{"id":3675,"date":"2012-01-14T13:04:03","date_gmt":"2012-01-14T12:04:03","guid":{"rendered":"http:\/\/kennethwoods.net\/blog1\/?p=3675"},"modified":"2012-01-14T14:59:38","modified_gmt":"2012-01-14T13:59:38","slug":"repertoire-report-sasha-makila-2011","status":"publish","type":"post","link":"https:\/\/kennethwoods.net\/blog1\/2012\/01\/14\/repertoire-report-sasha-makila-2011\/","title":{"rendered":"Repertoire Report- Sasha M\u00e4kil\u00e4 2011"},"content":{"rendered":"<p>Next up in the 2011 Repertoire Reports is Assistant Conductor of the Cleveland Orchestra, <a href=\"http:\/\/www.sashamakila.com\/\" target=\"_blank\">Sasha M\u00e4kil\u00e4.<\/a><\/p>\n<p>I first became aware of Maestro M\u00e4kil\u00e4 when a couple of comments on VFTP led me to <a href=\"http:\/\/blog.sashamakila.com\/\" target=\"_blank\">his excellent blog<\/a>&#8211; to the best of my knowledge, Sasha was the second conductor to start and maintain a blog (VFTP was the first to survive beyond a handful of posts). \u00a0Sasha was also the clear star of the first #askaconductor event on Twitter last year.<\/p>\n<p>Finnish conductor\u00a0<strong>Sasha M\u00e4kil\u00e4<\/strong>\u00a0is gaining recognition as one of the most prominent rising talents of his generation in both the operatic and symphonic fields. He joined the conducting staff of\u00a0<strong>The Cleveland Orchestra<\/strong>\u00a0as Assistant Conductor under Maestro\u00a0<strong>Franz Welzer-M\u00f6st<\/strong>\u00a0in September 2010 after completing a three-year tenure at\u00a0<strong>Orchestre National de France<\/strong>\u00a0as Maestro\u00a0<strong>Kurt Masur&#8217;s<\/strong>\u00a0assistant.<\/p>\n<p>Originally a cellist, Sasha M\u00e4kila studied conducting at the Sibelius Academy (Finland) and at the St. Petersburg State Conservatory (Russia).\u00a0He was nominated a Conducting Fellow at the\u00a0<strong>American Academy of Conducting in Aspen<\/strong>\u00a0(2009) and he was also a prize winner at the\u00a0<strong>Sixth Vakhtang Jordania International Conducting Competition<\/strong>\u00a0(USA, 2006) as well as finalist in the\u00a0<strong>Suwon International Conductors Competition<\/strong>\u00a0(South Korea, 2005).<\/p>\n<p>I was particularly keen to get a Report from Sasha because his workload is a perfect demonstration of the myriad challenges faced by a staff conductor at a major orchestra. In addition to his own busy conducting schedule, Maestro M\u00e4kil\u00e4 has covered 105 classical works and 51 pops pieces for the Cleveland Orchestra in 2011. That\u2019s a huge amount of studying and preparation- he has to know every one of these scores well enough to conduct any of them with the Cleveland Orchestra at the drop of a hat.<\/p>\n<p>&nbsp;<\/p>\n<p>SASHA M\u00c4KIL\u00c4<\/p>\n<p>REPERTOIRE REPORT 2011<\/p>\n<p>&nbsp;<\/p>\n<p>REPERTOIRE CONDUCTED (CLEVELAND AND GUEST CONDUCTING)<\/p>\n<p><!