{"id":6264,"date":"2014-08-03T16:37:14","date_gmt":"2014-08-03T15:37:14","guid":{"rendered":"http:\/\/kennethwoods.net\/blog1\/?p=6264"},"modified":"2014-08-05T20:30:15","modified_gmt":"2014-08-05T19:30:15","slug":"cd-review-fiona-maddocks-the-observer-on-brahms-and-schoenberg-with-epomeo-and-swan","status":"publish","type":"post","link":"https:\/\/kennethwoods.net\/blog1\/2014\/08\/03\/cd-review-fiona-maddocks-the-observer-on-brahms-and-schoenberg-with-epomeo-and-swan\/","title":{"rendered":"CD Review- Fiona Maddocks, The Observer on Brahms and Schoenberg with Epomeo and Swan"},"content":{"rendered":"<p>&#8220;Few, though, will have heard this nonet version of the Serenade, reconstr<span class=\"text_exposed_show\">ucted by Alan Boustead in the 1980s, for strings, flute, two clarinets, bassoon and horn. In this live recording a slightly chubby ugly duckling in its orchestral format suddenly achieves lightness and clarity. Thanks to this aptly named Stratford-based ensemble, it has turned into a swan.&#8221;<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2014\/08\/Brahms-Serenade-The-Observer.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-6265\" src=\"http:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2014\/08\/Brahms-Serenade-The-Observer-581x1024.jpg\" alt=\"Brahms Serenade The Observer\" width=\"414\" height=\"730\" srcset=\"https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2014\/08\/Brahms-Serenade-The-Observer-581x1024.jpg 581w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2014\/08\/Brahms-Serenade-The-Observer-170x300.jpg 170w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2014\/08\/Brahms-Serenade-The-Observer.jpg 1478w\" sizes=\"auto, (max-width: 414px) 100vw, 414px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" title=\"Brahms- Serenade No. 1 in D Major, Orchestra of the Swan, Kenneth Woods\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/wW52SxfNOEo?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:100px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"https:\/\/kennethwoods.net\/blog1\/2014\/08\/03\/cd-review-fiona-maddocks-the-observer-on-brahms-and-schoenberg-with-epomeo-and-swan\/\" send=\"false\" layout=\"box_count\" width=\"450\" show_faces=\"true\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>&#8220;Few, though, will have heard this nonet version of the Serenade, reconstructed by Alan Boustead in the 1980s, for strings, flute, two clarinets, bassoon and horn. In this live recording a slightly chubby ugly duckling in its orchestral format suddenly achieves lightness and clarity. Thanks to this aptly named Stratford-based ensemble, it has turned into [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5883,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[9],"tags":[198,327,972,119,386,971],"class_list":["post-6264","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-newsandreviews","tag-brahms","tag-ensemble-epomeo","tag-fiona-maddocks","tag-orchestra-of-the-swan","tag-schoenberg","tag-the-observer"],"_links":{"self":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/6264","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/comments?post=6264"}],"version-history":[{"count":1,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/6264\/revisions"}],"predecessor-version":[{"id":6266,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/6264\/revisions\/6266"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/media\/5883"}],"wp:attachment":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/media?parent=6264"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/categories?post=6264"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/tags?post=6264"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}