{"id":8045,"date":"2018-01-02T12:45:27","date_gmt":"2018-01-02T11:45:27","guid":{"rendered":"http:\/\/kennethwoods.net\/blog1\/?p=8045"},"modified":"2018-01-05T13:12:38","modified_gmt":"2018-01-05T12:12:38","slug":"philip-sawyers-symphony-no-3-a-2017-gramophone-critics-choice-best-of-the-year","status":"publish","type":"post","link":"https:\/\/kennethwoods.net\/blog1\/2018\/01\/02\/philip-sawyers-symphony-no-3-a-2017-gramophone-critics-choice-best-of-the-year\/","title":{"rendered":"PHILIP SAWYERS SYMPHONY NO. 3 A 2017 GRAMOPHONE CRITIC\u2019S CHOICE BEST OF THE YEAR"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-8046\" src=\"http:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2018\/01\/Gramophone-Critics-Choice-2017-1024x420-1.png\" alt=\"\" width=\"1024\" height=\"420\" srcset=\"https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2018\/01\/Gramophone-Critics-Choice-2017-1024x420-1.png 1024w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2018\/01\/Gramophone-Critics-Choice-2017-1024x420-1-420x172.png 420w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2018\/01\/Gramophone-Critics-Choice-2017-1024x420-1-744x305.png 744w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2018\/01\/Gramophone-Critics-Choice-2017-1024x420-1-768x315.png 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p>\u201cWhat an astonishing year for British symphonies on disc\u2026\u00a0<a class=\"profileLink\" href=\"https:\/\/www.facebook.com\/philip.sawyers?fref=mentions\" data-hovercard=\"\/ajax\/hovercard\/user.php?id=1125948662&amp;extragetparams=%7B%22fref%22%3A%22mentions%22%7D\" data-hovercard-prefer-more-content-show=\"1\">Philip Sawyers<\/a>\u2018s classically structured Third, however, out-compels its rivals in sweep, scope and and t<span class=\"text_exposed_show\">he ESO\u2019s gripping performance\u201d<\/span><\/p>\n<div class=\"text_exposed_show\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-8025\" src=\"http:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2018\/01\/Critics-Choice-Gramophone-Magazine-Guy-Rickards-2017.png\" alt=\"\" width=\"400\" height=\"432\" srcset=\"https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2018\/01\/Critics-Choice-Gramophone-Magazine-Guy-Rickards-2017.png 651w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2018\/01\/Critics-Choice-Gramophone-Magazine-Guy-Rickards-2017-420x454.png 420w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/>Congrats to\u00a0<a class=\"profileLink\" href=\"https:\/\/www.facebook.com\/AprilFredricksoprano\/?fref=mentions\" data-hovercard=\"\/ajax\/hovercard\/page.php?id=1715441472050651&amp;extragetparams=%7B%22fref%22%3A%22mentions%22%7D\" data-hovercard-prefer-more-content-show=\"1\">April Fredrick, soprano<\/a>, and producer Simon Fox-Gal, but especially to Philip. We\u2019re so proud of our affiliation with him as our John McCabe Composer-in-Association, a collaboration which has yielded the three works on this disc, his wonderful new Concerto for Trumpet, Strings and Timpani, which we premiered in October with\u00a0<a class=\"profileLink\" href=\"https:\/\/www.facebook.com\/simon.desbruslais\/?fref=mentions\" data-hovercard=\"\/ajax\/hovercard\/page.php?id=286174108214956&amp;extragetparams=%7B%22fref%22%3A%22mentions%22%7D\" data-hovercard-prefer-more-content-show=\"1\">Simon Desbruslais<\/a>, his Elegiac Fantasy in Memory of John Mccabe for Trumpet and Strings, his Violin Concerto which we premiere with\u00a0<a class=\"profileLink\" href=\"https:\/\/www.facebook.com\/AlexanderSItkovetsky\/?fref=mentions\" data-hovercard=\"\/ajax\/hovercard\/page.php?id=1377847565773371&amp;extragetparams=%7B%22fref%22%3A%22mentions%22%7D\" data-hovercard-prefer-more-content-show=\"1\">Alexander Sitkovetsky<\/a>\u00a0in February and his new tone poem inspired by paintings of Samuel Palmer, Valley of Vision, which we premiere in March. Philip also wrote a wonderful student work, A Colwall Overture, which our\u00a0<a class=\"profileLink\" href=\"https:\/\/www.facebook.com\/esoyouth\/?fref=mentions\" data-hovercard=\"\/ajax\/hovercard\/page.php?id=1721182851464938&amp;extragetparams=%7B%22fref%22%3A%22mentions%22%7D\" data-hovercard-prefer-more-content-show=\"1\">ESO Youth<\/a>\u00a0Orchestras have performed several times this year.