--more--><\/p>\n<p>CLASSICAL:<\/p>\n<ol>\n<li>Bach &#8211; Ouverture C Major, BWV 1066<\/li>\n<li>Beethoven &#8211; Symphony No. 3 (\u201cEroica\u201d), Movement 3<\/li>\n<li>Beethoven: Symphony No. 8<\/li>\n<li>Brahms: Symphony No. 2 in D Major, Op. 73<\/li>\n<li>Britten: &#8220;Sentimental Sarabande&#8221; from Simple Symphony<\/li>\n<li>Chadwick: &#8220;Hobgoblin&#8221; from Symphonic Sketches<\/li>\n<li>Copland: Variations on &#8220;Simple Gifts&#8221;<\/li>\n<li>Corigliano: Concerto for Piano<\/li>\n<li>Crowe: How the birds came into the world<\/li>\n<li>Dvorak: Second Movement from Symphony No. 9<\/li>\n<li>Dvorak: Fourth Movement from Symphony No. 9<\/li>\n<li>Dvorak: Serenade for Strings in E Major<\/li>\n<li>Dvor\u00e1k &#8211; Slavonic Dance, Op. 46 (No. 1, 5, or 8 )<\/li>\n<li>Falla &#8211; \u201cRitual Fire Dance\u201d from El amor brujo<\/li>\n<li>Glazunov: Saxophone Concerto<\/li>\n<li>Griebling-Haigh &#8211; Alegrias for oboe, accordion, strings, piano and percussion<\/li>\n<li>Griebling-Haigh &#8211; Sinfonia Concertante for two oboes, bassoon and strings<\/li>\n<li>GRIEG &#8211; Peer Gynt Suite No. 1<\/li>\n<li>Handel &#8211; \u201cThe Arrival of the Queen of Sheba\u201d from Solomon<\/li>\n<li>Haydn &#8211; Symphony No. 96 (\u201cThe Miracle\u201d), Movement 4<\/li>\n<li>Haydn &#8211; Symphony No. 98<\/li>\n<li>HOLST &#8211; Planets<\/li>\n<li>Kuusisto &#8211; Kongressin j\u00e4lkeen (cantata)<\/li>\n<li>Lalo &#8211; Cello Concerto, Movement 3<\/li>\n<li>Mozart &#8211; Overture to The Abduction from the Seraglio<\/li>\n<li>PROKOFIEV &#8211; Classical Symphony<\/li>\n<li>PROKOFIEV &#8211; Symphony No. 5 (Beyond the Score production)<\/li>\n<li>Prokofiev: Peter and the Wolf<\/li>\n<li>SHOSTAKOVICH &#8211; Violin Concerto No. 1<\/li>\n<li>Shostakovich: Festive Overture, Op. 96<\/li>\n<li>SIBELIUS &#8211; Suite from Kuolema<\/li>\n<li>SIBELIUS &#8211; Symphony No. 1<\/li>\n<li>SIBELIUS &#8211; Symphony No. 5<\/li>\n<li>SMETANA &#8211; Overture from &#8220;Bartered Bride&#8221;<\/li>\n<li>Suppe: Light Cavalry Overture<\/li>\n<li>TCHAIKOVSKY &#8211; Rococo Variations<\/li>\n<li>Tchaikovsky &#8211; Serenade for Strings, Movement 2<\/li>\n<li>WAGNER: Die Meistersinger Overture<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p>POPS:<\/p>\n<ol>\n<li>Alpert: Midnight Sun<\/li>\n<li>Ellington: Come Sunday<\/li>\n<li>Ellington: Prelude to a Kiss<\/li>\n<li>Ellington: Sophisticated Lady<\/li>\n<li>Gershwin: Overture to Girl Crazy<\/li>\n<li>Gershwin: Overture to Strike Up the Band<\/li>\n<li>Joplin: Entertainer<\/li>\n<li>Mandel: The Shadow of Your Smile<\/li>\n<li>Miller: Stairway to the Stars<\/li>\n<li>Porter: Let\u2019s Do It<\/li>\n<li>Porter: My Heart Belongs to Daddy<\/li>\n<li>Richman: Western Fanfare<\/li>\n<li>Rodgers: My Favorite Things<\/li>\n<li>Strayhorn: Lush Life<\/li>\n<li>Ward: America the Beautiful<\/li>\n<li>Weill: My Ship<\/li>\n<li>Weill: Speak Low<\/li>\n<\/ol>\n<p>REPERTOIRE COVERED (FOR THE CLEVELAND ORCHESTRA)<\/p>\n<p>&nbsp;<\/p>\n<p>CLASSICAL:<\/p>\n<ol>\n<li>ADAMS &#8211; Guide to Strange Places<\/li>\n<li>ADAMS &#8211; Violin Concerto<\/li>\n<li>BACH &#8211; Brandenburg Concerto No. 1<\/li>\n<li>BACH &#8211; Cantata No. 202 (Wedding Cantata)<\/li>\n<li>BACH &#8211; Sinfonia, from BWV209<\/li>\n<li>BACH &#8211; Sinfonia, from