{"id":5722,"date":"2014-04-14T21:42:37","date_gmt":"2014-04-14T21:42:37","guid":{"rendered":"http:\/\/kennethwoods.net\/blog1\/?p=5722"},"modified":"2014-04-14T21:42:37","modified_gmt":"2014-04-14T21:42:37","slug":"cd-review-john-puccioclassical-candor-on-gal-and-schumann-first-symphonies","status":"publish","type":"post","link":"https:\/\/kennethwoods.net\/blog1\/2014\/04\/14\/cd-review-john-puccioclassical-candor-on-gal-and-schumann-first-symphonies\/","title":{"rendered":"CD Review- John Puccio\/Classical Candor on G\u00e1l and Schumann First Symphonies"},"content":{"rendered":"

A review from the popular “Classical Candor”<\/a> blog of volume four in the Orchestra of the Swan’s survey of the complete symphonies of Robert Schumann and Hans G\u00e1l. Read the original here.\u00a0<\/a><\/p>\n

\"AV2233\"<\/a><\/p>\n

“Gal’s\u00a0First Symphony<\/i>\u00a0is relatively brief, about thirty minutes, and more outgoing than the other symphonies I’ve heard from him. Maestro Woods takes advantage of these characteristics to provide a lively and colorful rendering of things. The symphony is clearly Romantic in nature yet with strong hints of the coming modernism of the twentieth century. Woods emphasizes the melodic lines, keeps the\u00a0Burleske\u00a0<\/i>playful, draws out a lovely\u00a0Elegie<\/i>, and ends with a rousing account of the\u00a0Rondo\u00a0<\/i>finale. Although I had never heard the work before now, I would find it hard to imagine anyone handling it any better than Woods, nor any orchestra playing it with more accuracy and enthusiasm.”<\/p>\n