{"id":732,"date":"2008-12-16T13:44:04","date_gmt":"2008-12-16T13:44:04","guid":{"rendered":"http:\/\/kennethwoods.net\/blog1\/2008\/12\/16\/conductor-repertoire-report-leonard-slatkin-may-08-april-09-2\/"},"modified":"2009-12-20T10:53:57","modified_gmt":"2009-12-20T09:53:57","slug":"conductor-repertoire-report-leonard-slatkin-may-08-april-09-2","status":"publish","type":"post","link":"https:\/\/kennethwoods.net\/blog1\/2008\/12\/16\/conductor-repertoire-report-leonard-slatkin-may-08-april-09-2\/","title":{"rendered":"Conductor Repertoire Report- Leonard Slatkin, May 08-April 09"},"content":{"rendered":"<p>We&#8217;re going to be continuing our discussion of conductor repertoire in an upcoming post. To that end, we&#8217;ll be posting\u00a0repertoire reports for individual conductors in separate blogs posts. Below is Leonard Slatkin&#8217;s repertoire from May 08-April 09 (a sampling chosen for highly structured research-oriented reasons, er, it was what we\u00a0found most easily on his website).<\/p>\n<p>We&#8217;re also inviting\u00a0conductors to submit their own repertoire reports or\u00a0for readers to assemble repertoire reports on other artists using their websites. Hopefully, it might lead to some interesting discussions. Send any lists to <a href=\"mailto:info@kennethwoods.net\">info@kennethwoods.net<\/a> and we&#8217;ll post\u00a0&#8217;em here.<\/p>\n<p><span> <\/span><\/p>\n<p><!--more--><br \/>\n1- AHO: Concerto for Contrabassoon and Orchestra<br \/>\n2-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ADAMS: Slonimsky\u2019s Earbox<br \/>\n3-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 BARBER: Essay No. 2<br \/>\n4-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 BARBER: Piano Concerto<br \/>\n5-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 BEETHOVEN: Egmont Overture<br \/>\n6-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 BEETHOVEN: Leonore Overture No. 3<br \/>\n7-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 BEETHOVEN: Piano Concerto No. 2<br \/>\n8-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 BEETHOVEN: Symphony No. 7<br \/>\n9-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 BEETHOVEN: Symphony No. 9<br \/>\n10-\u00a0\u00a0 BERG: Violin Concerto<br \/>\n11-\u00a0\u00a0 BERNEL: The Good Life, \u201cPittsburgh 250\u201d co-commission<br \/>\n12-\u00a0\u00a0 BERLIOZ: Symphonie Fantastique<br \/>\n13-\u00a0\u00a0 BERLIOZ: Harold in Italy<br \/>\n14-\u00a0\u00a0 BERLIOZ: Selections from Romeo et Juliette<br \/>\n15-\u00a0\u00a0 BERNSTEIN: Facsimile<br \/>\n16-\u00a0\u00a0 BERNSTEIN: Candide Overture<br \/>\n17-\u00a0\u00a0 BERNSTEIN: Symphonic Dances from West Side Story<br \/>\n18-\u00a0\u00a0 BERNSTEIN: Symphony No. 1 Jeremiah<br \/>\n19-\u00a0\u00a0 BLOCH: Schelomo, Hebraic Rhapsody for Cello and\u00a0Orchestra<br \/>\n20-\u00a0\u00a0 BORODIN: Polovtsian Dances<br \/>\n21-\u00a0\u00a0 BORZOVA: Songs of Lada<br \/>\n22-\u00a0\u00a0 BRAHMS: Academic Festival Overture<br \/>\n23-\u00a0\u00a0 BRAHMS: Piano Concerto No. 1 in D minor<br \/>\n24-\u00a0\u00a0 BRAHMS: Symphony No. 4<br \/>\n25-\u00a0\u00a0 BRITTEN: Four Sea Interludes from Peter Grimes<br \/>\n26-\u00a0\u00a0 BRITTEN: Young Person&#8217;s Guide to the Orchestra<br \/>\n27-\u00a0\u00a0 BROUWER: Rhapsody for Orchestra (World Premiere)\\<br \/>\n28-\u00a0\u00a0 COPLAND: Symphony No. 3<br \/>\n29-\u00a0\u00a0 COPLAND: El Salon Mexico<br \/>\n30-\u00a0\u00a0 COPLAND: Appalachian Spring<br \/>\n31-\u00a0\u00a0 COPLAND\/OCHOA: Emblems<br \/>\n32-\u00a0\u00a0 CORIGLIANO: Concerto for Violin and Orchestra (The Red Violin)<br \/>\n33-\u00a0\u00a0 NSO Composer Portrait \u2013 Aaron Copland<br \/>\n34-\u00a0\u00a0 DEBUSSY: Rhapsody No. 1<br \/>\n35-\u00a0\u00a0 DEL TREDICI: Final Alice<br \/>\n36-\u00a0\u00a0 