BWV42<\/li>\n<li>BACH &#8211; Suite No. 1 in C major, BWV1066<\/li>\n<li>BACH &#8211; Suite No. 3 in D major<\/li>\n<li>BACH &#8211; Violin Concerto in A minor<\/li>\n<li>BACH, CPE &#8211; Cello Concerto in A major, WQ172<\/li>\n<li>BACH, CPE &#8211; Sinfonia in D major, W183 No. 1<\/li>\n<li>BARBER &#8211; Symphony No. 1<\/li>\n<li>BARTOK &#8211; Piano Concerto No. 2<\/li>\n<li>BEETHOVEN &#8211; Romance No. 2 for violin and orchestra<\/li>\n<li>BEETHOVEN &#8211; Symphony No. 8<\/li>\n<li>BEETHOVEN &#8211; Symphony No. 9 (&#8220;Choral&#8221;)<\/li>\n<li>Beethoven: Piano Concerto No. 4<\/li>\n<li>BERG &#8211; Violin Concerto<\/li>\n<li>BERLIOZ &#8211; Roman Carnival Overture<\/li>\n<li>BERNSTEIN &#8211; Serenade<\/li>\n<li>BIZET &#8211; Carmen, orchestral excerpts<\/li>\n<li>Brahms: Piano Concerto No. 1<\/li>\n<li>BRUCH &#8211; Adagio appassionato for violin and orchestra<\/li>\n<li>BRUCH &#8211; Violin Concerto No. 1<\/li>\n<li>BRUCKNER &#8211; Symphony No. 5<\/li>\n<li>BRUCKNER &#8211; Symphony No. 7<\/li>\n<li>BRUCKNER &#8211; Symphony No. 8<\/li>\n<li>BRUCKNER &#8211; Symphony No. 9<\/li>\n<li>COPLAND &#8211; Lincoln Portrait<\/li>\n<li>Copland: \u201cThe Promise of Living\u201d from The Tender Land<\/li>\n<li>Debussy: Printemps<\/li>\n<li>Debussy: \u201cRondes de Printemps\u201d from Images<\/li>\n<li>ELGAR &#8211; Enigma Variations<\/li>\n<li>ENESCU &#8211; Romanian Rhapsody No. 1<\/li>\n<li>Goldenthal: Duet from Othello<\/li>\n<li>HANDEL &#8211; Concerto Grosso<\/li>\n<li>HANDEL &#8211; Music for the Royal Fireworks<\/li>\n<li>HANDEL &#8211; The King Shall Rejoice<\/li>\n<li>HANDEL &#8211; Zadok the Priest<\/li>\n<li>Handel : \u201cHallelujah\u201d Chorus, from Messiah<\/li>\n<li>HAYDN &#8211; Piano Concerto in D major<\/li>\n<li>HAYDN &#8211; Symphony No. 104 (\u201cLondon\u201d)<\/li>\n<li>HAYDN &#8211; Symphony No. 98<\/li>\n<li>IVES &#8211; Variations on America<\/li>\n<li>KABALEVSKY &#8211; Overture to Colas Breugnon<\/li>\n<li>Liszt: Les Pr\u00e9ludes<\/li>\n<li>MENDELSSOHN &#8211; Dona Nobis Pacem<\/li>\n<li>MENDELSSOHN &#8211; Hear My Prayer<\/li>\n<li>MENDELSSOHN &#8211; Music from A Midsummer Night&#8217;s Dream<\/li>\n<li>MENDELSSOHN &#8211; Symphony No. 3 (&#8220;Scottish&#8221;)<\/li>\n<li>MENDELSSOHN &#8211; Violin Concerto<\/li>\n<li>Menotti: Introduction, March, and Shepherds\u2019 Dance, from Amahl and the Night Visitors<\/li>\n<li>MOZART &#8211; Don Giovanni<\/li>\n<li>MOZART &#8211; Horn Concerto No. 2, K417<\/li>\n<li>MOZART &#8211; Mass in C minor, K427<\/li>\n<li>MOZART &#8211; Piano Concerto No. 17, K453<\/li>\n<li>MOZART &#8211; Piano Concerto No. 25 in C major, K503<\/li>\n<li>MOZART &#8211; Symphony No. 25<\/li>\n<li>Mussorgsky: Prelude to Khovanshchina<\/li>\n<li>NIELSEN &#8211; Symphony No. 4 (&#8220;The Inextinguishable&#8221;)<\/li>\n<li>OLIVERIO &#8211; Dynasty: Double Concerto for Timpani<\/li>\n<li>Pierce: Night<\/li>\n<li>PROKOFIEV &#8211; Symphony No. 5<\/li>\n<li>Prokofiev: Violin Concerto No. 2<\/li>\n<li>P\u00e4rt: Spiegel im Spiegel<\/li>\n<li>P\u00e4rt: Tabula Rasa<\/li>\n<li>Rachmaninoff: Piano Concerto No. 