{"id":6909,"date":"2015-07-17T16:33:58","date_gmt":"2015-07-17T15:33:58","guid":{"rendered":"http:\/\/kennethwoods.net\/blog1\/?p=6909"},"modified":"2016-06-16T21:02:05","modified_gmt":"2016-06-16T20:02:05","slug":"breaking-music-industry-shock-as-leading-orchestra-appoints-conductor-based-on-skill-at-conducting","status":"publish","type":"post","link":"https:\/\/kennethwoods.net\/blog1\/2015\/07\/17\/breaking-music-industry-shock-as-leading-orchestra-appoints-conductor-based-on-skill-at-conducting\/","title":{"rendered":"BREAKING: Music Industry Shock as Leading Orchestra Appoints Conductor Based on Skill at Conducting"},"content":{"rendered":"<p>The music industry reacted with wide-eyed amazement this month as the world\u2019s leading orchestra announced they were appointing someone to the prestigious position of Principal Conductor based on his ability to conduct. Across Europe, North America and the Far East, orchestral managers, agents, musicians and music lovers expressed genuine shock at the news that a conductor, Kirill Petrenko, had been hired solely on merit, for possibly the first time in recent memory, to conduct the Berlin Philharmonic, considered by many to be the world\u2019s greatest orchestra.<\/p>\n<p>News of Petrenko\u2019s appointment sent journalists scrambling to uncover suspected affiliations with the Illuminati, the Masons or Goldman Sachs, but initial inquries left journalists baffled. \u201cI don\u2019t get it,\u201d said New York Herald senior critic Havergal Thomson. \u201cAll anyone seems to know about this guy is that he\u2019s really good at conducting.\u201d<\/p>\n<div id=\"attachment_6910\" style=\"width: 710px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/kennethwoods.net\/blog1\/2015\/07\/17\/breaking-music-industry-shock-as-leading-orchestra-appoints-conductor-based-on-skill-at-conducting\/petrenko\/#main\" rel=\"attachment wp-att-6910\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-6910\" class=\"size-full wp-image-6910\" src=\"http:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2015\/07\/Petrenko.jpg\" alt=\"Kirill Petrenko: Reputed to be very good at at conducting\" width=\"700\" height=\"394\" srcset=\"https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2015\/07\/Petrenko.jpg 700w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2015\/07\/Petrenko-300x169.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/a><p id=\"caption-attachment-6910\" class=\"wp-caption-text\">Kirill Petrenko: Reputed to be very good at conducting<\/p><\/div>\n<p>\u201cIt\u2019s not that good conductors never get jobs\u201d said New York-based mega agent Donald Wontford. \u201cIt\u2019s just that I can\u2019t think of another instance of a conductor getting a really important job <strong><em>because<\/em><\/strong> they were good. Being good has historically been further down the list of desirable qualities in a conductor, just below &#8220;legible handwriting&#8221; and above &#8220;never been convicted of a violent crime&#8221;.\u201d<\/p>\n<p>Historically, experts report, conductors have been hired on the basis of fundraising acumen or access to secret private sponsorship. In later years, conductors were often appointed because of their ability to negotiate recording contracts, but as the recording industry has become less profitable, there has been with a shift towards basing hiring decisions on \u201cmedia imprint\u201d or &#8220;potential.&#8221; Orchestras are also reported to seek conductors who are perceived as &#8220;metrosexual gods.&#8221;<\/p>\n<p>\u201cFrankly, this seems like a wildly na\u00efve decision on the part of the musicians of the Berlin Philharmonic,\u201d said Simon Standin, long-time general manager of the Southwest Sinfonia. \u201cIt calls into question the entire viability of player-run orchestras, as the musicians seem to lack the business acumen needed to understand the importance of a conductor\u2019s number of Twitter followers, achievements as an oboe soloist, or connections to Austrian royalty.\u201d<\/p>\n<div class=\"woocommerce \"><ul class=\"products columns-4\">\n<li class=\"product type-product post-6648 status-publish first instock product_cat-cds product_tag-avie-records product_tag-hans-gal-2 product_tag-orchestra-of-the-swan-2 has-post-thumbnail shipping-taxable purchasable product-type-simple\">\n\t<a href=\"https:\/\/kennethwoods.net\/blog1\/product\/hans-gal-the-four-symphonies\/\" class=\"woocommerce-LoopProduct-link woocommerce-loop-product__link\"><span class=\"et_shop_image\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2015\/01\/Gal-Four-Symphonies.jpg\" class=\"attachment-woocommerce_thumbnail size-woocommerce_thumbnail\" alt=\"Hans G\u00e1l- The Four Symphonies\" srcset=\"https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2015\/01\/Gal-Four-Symphonies.jpg 1200w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2015\/01\/Gal-Four-Symphonies-150x150.jpg 