{"id":395,"date":"2007-07-22T21:37:25","date_gmt":"2007-07-22T21:37:25","guid":{"rendered":"http:\/\/kennethwoods.net\/blog1\/2007\/07\/22\/headgear\/"},"modified":"2019-02-11T18:10:38","modified_gmt":"2019-02-11T17:10:38","slug":"headgear","status":"publish","type":"post","link":"https:\/\/kennethwoods.net\/blog1\/2007\/07\/22\/headgear\/","title":{"rendered":"Headgear"},"content":{"rendered":"

As we got to the end of Act II of Walkure, it occurred to me that the moments of unintentional hilarity were getting much harder to find. The despair of Wotan at the loss of his free will, the burden of Brunnhilde to ensure the death of the Walsung, Sieglinde\u2019s shame and Siegmund being told of his imminent death- these are not the stuff of comedy. Part of Wagner\u2019s genius is in setting up such a ludicrous scenario and then making you care passionately for each of the characters (except possibly Froh, who I find to be kind of useless). <\/span><\/p>\n

Fortunately, this staging offers us the clear alien head helmets of the Valkyries in Act III, which are simply the funniest headgear I\u2019ve ever seen. Good old-fashioned horns would have been way more believable. It\u2019s a little bit of much needed comic relief before the return to high tragedy. <\/span><\/span><\/p>\n

Still, great orchestra work and mostly awesome singing\u2026. First hint of the enormity of our task when we switched discs for Act III and realized it was going to take him an hour and thirteen minutes to put Brunhilde to sleep so we can get lunch.<\/span><\/span><\/span><\/p>\n

On reflection, this is about as good as it gets. Tomlinson is, for me, the greatest Wotan in living memory, and the whole cast is strong. The orchestra transcends mere excellence, playing with astonishing power, range and intensity, yet never overpowering the soloists. Barenboim, who can be wayward and indulgent in many things, is absolutely commanding in this score.<\/p>\n