2<\/li>\n<li>RAVEL &#8211; Bol\u00e9ro<\/li>\n<li>RAVEL &#8211; La Valse<\/li>\n<li>SAINT-SA\u00cbNS &#8211; Symphony No. 3 (\u201cOrgan Symphony\u201d)<\/li>\n<li>SARASATE &#8211; Gypsy Airs<\/li>\n<li>SCH\u00d6NBERG &#8211; Pelleas and Melisande<\/li>\n<li>SIBELIUS &#8211; Symphony No. 7<\/li>\n<li>Sibelius: Violin Concerto<\/li>\n<li>STRAUSS, JOHANN JR: Overture to Die Fledermaus<\/li>\n<li>STRAUSS, JOHANN JR: Polka: Auf der Jagd (\u201cAt the Hunt\u201d)<\/li>\n<li>STRAUSS, JOHANN JR: Polka: Im Krapfenwaldl (\u201cIn Krapfen&#8217;s Woods\u201d)<\/li>\n<li>STRAUSS, JOHANN JR: Polka: Tritsch-Tratsch<\/li>\n<li>STRAUSS, JOHANN JR: Radetzky March<\/li>\n<li>STRAUSS, JOHANN JR: The Emperor Waltz<\/li>\n<li>STRAUSS, JOHANN JR: Waltz: On the Beautiful Blue Danube<\/li>\n<li>STRAUSS, R. &#8211; Aus Italien<\/li>\n<li>STRAUSS, R. &#8211; Don Juan<\/li>\n<li>STRAUSS, R. &#8211; Ein Heldenleben<\/li>\n<li>STRAUSS, R. &#8211; Metamorphosen<\/li>\n<li>STRAUSS, R. &#8211; Till Eulenspiegel<\/li>\n<li>STRAVINSKY &#8211; Agon<\/li>\n<li>STRAVINSKY &#8211; Capriccio (for piano and orchestra)<\/li>\n<li>STRAVINSKY &#8211; Concerto in D<\/li>\n<li>STRAVINSKY &#8211; Divertimento from The Fairy&#8217;s Kiss<\/li>\n<li>STRAVINSKY &#8211; Mass<\/li>\n<li>Stravinsky: Violin Concerto in D<\/li>\n<li>SZYMANOWSKI &#8211; Violin Concerto No. 1<\/li>\n<li>TCHAIKOVSKY &#8211; &#8220;1812&#8221; Overture<\/li>\n<li>TCHAIKOVSKY &#8211; Symphony No. 4<\/li>\n<li>TCHAIKOVSKY &#8211; Symphony No. 6 (&#8220;Path\u00e9tique&#8221;)<\/li>\n<li>TCHAIKOVSKY &#8211; Violin Concerto<\/li>\n<li>Tchaikovsky: Final Waltz and Finale, from The Nutcracker<\/li>\n<li>Tchaikovsky: Pas de Deux from Swan Lake, Act III<\/li>\n<li>Tchaikovsky: Waltz of the Flowers, from The Nutcracker<\/li>\n<li>VASKS &#8211; English Horn Concerto<\/li>\n<li>WAGNER &#8211; Overture to Tannh\u00e4user<\/li>\n<li>WEBER &#8211; Overture to Euryanthe<\/li>\n<li>WEBERN &#8211; Im Sommerwind<\/li>\n<li>WIDMANN &#8211; Con brio: Concert Overture<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p>POPS:<\/p>\n<ol>\n<li>Anderson: Sleigh Ride<\/li>\n<li>Berlin: Alexander&#8217;s Ragtime Band<\/li>\n<li>Berlin: Blue Skies<\/li>\n<li>Berlin: Entr&#8217;acte<\/li>\n<li>Berlin: Heat Wave<\/li>\n<li>Berlin: How Deep Is the Ocean<\/li>\n<li>Berlin: I Love A Piano<\/li>\n<li>Berlin: Irving Berlin Overture<\/li>\n<li>Berlin: Irving Berlin&#8217;s America<\/li>\n<li>Berlin: Let&#8217;s Face the Music and Dance<\/li>\n<li>Berlin: Play a Simple Melody<\/li>\n<li>Berlin: Remember<\/li>\n<li>Berlin: Sisters Medley<\/li>\n<li>Berlin: Steppin&#8217; Out Medley<\/li>\n<li>Berlin: Strolling Up the Avenue<\/li>\n<li>Berlin: There&#8217;s No Business Like Show Business<\/li>\n<li>Berlin: What&#8217;ll I Do<\/li>\n<li>Berlin: \u201cGod Bless America\u201d by Irving Berlin<\/li>\n<li>BERNSTEIN &#8211; Overture to West Side Story<\/li>\n<li>Blake: Walking in the Air<\/li>\n<li>Burt: Caroling, Caroling<\/li>\n<li>Dragon: I Am An American<\/li>\n<li>ELLINGTON &#8211; Sophisticated Lady<\/li>\n<li>GERSHWIN &#8211; Gershwin in Hollywood<\/li>\n<li>Gould- American