{"id":5423,"date":"2013-09-09T20:26:27","date_gmt":"2013-09-09T20:26:27","guid":{"rendered":"http:\/\/kennethwoods.net\/blog1\/?p=5423"},"modified":"2014-06-27T18:12:58","modified_gmt":"2014-06-27T17:12:58","slug":"cd-review-classical-ear-on-bobby-and-hans-vol-3","status":"publish","type":"post","link":"https:\/\/kennethwoods.net\/blog1\/2013\/09\/09\/cd-review-classical-ear-on-bobby-and-hans-vol-3\/","title":{"rendered":"CD Review- Classical Ear on Bobby and Hans vol. 3"},"content":{"rendered":"

A new review from Andrew Aschenbach<\/a>, editor-in-chief of the new app “Classical Ear”<\/a><\/p>\n

G\u00e1l: Symphony No 2 in F major, Op 53; Schumann: Symphony No 4 in D minor, Op 120<\/p>\n

Orchestra of the Swan \/ Kenneth Woods<\/p>\n

Avie AV2232<\/p>\n

\"Bobby<\/a><\/p>\n

Now here’s quite a find. Austrian-born Hans G\u00e1l (1890-1987) took flight from Nazi Germany in 1938, eventually settling in Edinburgh (where he became a much-loved figure in that city’s musical life). The Second of his four symphonies dates from 1943 after a period of great personal tragedy, yet there’s no hint of mawkish self-pity in the ravishingly beautiful, profoundly consolatory Adagio slow movement (the work’s emotional core), while the preceding scherzo positively winks with gleeful mischief. Above all, G\u00e1l develops his memorable material with the natural resourcefulness and sureness of purpose that are the hallmarks of a true symphonist. Kenneth Woods and the Orchestra of the Swan (which is based in Shakespeare’s Stratford-upon-Avon) lend this radiant and substantial score the most eloquent and affecting advocacy, and go on to give a comparably accomplished and invigorating account of Schumann’s masterly Fourth Symphony \u2013 a strikingly fresh-faced, spontaneous-sounding display, full of illuminating touches, personable warmth and genuine freshness of new discovery. Do investigate this bold, enormously rewarding coupling.<\/p>\n

\u2013Andrew Achenbach<\/p>\n

Buy your copy from Amazon here:
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