<\/p>\n<p>Huge congratulations also to John Pickard,\u00a0<a class=\"profileLink\" href=\"https:\/\/www.facebook.com\/david.h.johnson.9?fref=mentions\" data-hovercard=\"\/ajax\/hovercard\/user.php?id=1646850319&amp;extragetparams=%7B%22fref%22%3A%22mentions%22%7D\" data-hovercard-prefer-more-content-show=\"1\">David Hackbridge Johnson<\/a>\u00a0and\u00a0<a class=\"profileLink\" href=\"https:\/\/www.facebook.com\/steve.elcock.9?fref=mentions\" data-hovercard=\"\/ajax\/hovercard\/user.php?id=100000154870956&amp;extragetparams=%7B%22fref%22%3A%22mentions%22%7D\" data-hovercard-prefer-more-content-show=\"1\">Steve Elcock<\/a>. This is a golden age for symphonic music and we\u2019re proud to play our part in its revival. Next up in our 21st Century Symphony Series is\u00a0<a class=\"profileLink\" href=\"https:\/\/www.facebook.com\/pages\/David-Matthews-composer\/132752390095507?fref=mentions\" data-hovercard=\"\/ajax\/hovercard\/page.php?id=132752390095507&amp;extragetparams=%7B%22fref%22%3A%22mentions%22%7D\" data-hovercard-prefer-more-content-show=\"1\">David Matthews (composer)<\/a>\u2018s 9th Symphony, which we premiere in\u00a0<a class=\"profileLink\" href=\"https:\/\/www.facebook.com\/pages\/St-Georges-Church-Brandon-Hill\/241616885850423?fref=mentions\" data-hovercard=\"\/ajax\/hovercard\/page.php?id=241616885850423&amp;extragetparams=%7B%22fref%22%3A%22mentions%22%7D\" data-hovercard-prefer-more-content-show=\"1\">St George\u2019s Church, Brandon Hill<\/a>\u00a0on the 9th of May and also record for\u00a0<a class=\"profileLink\" href=\"https:\/\/www.facebook.com\/NimbusRecords\/?fref=mentions\" data-hovercard=\"\/ajax\/hovercard\/page.php?id=217060298308975&amp;extragetparams=%7B%22fref%22%3A%22mentions%22%7D\" data-hovercard-prefer-more-content-show=\"1\">Nimbus Records<\/a>.<\/p>\n<\/div>\n<p><iframe loading=\"lazy\" title=\"Philip Sawyers Symphony no. 3 Preview\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/GB5l74xcxWg?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:100px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"https:\/\/kennethwoods.net\/blog1\/2018\/01\/02\/philip-sawyers-symphony-no-3-a-2017-gramophone-critics-choice-best-of-the-year\/\" send=\"false\" layout=\"box_count\" width=\"450\" show_faces=\"true\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>\u201cWhat an astonishing year for British symphonies on disc\u2026\u00a0Philip Sawyers\u2018s classically structured Third, however, out-compels its rivals in sweep, scope and and the ESO\u2019s gripping performance\u201d Congrats to\u00a0April Fredrick, soprano, and producer Simon Fox-Gal, but especially to Philip. We\u2019re so proud of our affiliation with him as our John McCabe Composer-in-Association, a collaboration which has [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-8045","post","type-post","status-publish","format-standard","hentry","category-music-opion-life-as-a-performing-musician"],"_links":{"self":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/8045","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/comments?post=8045"}],"version-history":[{"count":2,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/8045\/revisions"}],"predecessor-version":[{"id":8056,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/posts\/8045\/revisions\/8056"}],"wp:attachment":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/media?parent=8045"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/categories?post=8045"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/tags?post=8045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}