150w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2015\/01\/Gal-Four-Symphonies-300x300.jpg 300w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2015\/01\/Gal-Four-Symphonies-1024x1024.jpg 1024w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2015\/01\/Gal-Four-Symphonies-90x90.jpg 90w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2015\/01\/Gal-Four-Symphonies-1140x1140.jpg 1140w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2015\/01\/Gal-Four-Symphonies-570x570.jpg 570w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2015\/01\/Gal-Four-Symphonies-380x380.jpg 380w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2015\/01\/Gal-Four-Symphonies-285x285.jpg 285w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><span class=\"et_overlay\"><\/span><\/span><h2 class=\"woocommerce-loop-product__title\">Hans G\u00e1l- The Four Symphonies<\/h2>\n\t<span class=\"price\"><span class=\"woocommerce-Price-amount amount\"><bdi><span class=\"woocommerce-Price-currencySymbol\">&pound;<\/span>18.00<\/bdi><\/span><\/span>\n<\/a><\/li>\n<\/ul>\n<\/div>\n<p>In fact, Standin\u2019s Southwest Sinfonia has been a part of a recent industry trend towards hiring people for important conducting positions who have never conducted anything. \u201cWe\u2019ve found that hiring washed up soloists is cost effective, media savvy and politically expedient,\u201d reports Standin. \u201cA washed up soloist probably recognizes his or her earnings are trending downwards, which gives us incredible leverage in contract negotiations. We are able to cash in on what&#8217;s left of their fading reputation as a performer while they can buy time to adapt to their new income level. The weeks they spend conducting us spares them from public scrutiny of their fast-eroding technical accuracy and sound quality, which slows the withering of the value of their brand. The fact that they\u2019ve never conducted before is also extremely helpful in dealing with the musicians, as they have no track record to criticise.\u201d<\/p>\n<p>Petrenko, who rose to prominence as a conductor at the Komische Oper Berlin, the Bayreuth Festival and the Munich Staatsoper where he actually conducted in public regularly, is a marked departure from the recent trend towards the \u201cblank slate\u201d approach to conductor recruitment favoured by many orchestral managers. Where Standin and the Soutwest Sinfonia have gravitated towards soloists past the peak of their careers, William Wortlebothelm, Czar of Artistic Planning at the Eastern Celtic Radio Symphony recently appointed a new principal conductor to lead the orchestra who had literally never held a baton or opened a score. \u201cI plucked him out of a touring youth orchestra because he had good hair and a fantastic Snapchat profile,\u201d bragged Wortehothelm. \u201cAfter hearing some top London players moan about Haitink last year, I realised there is literally no conductor that professional orchestral players can\u2019t gripe about. My solution bypasses objections of the players\u2019 committee entirely because they can\u2019t criticise what nobody has seen. This new guy is going to be great once he learns to read tenor clef\u00a0and\u00a0can remember that you go right on the second beat of a 3\/4 bar.\u201d It is hoped that Wortelbothelm&#8217;s discovery will prove as successful as the recent appointment of 21-year-old Armando Chernyenko as Music Director of the Chicago Philharmonic in 2013. &#8220;We have every confidence&#8221; wrote Chicago Guardian music critic Mick Smartie &#8220;that in 15 to 20 years, Chernyenko will mature into a fine professional conductor&#8221; Chernyenko is currently in the 3rd year of a five-year contract with the orchestra.<\/p>\n<div id=\"attachment_6911\" style=\"width: 908px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/kennethwoods.net\/blog1\/2015\/07\/17\/breaking-music-industry-shock-as-leading-orchestra-appoints-conductor-based-on-skill-at-conducting\/trio-3\/#main\" rel=\"attachment wp-att-6911\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-6911\" class=\"size-full wp-image-6911\" src=\"http:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2015\/07\/trio.png\" alt=\"Neither most famous Kirill, nor the most famous Petrenko (via Sinfoni)\" width=\"898\" height=\"446\" srcset=\"https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2015\/07\/trio.png 898w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2015\/07\/trio-300x149.png 300w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2015\/07\/trio-380x190.png 380w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2015\/07\/trio-285x143.png 285w\" sizes=\"auto, (max-width: 898px) 100vw, 898px\" \/><\/a><p id=\"caption-attachment-6911\" class=\"wp-caption-text\">Neither the most famous Kirill, nor the most famous Petrenko (via Sinfoni)<\/p><\/div>\n<p>Wortlebothelm, appointed in 1992 by his ex-wife who was then director of the Celtic Arts Council, said of Petrenko\u2019s appointment \u201cI keep looking at this situation and thinking I must be missing something. In the absence of an ingratiating social media profile, I can only conclude there must be an element of bribery or blackmail here that we\u2019ve not yet heard about.