{"id":417,"date":"2007-09-04T14:23:28","date_gmt":"2007-09-04T14:23:28","guid":{"rendered":"http:\/\/kennethwoods.net\/blog1\/2007\/09\/04\/light-up-the-scandelabra\/"},"modified":"2007-09-04T14:23:28","modified_gmt":"2007-09-04T14:23:28","slug":"light-up-the-scandelabra","status":"publish","type":"post","link":"https:\/\/kennethwoods.net\/blog1\/2007\/09\/04\/light-up-the-scandelabra\/","title":{"rendered":"Light up the scandelabra!"},"content":{"rendered":"

Thanks to AC Douglas<\/a> for pointing out this little oddity <\/a>\u00a0 (more here<\/a> and here<\/a>) about and orchestra and a conductor at each other\u2019s throats. I hate to sound glib, but one should really not take these things too seriously.\u00a0As one of my dear friends in grad school used to say- there\u2019s a bright new light on the scandelabra today! <\/span><\/p>\n

T<\/span>he media loves these little tempests in teapots, as do readers, it would appear. <\/span><\/span><\/p>\n

This scenario unfolds all the time at big and small orchestras, and everyone seems to like to figure out what the \u201ctruth\u201d is. Is the conductor really that bad? Are the orchestra musicians all bitter and washed up? Is it the union mentality run amock? Surely it\u2019s the board\u2019s fault? Why didn\u2019t the management do something to prevent this? Is the conductor\u2019s career over. <\/span><\/span><\/span><\/p>\n

The fact is, at times like this, the metaphor of a marriage seems particularly apt, except that, with very, very few exceptions, all musical marriages, by their very nature, end in divorce, amicable or not. When a conductor sues an orchestra (really, that\u2019s a good one, I have to say- I\u2019d love to hear the testimony \u201cbut your honor, they play so damn late!\u201d), or a players committee leaks a damning artistic assessment to the press, things have been bad for a long time, and, almost without exception, all parties- board, management, musicians and conductor- have helped shape the slow moving train wreck now so publicly on show. If I have one general sense of these situations, it is that, if things have gone sour, separate and move on. Fighting off a coup or holding onto a job you’re not happy in or where the work is not satisfying everyone makes nobody happy and only delays the inevitable.<\/span><\/span><\/span><\/span><\/p>\n

Just as people can go on to find love again after a painful break up, so musicians find new opportunities. Believe me, if an orchestra enjoys working with a conductor, the last thing they\u2019re going to worry about is whether or not the last orchestra liked him or her. Likewise, if they don\u2019t get on, the fact that the conductor in question is considered a saint, genius and national hero at his previous orchestra means nothing.\u00a0Remember how Charles Dutoit’s\u00a0career was supposed to be\u00a0over when he and the Montreal Symphony\u00a0fell out so publicly- would someone so controversial ever work again? Well, if you consider\u00a0principal conductor appointments with the Philadelphia\u00a0Orchestra<\/span>\u00a0<\/span><\/span><\/span><\/span><\/span>and Royal Philharmonic to be working, then, yes he is. Riccardo Muti, anyone? <\/span><\/span><\/span><\/span><\/span><\/p>\n

I don\u2019t know anyone involved in this scenario and have no idea about the past history leading up to this meltdown, but maybe, when everyone\u2019s so obviously gone all \u201cWar of the Roses\u201d on each other, the best and most dignified thing to do is to just say- \u201csorry, we all kind of lost it there\u2026 painful time\u2026. lets move on.\u201d <\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Besides, the real cloak and dagger stories of intrigue and evil never make it into the press. Believe me, there are things worse than conducting too fast…<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

c. 2007 Kenneth Woods<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n