{"id":5550,"date":"2013-12-29T00:25:27","date_gmt":"2013-12-29T00:25:27","guid":{"rendered":"http:\/\/kennethwoods.net\/blog1\/?p=5550"},"modified":"2013-12-29T00:25:27","modified_gmt":"2013-12-29T00:25:27","slug":"repertoire-report-kw-2012","status":"publish","type":"post","link":"https:\/\/kennethwoods.net\/blog1\/2013\/12\/29\/repertoire-report-kw-2012\/","title":{"rendered":"Repertoire Report- KW 2012"},"content":{"rendered":"<p>Well, once I broke the seal yesterday and put together <a href=\"http:\/\/kennethwoods.net\/blog1\/2013\/12\/27\/repertoire-report-kw-2013\/\" target=\"_blank\">my 2013 Repertoire Report<\/a>, I couldn\u2019t really resist filling in my missing report from last year. So, herewith, my 2012 Repertoire Report.<\/p>\n<p>Interesting points of comparison with 2013:<\/p>\n<p>No Shostakovich in 2012 (compared to Cello Concerto, Chamber Symphony opus 83a, Symphonies 5 and 14 and the 8<sup>th<\/sup> String Quartet in 2013)<\/p>\n<p>A lot more Brahms in 2012 than 2013, and (finally) one major work by Bart\u00f3k.<\/p>\n<p>Some very interesting new pieces and new composer- particularly my first encounters with Robert Saxton, John McCabe and Deborah Pritchard. Conducting my first Tippett was a HUGE awakening, too. A revelation, even.<\/p>\n<p>What did you conduct last year? Send in your list (<a href=\"mailto:info@kennethwoods.net\">info@kennethwoods.net<\/a> ), and we\u2019ll publish it and add it to the archive.<\/p>\n<p>Most played composer of 2012: Beethoven (7 works)<\/p>\n<ul>\n<li>Brahms- 5<\/li>\n<li>Mozart- 5<\/li>\n<li>Gal- 4<\/li>\n<li>Vaughan Williams- 3<\/li>\n<li>Dvorak- 3<\/li>\n<li>Haydn- 3<\/li>\n<\/ul>\n<ol start=\"1\">\n<li>Bach (arr Sitkovetsky)- Goldberg Variations<\/li>\n<li>Bart\u00f3k- Concerto for Orchestra<\/li>\n<li>Beethoven: String Trio in Eb Major, Opus 3<\/li>\n<li>Beethoven- Overture \u201cEgmont\u201d<\/li>\n<li>Beethoven- Overture \u201cCoriolanus\u201d<\/li>\n<li>Beethoven- Violin Concerto in D Major<\/li>\n<li>Beethoven- Triple Concerto +<\/li>\n<li>Beethoven- Symphony no. 2 in D major<\/li>\n<li>Beethoven- Symphony no. 3 \u201cEroica\u201d<\/li>\n<li>Brahms- Piano Quartet no. 1 in G minor opus 25<\/li>\n<li>Brahms- Double Concerto for Violin and Cello (soloist)<\/li>\n<li>Brahms- Serenade in D major, opus 11 <b><i>rec<\/i><\/b><\/li>\n<li>Brahms- Symphony no. 2 \u00a0in D major<\/li>\n<li>Brahms \u2013 Symphony no. 3<\/li>\n<li>Britten- Variations on a Theme of FrankBridge +<\/li>\n<li>Bruckner- Symphony no. 5 in B flat Major +<\/li>\n<li>Chopin- Cello Sonata in G minor<\/li>\n<li>Melissa Dunphy: The Voyage of the Dreadnaught \u00a0*World Premiere* +<\/li>\n<li>Dvorak- Cello Concerto in B minor, opus 104<\/li>\n<li>Dvorak- The Water Goblin +<\/li>\n<li>Dvorak- Symphonic Variations +<\/li>\n<li>Elgar: Serenade for Strings<\/li>\n<li>Elgar- Enigma Variations<\/li>\n<li>Falla- Nights in the Gardens of Spain * + <b><i>rec<\/i><\/b><\/li>\n<li>Franck- Symphonic Variations for Piano and Orchestra + <b><i>rec<\/i><\/b><\/li>\n<li>G\u00e1l- String Trio in F sharp Minor, opus 104<\/li>\n<li>G\u00e1l- Serenade in D major, opus 41\u00a0Mvt 4<\/li>\n<li>G\u00e1l- Triptych for Orchestra<\/li>\n<li>G\u00e1l- Symphony no. 2 + <b><i>rec<\/i><\/b><\/li>\n<li>Lou Harrison \u2013 String Trio (1946) * +<\/li>\n<li>Haydn \u2013 Symphony no. 31 (Horn Signal) +<\/li>\n<li>Haydn- Symphony no. 83 \u201cLa Poule\u201d +<\/li>\n<li>Haydn- Symphony no. 95 +<\/li>\n<li>Kr\u00e1sa- Tanec<\/li>\n<li>Gyorgy