{"id":7898,"date":"2017-08-25T12:29:38","date_gmt":"2017-08-25T11:29:38","guid":{"rendered":"http:\/\/kennethwoods.net\/blog1\/?p=7898"},"modified":"2017-09-11T12:30:17","modified_gmt":"2017-09-11T11:30:17","slug":"cd-review-classica-magazine-on-jane-eyre","status":"publish","type":"post","link":"https:\/\/kennethwoods.net\/blog1\/2017\/08\/25\/cd-review-classica-magazine-on-jane-eyre\/","title":{"rendered":"CD REVIEW: CLASSICA MAGAZINE ON JANE EYRE"},"content":{"rendered":"<p>More international praise for\u00a0<a class=\"profileLink\" href=\"https:\/\/www.facebook.com\/johnjoubertcomposer\/?fref=mentions\" data-hovercard=\"\/ajax\/hovercard\/page.php?id=139871306047861&amp;extragetparams=%7B%22fref%22%3A%22mentions%22%7D\" data-hovercard-prefer-more-content-show=\"1\">John Joubert \u2013 Composer<\/a>\u2018s magnificent Jane Eyre- An Opera in Two Acts on\u00a0<a class=\"profileLink\" href=\"https:\/\/www.facebook.com\/SOMMRecordings\/?fref=mentions\" data-hovercard=\"\/ajax\/hovercard\/page.php?id=1605797583047581&amp;extragetparams=%7B%22fref%22%3A%22mentions%22%7D\" data-hovercard-prefer-more-content-show=\"1\">SOMM Recordings<\/a>, this time from\u00a0<a class=\"profileLink\" href=\"https:\/\/www.facebook.com\/Classica-145574972139644\/?fref=mentions\" data-hovercard=\"\/ajax\/hovercard\/page.php?id=145574972139644&amp;extragetparams=%7B%22fref%22%3A%22mentions%22%7D\" data-hovercard-prefer-more-content-show=\"1\">Classica<\/a>\u00a0in France.<\/p>\n<p>\u2018The vocal distribution of this creati\u00f2n in Birmingham is of astounding beauty. April Fredrick assumes from end to end an overwhelming role with a palette that evolves from alto to coloratura soprano with supreme ease, with breath-taking performances by David Stout and Mark Milhofer. The orchestration of this opera is a triumphant abundance of riches, finesse and intensity, perfectly realised by the English Symphony Orchestra and the sensitive, dramatic and attentive direction of Kenneth Woods.\u2019<\/p>\n<p>Order your copy today and find out why this is one of the most talked-about and praised operas to appear in the last two decades.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5050\" src=\"https:\/\/www.eso.co.uk\/wp-content\/uploads\/2017\/09\/Classica-Magazine-Jane-Eyre-1.jpg\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" srcset=\"https:\/\/www.eso.co.uk\/wp-content\/uploads\/2017\/09\/Classica-Magazine-Jane-Eyre-1.jpg 366w, https:\/\/www.eso.co.uk\/wp-content\/uploads\/2017\/09\/Classica-Magazine-Jane-Eyre-1-119x300.jpg 119w\" alt=\"\" width=\"400\" height=\"1008\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5051\" src=\"https:\/\/www.eso.co.uk\/wp-content\/uploads\/2017\/09\/Classical-Magazine-Jane-Eyre-2.jpg\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" srcset=\"https:\/\/www.eso.co.uk\/wp-content\/uploads\/2017\/09\/Classical-Magazine-Jane-Eyre-2.jpg 288w, https:\/\/www.eso.co.uk\/wp-content\/uploads\/2017\/09\/Classical-Magazine-Jane-Eyre-2-218x300.jpg 218w\" alt=\"\" width=\"200\" height=\"275\" \/><\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:100px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"https:\/\/kennethwoods.net\/blog1\/2017\/08\/25\/cd-review-classica-magazine-on-jane-eyre\/\" send=\"false\" layout=\"box_count\" width=\"450\" show_faces=\"true\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>More international praise for\u00a0John Joubert \u2013 Composer\u2018s magnificent Jane Eyre- An Opera in Two Acts on\u00a0SOMM Recordings, this time from\u00a0Classica\u00a0in France. \u2018The vocal distribution of this creati\u00f2n in Birmingham is of astounding beauty. April Fredrick assumes from end to end an overwhelming role with a palette that evolves from alto to coloratura soprano with supreme [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[1,9],"tags":[],"class_list":["post-7898","post","type-post","status-publish","format-standard","hentry","category-music-opion-life-as-a-performing-musician","category-newsandreviews"],"_links":{"self":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/7898","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/comments?post=7898"}],"version-history":[{"count":1,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/7898\/revisions"}],"predecessor-version":[{"id":7899,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/7898\/revisions\/7899"}],"wp:attachment":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/media?parent=7898"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/categories?post=7898"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/tags?post=7898"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}