowers\/\">Janacek- Taras Bulba<\/a><\/p>\n<p>115-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Khatchaturian- Violin Concerto<\/p>\n<p>116-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Khatchaturian- Sabre Dance<\/p>\n<p>117-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Klein- String Trio<\/p>\n<p>118-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Kodaly- Summer Evening<\/p>\n<p>119-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Kodaly- Dances of Galanta<\/p>\n<p>120-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Kodaly- Intermezzo for String Trio<\/p>\n<p>121-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Krasa- \u201cTanec\u201d for String Trio<\/p>\n<p>122-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Krasa- Passacaglia and Fugue for String Trio (2)<\/p>\n<p>123- \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Martin Kutnowski- Clarinet Quintet (Canadian premiere)<\/p>\n<p>124-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Martin Kutnowski- How Toad Got his Spots<\/p>\n<p>125-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Joanna Lee- The Chronicles of Archy (world premiere) (<a href=\"http:\/\/kennethwoods.net\/blog1\/2010\/05\/28\/composer-interview-joanna-lee-discusses-chronicles-of-archy\/\">interview here<\/a>, \u00a0<a href=\"http:\/\/kennethwoods.net\/blog1\/2010\/05\/24\/classical-music-magazine-premiere-of-the-fortnight\/\">news item here<\/a>)<\/p>\n<p>126-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Linkola- Two Miniatures for Piano Trio # *<\/p>\n<p>127-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mahler- Ruckert Lieder<\/p>\n<p>128-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mahler (arr. Schoenberg)-\u00a0<a href=\"http:\/\/kennethwoods.net\/blog1\/2010\/11\/22\/guest-blog-peter-davison-on-mahler-and-strauss-at-orchestra-of-the-swan\/\">Lieder eines fahrenden Gesellen<\/a><\/p>\n<p>129-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mahler- Symphony No. 1 in D Major<\/p>\n<p>130-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mahler- Symphony no. 3 in D minor<\/p>\n<p>131-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mahler- Symphony no. 4 in G major<\/p>\n<p>132-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mahler- Symphony no. 5<\/p>\n<p>133-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mahler\/ arr. Schoenberg- Das Lied von der Erde (Chamber orchestra version)<\/p>\n<p>134-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mefano- Interferences (Mendelssohn-<\/p>\n<p>135-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Piano Trio in D minor UK Premiere)<\/p>\n<p>136-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mendelssohn- Songs Without Words<\/p>\n<p>137-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mendelssohn- Hebrides Overture<\/p>\n<p>138-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mendelssohn- Violin Concerto in D minor<\/p>\n<p>139-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mendelssohn- Violin Concerto in E minor<\/p>\n<p>140-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Messiaen- Louange a l\u2019eternite de Jesus from\u201cQuartet from the End of Time\u201d *<\/p>\n<p>141-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart\/Bach- Adagio and Fugue in D minor for String Trio<\/p>\n<p>142-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Eine Kleine Nachtmusik<\/p>\n<p>143-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Clarinet Quintet<\/p>\n<p>144-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Gran Partita for Winds<\/p>\n<p>145-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart\/Wendt- Harmonie from Figaro<\/p>\n<p>146-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Overture to La Clemenza di Tito (2)<\/p>\n<p>147-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Impresario Overture<\/p>\n<p>148-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Overture to \u201cDie Zauberflote\u201d #<\/p>\n<p>149-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Overture to Marriage of Figaro<\/p>\n<p>150-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Piano Quartet in E-flatr Major # \u00a0*<\/p>\n<p>151-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Requiem<\/p>\n<p>152-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Piano Concerto No. 17 in G Major<\/p>\n<p>153-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Piano Concerto in A major K 488<\/p>\n<p>154-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Sinfonia Concertante for Violin and Viola (2)<\/p>\n<p>155-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Symphony no. 13<\/p>\n<p>156-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Symphony no. 31 \u201cParis\u201d (2)<\/p>\n<p>157-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Symphony no. 34 in C major<\/p>\n<p>158-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Symphony no. 38 in D Major \u201cPrague\u201d<\/p>\n<p>159-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Symphony no. 39 in E-flat<\/p>\n<p>160-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart Symphony no. 40 in G minor<\/p>\n<p>161-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mozart- Symphony no. 41 in C Major<\/p>\n<p>162-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mussorgsky- A Night on Bald Mountain<\/p>\n<p>163-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mussorgsky (arr. Ravel)- Pictures at an Exhibition<\/p>\n<p>164-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Niccolai- Overture to the Merry Wives of Windsor (2)<\/p>\n<p>165-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nielsen- Helios Overture<\/p>\n<p>166-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Piston- Sinfonietta<\/p>\n<p>167-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Prokofiev- Concerto No. 5 for Piano and Orchestra .