{"id":2262,"date":"2011-01-10T00:11:49","date_gmt":"2011-01-09T23:11:49","guid":{"rendered":"http:\/\/kennethwoods.net\/blog1\/?p=2262"},"modified":"2011-01-10T11:13:13","modified_gmt":"2011-01-10T10:13:13","slug":"2010-repertoire-report-leonard-slatkin","status":"publish","type":"post","link":"https:\/\/kennethwoods.net\/blog1\/2011\/01\/10\/2010-repertoire-report-leonard-slatkin\/","title":{"rendered":"2010 Repertoire Report- Leonard Slatkin"},"content":{"rendered":"<p>Next up in the 2010 Repertoire Reports, one of our annual mainstay\u2019s, <a href=\"http:\/\/www.leonardslatkin.com\">Leonard Slatkin.<\/a><\/p>\n<p>By one measure, Leonard seems to be slowing down this year- \u00a0mere 91 works plus unlisted pops selections, compared to 121 <a href=\"http:\/\/kennethwoods.net\/blog1\/2008\/12\/16\/conductor-repertoire-report-leonard-slatkin-may-08-april-09-2\/\">2008<\/a> and <a href=\"http:\/\/kennethwoods.net\/blog1\/2009\/12\/21\/2009-repertoire-report-leonard-slatkin\/\">2009<\/a>. One might be tempted to think that he\u2019s taking it a bit easier after well-publicised health problems. After all, most conductors areprone to slimming down their rep lists as their careers evolve beyond a certain &#8220;learn everything&#8221; stage.<\/p>\n<p>But then you would look at what is included in that 91 works. A mountain of premieres by a wide range of mostly American leading composers, paired with rarely heard oddities like the Korngold Cello Concerto, Waxman Tristan Fantasy and Rozsa Spellbound Concerto.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/www.leonardslatkin.com\/photos\/LSportrait09-193.jpg\" alt=\"\" width=\"193\" height=\"280\" \/><\/p>\n<p>There are also Leonard\u2019s mainstays- Prokofiev 5 has been a mainstay of his repertoire, and his interpretation\u00a0 a mainstay of the industry, for over 30 years. This year he\u2019s conducted all of Rachmaninoff\u2019s symphonies, Isle of the Dead and much of the concertante music for piano. Amd, as always, Leonard\u2019s commitment to the rich tradition of tonal American symphonists like Piston, Schuman, Barber and Copland is readily manifest. Where would the music of Piston and Schuman be without his advocacy?<\/p>\n<p>Like Paavo, Leonard also seems to like to pick a work or two as party piece of the year- Berlioz Symphonie Fantastique was something he did with several orchestras in 2010.<\/p>\n<p>As in past years, I think of the regularly checked Reports in this series, Leonard\u2019s 2010 Repertoire is the list that would be the toughest for any of us \u201cnormal\u201d conductors to step in and cover. I\u2019ve conducted 45 of the 91 works n his list- whether I could learn the others in one year is a question I hesitate to answer.<\/p>\n<p><strong><em>Leonard Slatkin<\/em><\/strong><\/p>\n<p><strong><em>2010 Repertoire Report<\/em><\/strong><\/p>\n<p><strong><em><!