\u201d<\/p>\n<p>Shock was also expressed in the USA by the president of the board of the New Gotham Philharmonic, Dr. Peter Petersnack. \u201cMy understanding is that they hired this guy entirely on the basis of how well he conducted three concerts. Surely they should have flown him in for a reception to test his mingling, schmoozing and flirting skills? Even in Berlin, they must have great ladies of a certain age who like to lunch with, or on, conductors. Donors have to be serviced by someone, and they want to know that the artist they&#8217;re dealing with at least has their own YouTube channel.\u201d Dr. Petersnack recently made history as the first American brain surgeon with over 100,000 \u201cLikes\u201d for his \u201cDr. Peter Petersnack- Brain Surgeon\u201d Facebook page, an achievement which led to his appointment as Head of Brain Surgery at Gotham Medical Centre in 2011.<\/p>\n<p>Petersnack\u2019s \u00a0own orchestra made history in 2000 when they paid their incoming music director, Maestro Nevile James, with three suitcases of cash without a signed contract at the time of his appointment to \u201csimplify his taxes.\u201d Although the new maestro only conducted 4 concerts over the next nine years, Petersnack defended James\u2019 appointment on the basis that the ensuing controversy did \u201cmuch to raise awareness of the orchestra in the wider community.\u201d Among James\u2019s noteworthy predecessors at the orchestra was Derich von Kursdorf, who won the position in 1964 after his wife, a window-sealant heiress from Luxembourg, donated $10,000,000 to the orchestra.<\/p>\n<p>Other conductors also seemed caught off guard by news of Petrenko\u2019s appointment. \u201cIt just seems kind of weird,\u201d said Walliam Davis, principal artistic director of the East Lubbock Community Symphonic Band. \u201cI sent the Berlin Philharmonic a resume and a really good cover letter when I read Rattle was going, and they didn\u2019t even write back, even though I clearly explained why my Brahms cycle would be better than Rattle&#8217;s, which I think is too slow. This guy- I don\u2019t even think he has a Twitter feed? I\u2019m up to like 790 followers, and I didn\u2019t even get asked to send a video. It smacks of favoritism.\u201d<\/p>\n<div class=\"woocommerce \"><ul class=\"products columns-4\">\n<li class=\"product type-product post-6881 status-publish first onbackorder product_cat-sheet-music-and-scores has-post-thumbnail shipping-taxable purchasable product-type-simple\">\n\t<a href=\"https:\/\/kennethwoods.net\/blog1\/product\/viktor-ullmann-arr-kenneth-woods-chamber-symphony-collectors-edition-score\/\" class=\"woocommerce-LoopProduct-link woocommerce-loop-product__link\"><span class=\"et_shop_image\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2014\/05\/Lost-Generation-Cover-300x300.jpg\" class=\"attachment-woocommerce_thumbnail size-woocommerce_thumbnail\" alt=\"Ullmann, Viktor (arr. Kenneth Woods)- Chamber Symphony (Third String Quartet), Collector&#039;s Edition Score\" srcset=\"https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2014\/05\/Lost-Generation-Cover-300x300.jpg 300w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2014\/05\/Lost-Generation-Cover-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><span class=\"et_overlay\"><\/span><\/span><h2 class=\"woocommerce-loop-product__title\">Ullmann, Viktor (arr. Kenneth Woods)- Chamber Symphony (Third String Quartet), Collector&#8217;s Edition Score<\/h2>\n\t<span class=\"price\"><span class=\"woocommerce-Price-amount amount\"><bdi><span class=\"woocommerce-Price-currencySymbol\">&pound;<\/span>90.00<\/bdi><\/span><\/span>\n<\/a><\/li>\n<\/ul>\n<\/div>\n<p>When asked about the orchestra\u2019s strategy for audience development, the Berlin Philharmonic media affairs office issued a statement saying that \u201cwe are hoping that if we give really kick ass concerts, lots of people will come to them\u201d<\/p>\n<p>Reached for comment, Berlin Philharmonic musicians&#8217; representative and sub-principal ophecleide player Otto Hasenpfeffer said phlegmatically of Petrenko, \u201cJa, he\u2019s not zo bat at conducting. Vee looked at a couple of violists in South American youth orchestras mit a scheisse load\u00a0of Tvitter followers, but I\u2019m 37. \u00a0Zee sharks start circling in this orchestra at 45. Zis guy might be zee last\u00a0 principal conductor I play for. I couldn\u2019t face the prospect of vaysting my entire remaining professional life vaiting for somevone to grow into zee job.\u201d<\/p>\n<p>Kirill Petrenko was unavailable for comment on this article. It is believed he is spending the summer studying scores in his underground lair.