{"id":49,"date":"2006-06-18T14:07:54","date_gmt":"2006-06-18T14:07:54","guid":{"rendered":"http:\/\/kennethwoods.net\/blog1\/2006\/06\/18\/beethoven-3-first-movement\/"},"modified":"2006-06-18T14:07:54","modified_gmt":"2006-06-18T14:07:54","slug":"beethoven-3-first-movement","status":"publish","type":"post","link":"https:\/\/kennethwoods.net\/blog1\/2006\/06\/18\/beethoven-3-first-movement\/","title":{"rendered":"Beethoven 3, first movement"},"content":{"rendered":"<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt\"><span style=\"font-size: 10pt; font-family: Arial\">This issue will be one of many that is sure to come up this week at the RCICW\u00a0<\/span><\/p>\n<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0pt\"><span style=\"font-size: 10pt; font-family: Arial\" \/><\/p>\n<p><span style=\"font-size: 10pt; font-family: Arial\">We all know that the first movement of Beethoven 8, the first movement of Beethoven 3 and the Egmont overture tend to inspire debate among musicians as to whether they should be in three or in one. Beethoven\u2019s metronome markings are in one. Generally speaking, old school conductors (Furtwangler, Bernstein, Klemperer,) tended to do these movements in three, new school conductors (Zinman, Norrington, Gardiner) in one.\u00a0<\/p>\n<p><\/span><span style=\"font-size: 10pt; font-family: Arial\">\u00a0<\/p>\n<p><\/span><span style=\"font-size: 10pt; font-family: Arial\">Conduct the music that is in one in one, and the music that is in three in three.\u00a0<\/p>\n<p><\/span><span style=\"font-size: 10pt; font-family: Arial\">\u00a0<\/p>\n<p><\/span><\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:100px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"https:\/\/kennethwoods.net\/blog1\/2006\/06\/18\/beethoven-3-first-movement\/\" send=\"false\" layout=\"box_count\" width=\"450\" show_faces=\"true\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>This issue will be one of many that is sure to come up this week at the RCICW\u00a0 We all know that the first movement of Beethoven 8, the first movement of Beethoven 3 and the Egmont overture tend to inspire debate among musicians as to whether they should be in three or in one. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[1,7],"tags":[],"class_list":["post-49","post","type-post","status-publish","format-standard","hentry","category-music-opion-life-as-a-performing-musician","category-masterclass"],"_links":{"self":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/49","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/comments?post=49"}],"version-history":[{"count":0,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/49\/revisions"}],"wp:attachment":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/media?parent=49"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/categories?post=49"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/tags?post=49"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}