Kurtag: Signs, Games, &amp; Messages +<\/li>\n<li>Mahler (arr. Karp)- Adagietto for Cello and Piano + (UK Premiere)<\/li>\n<li>Mahler- Ruckert Lieder<\/li>\n<li>Mahler- Symphony no. 3 +<\/li>\n<li>Mahler- Symphony no. 6 in A minor<\/li>\n<li>John McCabe- Trumpet Concerto \u201cLa Primavera\u201d wp * + <b><i>rec<\/i><\/b><\/li>\n<li>Mendelssohn- Symphony no. 3 in A \u201cScottish\u201d<\/li>\n<li>Mozart- Adagio and Fugue<\/li>\n<li>Mozart \u2013 Violin Concerto no. 3<\/li>\n<li>Mozart- Piano Concerto in A major, K488<\/li>\n<li>Mozart- Symphony no. 36 \u201cLinz\u201d<\/li>\n<li>Mozart- Symphony no. 38 \u201cPrague\u201d<\/li>\n<li>Deborah Pritchard- Skyspace for Piccolo Trumpet and Strings * + <b><i>rec<\/i><\/b><\/li>\n<li>Robert Saxton- Psalm, a Song of Ascents \u00a0* + <b><i>rec<\/i><\/b><\/li>\n<li>Sawyers- Duo Concertante for violin, piano and strings +<\/li>\n<li>Schubert- Symphony no. 8 in B minor, \u201cUnfinished\u201d<\/li>\n<li>Schumann- Genoveva Overture<\/li>\n<li>Schumann- Symphony no. 4 <b><i>rec<\/i><\/b><\/li>\n<li>Sibelius- String Quartet in B flat Major opus 4 +<\/li>\n<li>Sibelius- Piano Quintet in G minor +<\/li>\n<li>Schnittke \u2013 String Trio<\/li>\n<li>Tchaikovsky- Suite from \u201cThe Nutcracker\u201d<\/li>\n<li>Tchaikovsky- Symphony no. 6 in B minor \u201cPathetique\u201d<\/li>\n<li>Tippett- Little Music for Strings * +<\/li>\n<li>Tippett- Divertimento \u201cSelinger\u2019s Round\u201d * +<\/li>\n<li>Turina- Rapsodica Sinfonica * + <b><i>rec<\/i><\/b><\/li>\n<li>Vaughan Williams- Fantasia on a theme of Thomas Tallis 2x<\/li>\n<li>Vaughan-Williams- The Lark Ascending 2x<\/li>\n<li>Vaughan Williams- Overture to \u201cThe Wasps\u201d<\/li>\n<li>Michael Vincent Waller \u2013 Studiare per Zero Quartetti (2012) for string trio * +<\/li>\n<li>Michael Vincent Waller \u2013 Per Mia Madre* (2012) for string trio \u00a0* +<\/li>\n<li>Weber- Clarinet Concerto no. 1 +<\/li>\n<li>Weber- Oberon Overture<\/li>\n<\/ol>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:100px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"https:\/\/kennethwoods.net\/blog1\/2013\/12\/29\/repertoire-report-kw-2012\/\" send=\"false\" layout=\"box_count\" width=\"450\" show_faces=\"true\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>Well, once I broke the seal yesterday and put together my 2013 Repertoire Report, I couldn\u2019t really resist filling in my missing report from last year. So, herewith, my 2012 Repertoire Report. Interesting points of comparison with 2013: No Shostakovich in 2012 (compared to Cello Concerto, Chamber Symphony opus 83a, Symphonies 5 and 14 and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[58],"tags":[],"class_list":["post-5550","post","type-post","status-publish","format-standard","hentry","category-repertoire-reports"],"_links":{"self":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/5550","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/comments?post=5550"}],"version-history":[{"count":1,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/5550\/revisions"}],"predecessor-version":[{"id":5551,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/5550\/revisions\/5551"}],"wp:attachment":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/media?parent=5550"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/categories?post=5550"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/tags?post=5550"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}