\u00a0\u00a0 .<\/p>\n<p>168-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Prokofiev- Violin Concerto no. 2 in G minor<\/p>\n<p>169-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Prokofiev- Sonata for Cello and Piano in C Major\u00a0VC<\/p>\n<p>170-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Prokofiev- Violin Concerto no2 in G minor<\/p>\n<p>171-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Prokofiev- Sonata for Cello and Piano in C Major\u00a0VC<\/p>\n<p>172-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Prokofiev- Selections from Romeo and Juliet, Suites 1 and 2<\/p>\n<p>173-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Prokofiev- Romeo and Juliet Suite No. \u00a02<\/p>\n<p>174-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Prokofiev- Lt Kije Suite<\/p>\n<p>175-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Poulenc- Sinfonietta<\/p>\n<p>176-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Puccini- Madama Butterfly +.<\/p>\n<p>177-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Rachmaninov \u2013 Isle of the Dead<\/p>\n<p>178-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Rachmaninoff- Sonata for Cello and Piano<\/p>\n<p>179-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Rachmaninoff- Symphony no. 1 in D minor<\/p>\n<p>180-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ravel \u2013 La valse<\/p>\n<p>181-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ravel- Mother Goose Suite<\/p>\n<p>182-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <a href=\"http:\/\/kennethwoods.net\/blog1\/2010\/03\/11\/defending-lvbs-tempi-symphony-no-2-and-beyond\/\">Ravel- Tombeau de Couperin<\/a><\/p>\n<p>183-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Rossini- Cenerentola Overture<\/p>\n<p>184-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Rossini Overture Il Signor Bruschino<\/p>\n<p>185-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Rossini- Overture \u201cTancredi\u201d<\/p>\n<p>186-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0Rossini- Overture to Barber of Seville.<\/p>\n<p>187-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <a href=\"http:\/\/kennethwoods.net\/blog1\/2010\/08\/03\/rock-n-rosza\/\">Rozsa- Ben Hur<\/a><\/p>\n<p>188-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Saint-Saens- Cello Concerto in A minor<\/p>\n<p>189-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Saint-Saens- Cello Concerto no. 2 in D minor<\/p>\n<p>190-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Saint-Saens- Violin Concerto no. 3 in\u00a0 B minor<\/p>\n<p>191-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sarasate- Ziguenerweisen<\/p>\n<p>192-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sawyers- Gale of Life (UK Premiere)<\/p>\n<p>193-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <a href=\"http:\/\/www.philipsawyers.co.uk\/\">Philip Sawyers-<\/a> Symphony no. 2<\/p>\n<p>194-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <a href=\"http:\/\/nyoraku.com\">James Schlefer-<\/a> Concerto for Shakuhachi and Chamber Orchestra<\/p>\n<p>195-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schinittke- String Trio<\/p>\n<p>196-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schubert- Quintet in C major for Two Violins, Viola and Two Cellos<\/p>\n<p>197-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schubert- Overture in D Major in the Italian Style<\/p>\n<p>198-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schubert- Trio Satz in B-flat<\/p>\n<p>199-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schubert (arr Mahler\/Woods)- Quartet in D minor \u201cDeath and the Maiden\u201d<\/p>\n<p>200-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schubert- Symphony no. 4 in C minor \u201cTragic\u201d<\/p>\n<p>201-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schumann- Genoveva Overture<\/p>\n<p>202-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schumann- Piano Concerto in A minor<\/p>\n<p>203-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schumann- Violin Concerto<\/p>\n<p>204-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schumann- Cello Concerto in A minor<\/p>\n<p>205-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schumann- Konzertsucke for Four Horns<\/p>\n<p>206-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schumann- Overture, Scherzo and