{"id":8122,"date":"2018-07-31T21:13:59","date_gmt":"2018-07-31T20:13:59","guid":{"rendered":"http:\/\/kennethwoods.net\/blog1\/?post_type=product&#038;p=8122"},"modified":"2021-10-23T10:05:38","modified_gmt":"2021-10-23T09:05:38","slug":"cd-brahms-piano-quartet-no-2-in-a-major-orchestrated-and-conducted-by-kenneth-woods-nimbus","status":"publish","type":"product","link":"https:\/\/kennethwoods.net\/blog1\/product\/cd-brahms-piano-quartet-no-2-in-a-major-orchestrated-and-conducted-by-kenneth-woods-nimbus\/","title":{"rendered":"CD: Brahms- Piano Quartet no. 2 in A major orchestrated and conducted by Kenneth Woods (Nimbus)"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-8123 alignleft\" src=\"http:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2018\/07\/NI6364_cover-420x420.jpg\" alt=\"\" width=\"420\" height=\"420\" srcset=\"https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2018\/07\/NI6364_cover-420x420.jpg 420w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2018\/07\/NI6364_cover-744x744.jpg 744w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2018\/07\/NI6364_cover-768x768.jpg 768w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2018\/07\/NI6364_cover-1200x1200.jpg 1200w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2018\/07\/NI6364_cover-300x300.jpg 300w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2018\/07\/NI6364_cover-600x600.jpg 600w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2018\/07\/NI6364_cover-100x100.jpg 100w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2018\/07\/NI6364_cover-1140x1140.jpg 1140w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2018\/07\/NI6364_cover-570x570.jpg 570w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2018\/07\/NI6364_cover-380x380.jpg 380w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2018\/07\/NI6364_cover-285x285.jpg 285w\" sizes=\"auto, (max-width: 420px) 100vw, 420px\" \/><\/p>\n<p>Conceived in a moment of sudden inspiration while teaching in Italy, Kenneth Woods\u2019 orchestration of Brahms\u2019 most expansive chamber work is the product of a life-long immersion in the music of this great composer as both cellist and conductor. This is a work of symphonic scope, realised here as an orchestral score that fully inhabits the soundworld of its composer as a work worthy of sitting along side his four numbered symphonies.<\/p>\n<h3><a href=\"https:\/\/www.theartsdesk.com\/classical-music\/best-2018-classical-cds?fbclid=IwAR1QQbVsVG5W1XzuZX2IINUGmB8r-R-0lRyABn5XEW3JBp9-0-4F_0NcKPM\">One of The Arts Desk&#8217;s Ten Best Classical CDs of 2018<\/a>: &#8220;Kenneth Woods\u2019s idiomatic orchestration of Brahms\u2019s Piano Quartet No. 2 (Nimbus) proved a must-hear, a useful corrective to Schoenberg\u2019s OTT transcription of the G minor quartet.&#8221; Graham Rickson<\/h3>\n<p>\u201cHopefully this new addition to the Brahms symphonic canon will get the widespread dissemination it certainly deserves\u2026\u00a0Kenneth Woods has grasped this nettle and produced an absolutely imaginative arrangement.\u201d <a href=\"http:\/\/kennethwoods.net\/blog1\/2018\/09\/04\/bbc-music-magazine-on-kens-orchestration-of-brahmss-piano-quartet-in-a-major\/\">Erik Levi, BBC Music Magazine<\/a><\/p>\n<p>&#8220;By the time the work concludes, one has forgotten that the composer intended the music for a quartet. In essence, Woods has created a new Brahms Fifth Symphony.&#8221; <a href=\"https:\/\/classicalcandor.blogspot.com\/2018\/08\/brahms-piano-quartet-no-2-in-major-cd.html\">John J. Puccio, Classical Candor<\/a><\/p>\n<p>&#8220;Woods\u2019 versatile English Symphony Orchestra respond with energy and warmth, and it&#8217;s fun to compare their rich sound with the Scottish Chamber Orchestra on Robin Ticciati&#8217;s recent set of the symphonies. This quartet is an early, extro<span class=\"text_exposed_show\">vert piece and Woods taps into the music\u2019s unbuttoned joy. The first movement\u2019s close is a case in point, a cheery, affirmative musical hug, pitched to perfection in this performance. Depths are plumbed in Brahms&#8217;s \u201cPoco Adagio\u201d, and the scherzo\u2019s ingenuity shines through. And while the G minor quartet finishes with a blaze of nihilistic fury, this one ends in a blaze of brassy sunlight. All fascinating \u2013 a labour of love, handsomely recorded with decent notes&#8230;. He&#8217;s effectively given us an additional Brahms symphony.&#8221; <a href=\"https:\/\/www.theartsdesk.com\/classical-music\/classical-cds-weekly-berio-brahms-schubert-map-kingdom-ireland\">Graham Rickson, The Arts Desk<\/a><\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"Brahms Piano Quartet in A major orchestrated by Kenneth Woods - Trailer\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/0ZJ2lxnOV38?