--more--><br \/>\n<\/em><\/strong><\/p>\n<ol>\n<li>ADAMS: Violin Concerto<\/li>\n<li>BARBER: Capricorn Concerto<\/li>\n<li>BARBER: Cello Concerto<\/li>\n<li>BARBER: Symphony No. 1<\/li>\n<li>BATES: Liquid Interface<\/li>\n<li>BEETHOVEN: Symphony No. 3,      \u201cEroica\u201d<\/li>\n<li>BEETHOVEN: Symphony No. 8<\/li>\n<li>BERLIOZ: Le Corsaire<\/li>\n<li>BRAHMS: Symphony No. 2<\/li>\n<li>BERLIOZ: Roman Carnival      Overture<\/li>\n<li>BERLIOZ: Symphony Fantastique<\/li>\n<li>BERNSTEIN: Symphonic Suite from\u00a0On      the Waterfront<\/li>\n<li>BERNSTEIN: Three Dance Episodes      from \u201cOn the Town\u201d<\/li>\n<li>BERNSTEIN: Symphonic Dances      from \u201cWest       Side      Story\u201d<\/li>\n<li>BRAHMS: Symphony No. 1<\/li>\n<li>BRUCH: Violin Concerto No. 1<\/li>\n<li>CHILDS: Concerto for Violin      (World Premiere)<\/li>\n<li>COPLAND: Suite from\u00a0Appalachian      Spring<\/li>\n<li>CORIGLIANO: Pied Piper Fantasy      (DSO Premiere)<\/li>\n<li>DANIELPOUR: Pastime<\/li>\n<li>DEBUSSY: Afternoon of a Faun<\/li>\n<li>DOPPLER: Rigoletto Fantasie<\/li>\n<li>DVOR\u00c1K: Symphony No. 6<\/li>\n<li>DVORAK: Symphony No. 7<\/li>\n<li>DVOR\u00c1K: Symphony No. 9,      &#8220;From the New World&#8221;<\/li>\n<li>ELGAR: Violin Concerto<\/li>\n<li>GERSHWIN: Piano Concerto in F<\/li>\n<li>GERSHWIN: An American in Paris<\/li>\n<li>HAYDN: Creation (excerpt)<\/li>\n<li>HIGDON: Violin Concerto (DSO      Premiere)<\/li>\n<li>HOLST: The Planets<\/li>\n<li>HOSOKAWA: Sternenlose Nacht<\/li>\n<li>KORNGOLD: Cello Concerto<\/li>\n<li>LEE: Beyond Rivers of Vision      (DSO Premiere)<\/li>\n<li>LISCHKA: Concerto for Saxophone      Quartet and Orchestra<\/li>\n<li>LISZT: Piano Concerto No. 1<\/li>\n<li>McTEE: Double Play (World      Premiere)<\/li>\n<li>McTEE: Tempus Fugit<\/li>\n<li>McTEE: Symphony No. 1: Ballet      for Orchestra<\/li>\n<li>MENNIN: Concertato for      Orchestra, \u201cMoby Dick\u201d<\/li>\n<li>MERCADANTE: Flute Concerto in e      minor<\/li>\n<li>MOZART: Flute Concerto No. 2<\/li>\n<li>MOZART: Symphony No. 35,      &#8220;Haffner&#8221;<\/li>\n<li>MUSSORGSKY: Pictures at an      Exhibition<\/li>\n<li>PART: Fratres<\/li>\n<li>PISTON: Incredible Flutist      Suite<\/li>\n<li>PROKOFIEV: Classical Symphony<\/li>\n<li>PROKOFIEV: Piano Concerto No. 3<\/li>\n<li>PROKOFIEV: Violin Concerto No.      2<\/li>\n<li>PROKOFIEV: Symphony No. 5<\/li>\n<li>PURCELL: Chacony in G (Britten)<\/li>\n<li>RABAUD: La Procession Nocturne<\/li>\n<li>RACHMANINOFF: Piano Concerto      No. 1<\/li>\n<li>RACHMANINOFF: Piano Concerto      No. 3<\/li>\n<li>RACHMANINOFF: Variations on a      Theme of Paganini<\/li>\n<li>RACHMANINOFF: The Isle of the      Dead<\/li>\n<li>RACHMANINOFF: Symphony No. 1<\/li>\n<li>RACHMANINOFF: Symphony No. 2<\/li>\n<li>RACHMANINOFF: Symphony No. 3<\/li>\n<li>RACHMANINOFF: Vocalise<\/li>\n<li>RAVEL: Piano Concerto<\/li>\n<li>RIMSKY-KORSAKOV: Antar<\/li>\n<li>ROSAMOND &amp; JOHNSON: Lift      Ev\u2019ry Voice and Sing<\/li>\n<li>ROSSINI: Overture to \u201cLa Gazza      Ladra\u201d<\/li>\n<li>ROZSA: Spellbound Concerto<\/li>\n<li>RUIZ: Nebula<\/li>\n<li>STEPHEN RUSH: Tango Symphony      (World Premiere)<\/li>\n<li>SAINT-SAENS: Cello Concerto<\/li>\n<li>SHCHEDRIN: Oboe Concerto<\/li>\n<li>SCHUBERT: Symphony No. 9<\/li>\n<li>SCHUMAN: American Festival      Overture<\/li>\n<li>SCHUMAN: Circus Overture: Side      Show<\/li>\n<li>SCHUMAN: Violin Concerto<\/li>\n<li>SCHUMAN: Symphony No. 3<\/li>\n<li>BRIGHT SHENG: Concerto for      Orchestra: Zodiac Tales (World Premiere)<\/li>\n<li>SHOSTAKOVICH: Tahiti Trot<\/li>\n<li>SHOSTAKOVICH: Violin Concerto<\/li>\n<li>SHOSTAKOVICH: Symphony No. 5<\/li>\n<li>SMETANA: Bohemian Meadows<\/li>\n<li>SPRATLAN:\u00a0Life is a Dream\u00a0(World      Premiere)<\/li>\n<li>STRAUSS: Symphonia Domestica<\/li>\n<li>STRAVINSKY: Firebird (1919)<\/li>\n<li>TCHAIKOVSKY: Francesca di      Rimini<\/li>\n<li>TCHAIKOVSKY: Piano Concerto No.      1<\/li>\n<li>TCHAIKOVSKY: Symphony No. 6<\/li>\n<li>TOWER: Concerto for Clarinet<\/li>\n<li>TOWER: Fanfare, Made in America<\/li>\n<li>VERDI: Overture to\u00a0La      Forza del Destino<\/li>\n<li>WAGNER\/WAXMAN: Tristan &amp;      Isolde Fantasy<\/li>\n<li>WILLIAMS: Violin Concerto (DSO      Premiere)<\/li>\n<li>WILSON: Lumina (DSO Premiere)<\/li>\n<\/ol>\n<p><strong> <\/strong><\/p>\n<p><strong>91-95. DSO Community Concert Series:<\/strong><br \/>\n96-100. <strong>Home for the Holidays Pops Concerts<\/strong><\/p>\n<p><strong>101.107: <a href=\"http:\/\/www.onl.fr\/\" target=\"_blank\">Orchestre National de Lyon<\/a>: <\/strong><strong>MUSIC OF BERNSTEIN AND GERSHWIN<\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><br \/>\n<object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"480\" height=\"385\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/8o--VHykKOY?fs=1&amp;hl=en_GB&amp;rel=0\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed type=\"application\/x-shockwave-flash\" width=\"480\" height=\"385\" src=\"http:\/\/www.youtube.com\/v\/8o--VHykKOY?fs=1&amp;hl=en_GB&amp;rel=0\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/embed><\/object><\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:100px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"https:\/\/kennethwoods.net\/blog1\/2011\/01\/10\/2010-repertoire-report-leonard-slatkin\/\" send=\"false\" layout=\"box_count\" width=\"450\" show_faces=\"true\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>Next up in the 2010 Repertoire Reports, one of our annual mainstay\u2019s, Leonard Slatkin. By one measure, Leonard seems to be slowing down this year- \u00a0mere 91 works plus unlisted pops selections, compared to 121 2008 and 2009. One might be tempted to think that he\u2019s taking it a bit easier after well-publicised health problems. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[1,58],"tags":[529,528,474],"class_list":["post-2262","post","type-post","status-publish","format-standard","hentry","category-music-opion-life-as-a-performing-musician","category-repertoire-reports","tag-american-music","tag-leonard-slatkin","tag-new-music"],"_links":{"self":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/2262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/comments?post=2262"}],"version-history":[{"count":5,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/2262\/revisions"}],"predecessor-version":[{"id":2271,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/2262\/revisions\/2271"}],"wp:attachment":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/media?parent=2262"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/categories?post=2262"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/tags?post=2262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}