Finale<\/p>\n<p>207-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schumann- Overture to &#8220;Bride of Messina&#8221;<\/p>\n<p>208-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schumann- Manfred Overture<\/p>\n<p>209-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schumann- Symphony no. 1 \u201cSpring\u201d<\/p>\n<p>210-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schumann- Symphony no. 2 in C (2)<\/p>\n<p>211-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schumann- Symphony no. 3 in E-flat, \u201cRhenish\u201d<\/p>\n<p>212-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schumann- Symphony no. 4 in D minor<\/p>\n<p>213-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Shostakovich- Chamber Symphony op. 73a<\/p>\n<p>214-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Shostakovich- Chamber Symphony op 83a<\/p>\n<p>215-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Shostakovich- Festive Overture<\/p>\n<p>216-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Shostakovich- Concerto no. 1 for Piano, Trumpet and Strings<\/p>\n<p>217-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Shostakovich- Piano Concerto no. 2<\/p>\n<p>218-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Shostakovich- Sonata for Cello and Piano<\/p>\n<p>219-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <a href=\"http:\/\/kennethwoods.net\/blog1\/2010\/07\/30\/the-best-program-you-never-heard-in-your-life\/\">Shostakovich \u2013 Symphony No 6<\/a><\/p>\n<p>220-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Shostakovich- Symphony no. 7 \u201cLenningrad\u201d (posts\u00a0<a href=\"http:\/\/kennethwoods.net\/blog1\/2010\/02\/17\/shostakovich-7-the-city-the-year-the-performance\/\">here<\/a>,\u00a0<a href=\"http:\/\/kennethwoods.net\/blog1\/2010\/03\/13\/leningradskaya-i-allegretto\/\">here <\/a>and\u00a0<a href=\"http:\/\/kennethwoods.net\/blog1\/2010\/03\/14\/leningradskaya-ii-moderato-poco-allegretto\/\">here)<\/a><\/p>\n<p>221-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sibelius- Finlandia<\/p>\n<p>222-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sibelius- Valse Triste<\/p>\n<p>223-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sibelius- Violin Concerto<\/p>\n<p>224-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sibelius- Symphony no. 2 in D major<\/p>\n<p>225-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sibelius- Symphony no. 5 in E Flat<\/p>\n<p>226-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <a href=\"http:\/\/kennethwoods.net\/blog1\/2010\/11\/29\/ensmeble-epomeo-composer-kile-smith-on-composer-arnold-schnittke\/\"> Kile Smith- Thrice Blest (6)<\/a><\/p>\n<p>227-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Kile Smith- The Bremmen Town Musicians<\/p>\n<p>228-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sousa- The Liberty Bell<\/p>\n<p>229-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Strauss- \u201cArtist\u2019s Life\u201d Waltz<\/p>\n<p>230-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0Strauss: \u201cBlue Danube\u201d Waltzes,<\/p>\n<p>231-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Radetzky March<\/p>\n<p>232-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 J Strauss Jr- Overture to \u201cThe Gypsy Baron\u201d<\/p>\n<p>233-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 J Strauss Jr- \u201cLong Live the Magyar\u201d Polka Schnell<\/p>\n<p>234-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Strauss- Tritsch Tratsch Polka\u2019<\/p>\n<p>235-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Strauss- Emperor Waltzes<\/p>\n<p>236-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Strauss- \u201cThunder and Lightning\u201d Polka<\/p>\n<p>237-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <a href=\"http:\/\/kennethwoods.net\/blog1\/2010\/11\/22\/guest-blog-peter-davison-on-mahler-and-strauss-at-orchestra-of-the-swan\/\">Johann Strauss Jr (arr Schoenberg)- Emperor Waltzes<\/a><\/p>\n<p>238-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Strauss- Death and Transfiguration<\/p>\n<p>239-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Strauss, R- Oboe Concerto<\/p>\n<p>240-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Strauss, R- Romanze for Cello and Orchestra<\/p>\n<p>241-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Strauss, R- Serenade for Winds, op 7<\/p>\n<p>242-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Strauss, R- Cello Sonata VC<\/p>\n<p>243-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Strauss- Concerto No. 1 for Horn<\/p>\n<p>244-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Strauss- Horn Concerto no. 2<\/p>\n<p>245-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <a href=\"http:\/\/kennethwoods.net\/blog1\/2010\/09\/22\/metamorphosing-beethoven\/\"> Ri chard Strauss- Metamorphosen<\/a><\/p>\n<p>246-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Richard Strauss- Variations uber \u201c\u2018s Deandl is harb auf mi\u201d<\/p>\n<p>247-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Stravinsky- Octet for Winds +<\/p>\n<p>248-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Stravinsky- L\u2019histoire du soldat<\/p>\n<p>249-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Stravinsky- Symphonies of Wind Instruments (original version)<\/p>\n<p>250-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Stravinsky- Suite from \u201cThe Firebird\u201d (1919 Version)<\/p>\n<p>251-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Supp\u00e9- Overture to \u201cPoet and Peasant\u201d<\/p>\n<p>252-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Telemann- Don Quioxte<\/p>\n<p>253-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tchaikovsky- Romeo and Juliet, Fantasy Overture<\/p>\n<p>254-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tchaikovsky- Andante Cantabile for Cello and Strings*<\/p>\n<p>255-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tchaikovsky- Souvenir de Florence *<\/p>\n<p>256-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tchaikovsky- Rococo Variations for Cello and Orchestra<\/p>\n<p>257-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tchaikovsky Violin Concerto in D major, Op. 35<\/p>\n<p>258-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tchaikovsky- Quartet no. 3 in E flat minor<\/p>\n<p>259-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tchaikovsky- Symphony no. 4 in F minor<\/p>\n<p>260-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Thomas- \u201cPrimordial Monkey Soup\u201d for Cello Quartet and Solo Viola (World Premiere) *<\/p>\n<p>261-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Christopher Thomas- Snapshots (world premiere)<\/p>\n<p>262-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Vaughan Williams- Overture to \u201cThe Wasps\u201d<\/p>\n<p>263-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Vaughan Williams- The Lark Ascending<\/p>\n<p>264-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Vaughan Willilams- Fantasia on a Theme of Thomas Tallis<\/p>\n<p>265-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Vaughan-Williams- Symphony no. 5<\/p>\n<p>266-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Varese- Octandre<\/p>\n<p>267-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Verdi- Aida<\/p>\n<p>268-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Verdi- Il Trovatore<\/p>\n<p>269-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Verdi- Otello<\/p>\n<p>270-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Vivaldi- Four Seasons<\/p>\n<p>271-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Wagner- Die Meistersinger Overture (2)<\/p>\n<p>272-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Wagner- Rienzi Overture.<\/p>\n<p>273-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Wagner- Prelude and Liebestod from Tristan and Isolde<\/p>\n<p>274-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Walton- Facade (2)<\/p>\n<p>275-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Walton-\u00a0<a href=\"http:\/\/kennethwoods.net\/blog1\/2010\/08\/02\/why-walton\/\">Variations on a Theme of Paul Hindemith<\/a><\/p>\n<p>276-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Williams- Suite from Star Wars<\/p>\n<p>277-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <a href=\"http:\/\/www.iannis-xenakis.org\/\" target=\"_blank\">Xenakis<\/a>&#8211; Akrata (Welsh Premiere<\/p>\n<p>278-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 David Yang- Lubin from Chelm<\/p>\n<p>279-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 David Yang- Two Brothers from Chelm<\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:100px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"https:\/\/kennethwoods.net\/blog1\/2011\/01\/05\/2007-10-kw-repertoire-report-statistical-analysis-and-listing\/\" send=\"false\" layout=\"box_count\" width=\"450\" show_faces=\"true\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>My initial impulse in the Repertoire Report project came from frustration observing the difficult of getting a clear or even honest answer from teachers, famous conductors , artist managers or orchestra administrators when many of my fellow students at workshops and festivals would ask things like \u201chow many pieces does a working professional conductor need [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[58],"tags":[504,347,44,1070],"class_list":["post-2233","post","type-post","status-publish","format-standard","hentry","category-repertoire-reports","tag-bartok","tag-bruckner","tag-kenneth-woods","tag-repertoire-reports"],"_links":{"self":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/2233","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/comments?post=2233"}],"version-history":[{"count":3,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/2233\/revisions"}],"predecessor-version":[{"id":2238,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/2233\/revisions\/2238"}],"wp:attachment":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/media?parent=2233"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/categories?post=2233"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/tags?post=2233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}