<\/p>\n<div id=\"attachment_6912\" style=\"width: 648px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/kennethwoods.net\/blog1\/2015\/07\/17\/breaking-music-industry-shock-as-leading-orchestra-appoints-conductor-based-on-skill-at-conducting\/you-only-live-twice-james-bond-scene-in-japan\/#main\" rel=\"attachment wp-att-6912\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-6912\" class=\"size-full wp-image-6912\" src=\"http:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2015\/07\/You-Only-Live-Twice-James-006.jpg\" alt=\"Kirill Petrenko's summer score study retreat on SPECTRE Island\" width=\"638\" height=\"480\" srcset=\"https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2015\/07\/You-Only-Live-Twice-James-006.jpg 638w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2015\/07\/You-Only-Live-Twice-James-006-300x226.jpg 300w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2015\/07\/You-Only-Live-Twice-James-006-570x428.jpg 570w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2015\/07\/You-Only-Live-Twice-James-006-380x285.jpg 380w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2015\/07\/You-Only-Live-Twice-James-006-285x214.jpg 285w\" sizes=\"auto, (max-width: 638px) 100vw, 638px\" \/><\/a><p id=\"caption-attachment-6912\" class=\"wp-caption-text\">Kirill Petrenko&#8217;s summer score study retreat on SPECTRE Island<\/p><\/div>\n<p>&nbsp;<\/p>\n<div class=\"woocommerce \"><ul class=\"products columns-4\">\n<li class=\"product type-product post-6486 status-publish first instock product_cat-cds has-post-thumbnail shipping-taxable purchasable product-type-simple\">\n\t<a href=\"https:\/\/kennethwoods.net\/blog1\/product\/ensemble-epomeo-penderecki-kurtag-schnittke-and-weinberg-string-trios\/\" class=\"woocommerce-LoopProduct-link woocommerce-loop-product__link\"><span class=\"et_shop_image\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2014\/10\/Epomeo-NEW-300x300.jpg\" class=\"attachment-woocommerce_thumbnail size-woocommerce_thumbnail\" alt=\"Ensemble Epomeo- Penderecki, Kurt\u00e1g, Schnittke and Weinberg String Trio&#039;s\" srcset=\"https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2014\/10\/Epomeo-NEW-300x300.jpg 300w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2014\/10\/Epomeo-NEW-150x150.jpg 150w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2014\/10\/Epomeo-NEW-90x90.jpg 90w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2014\/10\/Epomeo-NEW-570x570.jpg 570w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2014\/10\/Epomeo-NEW-380x380.jpg 380w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2014\/10\/Epomeo-NEW-285x285.jpg 285w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><span class=\"et_overlay\"><\/span><\/span><h2 class=\"woocommerce-loop-product__title\">Ensemble Epomeo- Penderecki, Kurt\u00e1g, Schnittke and Weinberg String Trio&#8217;s<\/h2>\n\t<span class=\"price\"><span class=\"woocommerce-Price-amount amount\"><bdi><span class=\"woocommerce-Price-currencySymbol\">&pound;<\/span>12.00<\/bdi><\/span><\/span>\n<\/a><\/li>\n<\/ul>\n<\/div>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:100px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"https:\/\/kennethwoods.net\/blog1\/2015\/07\/17\/breaking-music-industry-shock-as-leading-orchestra-appoints-conductor-based-on-skill-at-conducting\/\" send=\"false\" layout=\"box_count\" width=\"450\" show_faces=\"true\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>The music industry reacted with wide-eyed amazement this month as the world\u2019s leading orchestra announced they were appointing someone to the prestigious position of Principal Conductor based on his ability to conduct. Across Europe, North America and the Far East, orchestral managers, agents, musicians and music lovers expressed genuine shock at the news that a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6910,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[1,1085,1118],"tags":[965,1063],"class_list":["post-6909","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-opion-life-as-a-performing-musician","category-not-quite-the-news","category-satire","tag-berlin-philharmonic","tag-kirll-petrenko"],"_links":{"self":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/6909","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/comments?post=6909"}],"version-history":[{"count":22,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/6909\/revisions"}],"predecessor-version":[{"id":6915,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/6909\/revisions\/6915"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/media\/6910"}],"wp:attachment":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/media?parent=6909"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/categories?post=6909"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/tags?post=6909"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}