Salute<\/li>\n<li>Gould: Memorial (on \u201cTaps\u201d) from American Ballads<\/li>\n<li>Gruber: Silent Night<\/li>\n<li>JOPLIN &#8211; Maple Leaf Rag<\/li>\n<li>Martin: Have Yourself a Merry Little Christmas<\/li>\n<li>Pierpont: Jingle Bells<\/li>\n<li>Pirates Of The Caribbean \u2014 The Curse Of The Black Pearl (full soundtrack)<\/li>\n<li>Reineke: Celebration Fanfare<\/li>\n<li>Reineke: River Medley<\/li>\n<li>Smith: The Star-Spangled Banner<\/li>\n<li>SOUSA &#8211; Washington Post March<\/li>\n<li>Sousa: National Emblem March<\/li>\n<li>Traditional: Away in a Manger arranged by John Rutter for chorus<\/li>\n<li>Traditional: Bring a Torch, Jeanette Isabella arranged by Leroy Anderson for strings<\/li>\n<li>Traditional: Coventry Carol arranged by Leroy Anderson for woodwinds<\/li>\n<li>Traditional: Hark, the Herald Angels Sing, arranged by David Willcocks<\/li>\n<li>Traditional: I Saw Three Ships arranged by Leroy Anderson for brass<\/li>\n<li>Traditional: March-Past of the United States Armed Forces<\/li>\n<li>Traditional: Personent hodie Traditional, arranged by Lara Hoggard<\/li>\n<li>Traditional: Suo-g\u00e2n Traditional, arranged by Mack Wilberg<\/li>\n<li>Traditional: The First No\u00ebl Traditional, arranged by Carmen Dragon<\/li>\n<li>Traditional: The Twelve Days of Christmas, arranged by John Rutter<\/li>\n<li>Traditional: We wish you a Merry Christmas<\/li>\n<li>Ward: America the Beautiful<\/li>\n<li>Whear: Stars in the Field of Blue<\/li>\n<li>Williams: Born on the Fourth of July<\/li>\n<li>Williams: Merry Christmas, Merry Christmas, from Home Alone 2<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:100px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"https:\/\/kennethwoods.net\/blog1\/2012\/01\/14\/repertoire-report-sasha-makila-2011\/\" send=\"false\" layout=\"box_count\" width=\"450\" show_faces=\"true\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>Next up in the 2011 Repertoire Reports is Assistant Conductor of the Cleveland Orchestra, Sasha M\u00e4kil\u00e4. I first became aware of Maestro M\u00e4kil\u00e4 when a couple of comments on VFTP led me to his excellent blog&#8211; to the best of my knowledge, Sasha was the second conductor to start and maintain a blog (VFTP was [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[58],"tags":[],"class_list":["post-3675","post","type-post","status-publish","format-standard","hentry","category-repertoire-reports"],"_links":{"self":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/3675","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/comments?post=3675"}],"version-history":[{"count":5,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/3675\/revisions"}],"predecessor-version":[{"id":3678,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/3675\/revisions\/3678"}],"wp:attachment":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/media?parent=3675"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/categories?post=3675"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/tags?post=3675"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}