![\"Somm](\"http:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2014\/05\/Somm-0139-Cover-300x300.jpg\")
<\/a><\/p>\n“. But this group, the string trio Ensemble Epomeo with three extra players, instead strives for, and achieves, clarity of line and texture. The textures are appropriately bass heavy, and the two cellos dominate, but every line comes through with exceptional clarity. This gives the piece a new profile, with the complex but now clear counterpoint driving the music and leading the ear through the harmonic web. There is atmosphere here too, and much warmth in the ensemble\u2019s sound, but that is never at the expense of the individual lines…The chamber version of the Serenade is similarly open in its textures and is presented with equal clarity and precision. This time round, though, there is less need for such an analytical approach. Even in its larger version, this work is all about clarity and directness of expression. Woods, who now moves from the cello desk to the podium, gives an appropriately bright and carefree account. The players interact well, and there is a clear unity of intent within the ensemble. “<\/p>\n
http:\/\/www.classical-cd-reviews.com\/2014\/07\/brahms-schoenberg-ensemble-epomeo.html<\/a><\/p>\n