DVO\u0158\u00c1K: Symphony No. 9<br \/>\n37-\u00a0\u00a0 ELGAR: Serenade in E minor for String Orchestra<br \/>\n38-\u00a0\u00a0 ELGAR: Enigma Variations<br \/>\n39-\u00a0\u00a0 ELGAR: Pomp &amp; Circumstance March No. 1<br \/>\n40-\u00a0\u00a0 ENESCO: Rumanian Rhapsody<br \/>\n41-\u00a0\u00a0 FRIEDMAN: Revelation<br \/>\n42-\u00a0\u00a0 FRIEDMAN: The Throne of the Third Heaven<br \/>\n43-\u00a0\u00a0 GABRIELI: Canzona<br \/>\n44-\u00a0\u00a0 GERSHWIN: An American in Paris<br \/>\n45-\u00a0\u00a0 GLASS: Two Interludes from the CIVIL warS<br \/>\n46-\u00a0\u00a0 GLASS: Violin Concerto<br \/>\n47-\u00a0\u00a0 GLAZUNOV: Violin Concerto<br \/>\n48-\u00a0\u00a0 GLINKA: Russlan and Ludmilla Overture<br \/>\n49-\u00a0\u00a0 HARBISON: Symphony No. 5<br \/>\n50-\u00a0\u00a0 HAYDN: Symphony No. 67<br \/>\n51-\u00a0\u00a0 HAYDN: Symphony No. 85<br \/>\n52-\u00a0\u00a0 &#8220;HAYDN&#8221;: Divertimento in B flat<br \/>\n53-\u00a0\u00a0 HIGDON: Concerto 4-3<br \/>\n54-\u00a0\u00a0 HINDEMITH: Symphonic Metamorphosis<br \/>\n55-\u00a0\u00a0 HINDEMITH: Overture to Neues vom Tage<br \/>\n56-\u00a0\u00a0 HINDEMITH: Trauermusik<br \/>\n57-\u00a0\u00a0 HOLST: The Planets<br \/>\n58-\u00a0\u00a0 KORNGOLD: Nocturne from Much Ado About Nothing<br \/>\n59-\u00a0\u00a0 LEE: A Different Soldier&#8217;s Tale (World Premiere)<br \/>\n60-\u00a0\u00a0 LISZT: Prometheus<br \/>\n61-\u00a0\u00a0 MAHLER: Symphony No. 1 in D major &#8211; Blumine<br \/>\n62-\u00a0\u00a0 MAHLER: Symphony No. 1<br \/>\n63-\u00a0\u00a0 MATHES: A Standing Crowd Concertino for Orchestra (World Premiere, NSO commission<br \/>\n64-\u00a0\u00a0 MENNIN: Concertato for Orchestra, \u201cMoby-Dick\u201d<br \/>\n65-\u00a0\u00a0 MEYER, FLECK, HUSSAIN: Triple Concerto<br \/>\n66-\u00a0\u00a0 McTEE: Einstein&#8217;s Dream<br \/>\n67-\u00a0\u00a0 MOZART: A Musical Sleigh Ride<br \/>\n68-\u00a0\u00a0 MOZART: Concerto for Piano No. 27 in B-flat major<br \/>\n69-\u00a0\u00a0 MOZART: Symphony No. 40 in G minor<br \/>\n70-\u00a0\u00a0 MUSSORGSKY: Pictures at an Exhibition<br \/>\n71-\u00a0\u00a0 ORFF: Carmina Burana<br \/>\n72-\u00a0\u00a0 PAGANINI: Violin Concerto No. 1<br \/>\n73-\u00a0\u00a0 PRIMIAMI: Sirens (World Premiere)<br \/>\n74-\u00a0\u00a0 PURCELL\/arr. WARLOCK: Fantasia upon one note<br \/>\n75-\u00a0\u00a0 RACHMANINOFF: Rhapsody on a Theme of Paganini<br \/>\n76-\u00a0\u00a0 RACHMANINOFF: Vocalise<br \/>\n77-\u00a0\u00a0 RACHMANINOFF: Symphonic Dances<br \/>\n78-\u00a0\u00a0 RACHMANINOFF: Piano Concerto No. 3<br \/>\n79-\u00a0\u00a0 RAVEL: Daphnis et Chloe Suite 2<br \/>\n80-\u00a0\u00a0 RESPHIGI: Pines of Rome<br \/>\n81-\u00a0\u00a0 ROSSINI: La Gazza Ladra Overture<br \/>\n82-\u00a0\u00a0 ROSSINI: Overture to Guillaume Tell<br \/>\n83-\u00a0\u00a0 ROSZA: Sinfonia Concertante &#8211; Double Concerto for Violin and Cello<br \/>\n84-\u00a0\u00a0 ROUSE: Friandises<br \/>\n85-\u00a0\u00a0 ROUSE: Ogoun Badagris<br \/>\n86-\u00a0\u00a0 SCHUMANN: Symphony No. 3<br \/>\n87-\u00a0\u00a0 SIBELIUS: Symphony No. 2<br \/>\n88-\u00a0\u00a0 SIBELIUS: Symphony No. 5<br \/>\n89-\u00a0\u00a0 SLATKIN: Dialogue for Two Cellos and Orchestra<br \/>\n90-\u00a0\u00a0 SLATKIN: The Raven<br \/>\n91-\u00a0\u00a0 STRAUSS: Die Fledermaus Overture<br \/>\n92-\u00a0\u00a0 BRIGHT SHENG: Harp Concerto<br \/>\n93-\u00a0\u00a0 SHOSTAKOVICH: Festive Overture<br \/>\n94-\u00a0\u00a0 \u00a0STRAUSS: Thunder and Lightning Polka<br \/>\n95-\u00a0\u00a0 STRAUSS: Blue Danube Waltz<br \/>\n96-\u00a0\u00a0 STRAUSS: Moto Perpetuo<br \/>\n97-\u00a0\u00a0 STRAUSS: Radetsky March<br \/>\n98-\u00a0\u00a0 R. STRAUSS: Ein Heldenleben<br \/>\n99-\u00a0\u00a0 R. STRAUSS: Burleske<br \/>\n100-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 STUCKY: Son et lumiere<br \/>\n101-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 STRAVINSKY: Violin Concerto<br \/>\n102-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 SZYMANOWSKI: Sinfonia Concertante<br \/>\n103-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 TCHAIKOVSKY: Romeo and Juliet Fantasy Overture<br \/>\n104-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 TCHAIKOVSKY: Symphony No. 5, Op. 64 in E minor<br \/>\n105-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 TCHAIKOVSKY: Serenade for Strings,<br \/>\n106-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 TCHAIKOVSKY: Eugene Onegin<br \/>\n107-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 TCHAIKOVSKY: Variations on a Rococo Theme for Cello and\u00a0Orchestra<br \/>\n108-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 TCHAIKOVSKY: Violin Concerto<br \/>\n109-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 TCHAIKOVSKY: Piano Concerto No. 1<br \/>\n110-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 TCHAIKOVSKY: Symphony No. 4<br \/>\n111-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 TCHAIKOVSKY: Symphony No. 6<br \/>\n112-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 VERDI: La Forza del Destino Overture<br \/>\n113-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 VERDI: Sicilian Vespers Overture<br \/>\n114-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 VAUGHAN WILLIAMS: Five Variants of \u201cDives and Lazarus\u201d<br \/>\n115-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 VAUGHAN WILLIAMS: Fantasia on a Theme by Thomas Tallis<br \/>\n116-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 VAUGHAN WILLIAMS: The Lark Ascending<br \/>\n117-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 VAUGHAN WILLIAMS: Symphony No. 6<br \/>\n118-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 WALTON: Henry V<br \/>\n119-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 WALTON: Portsmouth Point Overture<br \/>\n120-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 CHEN YI: Olympic Fire c12&#8242;, BBC Commission: World Premiere<br \/>\n121-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Detroit Symphony \u201cA Night at the Opera (repertoire unavailable)<\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:100px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"https:\/\/kennethwoods.net\/blog1\/2008\/12\/16\/conductor-repertoire-report-leonard-slatkin-may-08-april-09-2\/\" send=\"false\" layout=\"box_count\" width=\"450\" show_faces=\"true\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>We&#8217;re going to be continuing our discussion of conductor repertoire in an upcoming post. To that end, we&#8217;ll be posting\u00a0repertoire reports for individual conductors in separate blogs posts. Below is Leonard Slatkin&#8217;s repertoire from May 08-April 09 (a sampling chosen for highly structured research-oriented reasons, er, it was what we\u00a0found most easily on his website). [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[1,58],"tags":[],"class_list":["post-732","post","type-post","status-publish","format-standard","hentry","category-music-opion-life-as-a-performing-musician","category-repertoire-reports"],"_links":{"self":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/732","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/comments?post=732"}],"version-history":[{"count":1,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/732\/revisions"}],"predecessor-version":[{"id":1181,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/732\/revisions\/1181"}],"wp:attachment":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/media?parent=732"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/categories?post=732"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/tags?post=732"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}