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>&#8220;Best of all, however, is the new Nimbus recording&#8230;especially as the orchestration is more idiomatic than Schoenberg\u2019s&#8230;and it receives a persuasive and enjoyable performance from the English Symphony Orchestra\u00a0<span class=\"text_exposed_show\">directed by the arranger&#8230; you would need the Berlin or Vienna Phil to do much better&#8230;the sound quality, coupled with an informative set of notes from Woods, detailing the gestation of the orchestration, rounds off a release recommendable in every respect.&#8221; <a href=\"http:\/\/www.musicweb-international.com\/classrev\/2018\/Aug\/Brahms_quartets_EUD1701.htm\">Brian Wilson, MusicWeb International<\/a><\/span><\/p>\n<p>&#8220;The result is gorgeous and the scoring unmistakably evokes the end of the slow movement of the First Symphony&#8230; In the Scherzo it seems to me that the melodic lines sound just right on whichever instrument Woods chooses to use, whether that be flute, clarinet, violins in unison with a horn, or whatever other choice is made. In the vigorous Trio I like the prominence given to the horn section; that adds a fair degree of backbone to the instrumental palette. The horns also make an important contribution to the finale or, rather, to the boisterous, high spirited episodes. Elsewhere, the more lyrical sections are pleasingly scored in a way that emphasises the contrast with the spirited passages of music. It seems to me that this vivacious finale is painted by Woods in authentic Brahmsian colours. The ending is especially exuberant, reminding me irresistibly of the conclusion to the Second Symphony.\u00a0 As you\u2019ll have gathered, I think Kenneth Woods has made a notable job of orchestrating this important chamber piece.This is a disc which Brahmsian collectors should hear. It presents one of his chamber masterpieces in a new and completely sympathetic light.&#8221; <a href=\"http:\/\/www.musicweb-international.com\/classrev\/2019\/Apr\/Brahms_quartets_NI6364.htm\">John Quin, MuiscWeb International<\/a><\/p>\n<p>&#8220;With\u00a0Kenneth Woods\u00a0conducting there can be no doubt that his intentions are fully revealed, certainly with excellent playing and a clear recording&#8230; Wood\u2019s achievement, made over several years and then revised in time for this recording, is considerable and imaginative, and should appeal to open-minded B<span class=\"text_exposed_show\">rahms-lovers&#8230;<\/span>Thus the opening, and arresting, opening is for horns, very Brahmsian, yet the mind leaps to Schumann (his Opus 86 Konzertst\u00fcck for those instruments), and for all that the expansive exposition (duly repeated) has in Woods\u2019s tints allusions to Brahms\u2019s Opus 11 Serenade&#8230;.the large-scale opening movement (seventeen minutes) takes on the mantle of a heroic tale, a forest legend. The Adagio includes ominous growly brass, a sinister sound amidst mellifluous lyricism \u2013 there is always the sense that the music is about something (Hansel and Gretel meeting the Witch), not least when an impassioned climax is reached. The Scherzo (if more an intermezzo) could now be credited to Dvo\u0159\u00e1k, nothing wrong with that, with elements of outdoors and folksiness, veiled emotions too, with greater (Slavonic Dance) exuberance emerging, and the Finale has a Sullivan-esque pace and skip, at least until the heavier-hearted second subject arrives.&#8221; <a href=\"http:\/\/www.classicalsource.com\/db_control\/db_cd_review.php?id=15694\">Colin Anderson, ClassicalSource<\/a><\/p>\n<p>&#8220;This is a very joyous disc: sonorous, exuberant and expansive, and wonderfully evocative of the then-youthful\u00a0<a class=\"mvarticle\" href=\"http:\/\/www.mvdaily.com\/articles\/b\/j\/johannes-brahms.htm\">Brahms<\/a>&#8230;.&#8217;&#8230; this is an excellent performance representing a useful, joyful and even inspired addition to the orchestral repertoire.'&#8221; <a href=\"http:\/\/www.mvdaily.com\/2018\/10\/brahms.htm\">Alice McVeigh, MV Daily\u00a0<\/a><\/p>\n<p>&#8220;Because anyone familiar with the four symphonies will recognize where Woods is directly echoing Brahms\u2019s orchestration, he is actually more successful at replacing the piano than Schoenberg was. We feel firmly and authentically in Brahms\u2019s sound world. The primary parallel, to my ear, is with the Second Symphony and the Serenades mentioned above&#8230;\u00a0But I came away feeling that Woods has done something both enjoyable and idiomatic&#8230;\u00a0Nimbus\u2019s recorded sound is all that it should be, as are the program notes and the extended essay by Woods on his orchestration. Warmly recommended.&#8221;\u00a0<a href=\"http:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2018\/07\/Fanfare-Mag-review-Brahms-Piano-Quartet-orch-Woods.pdf\">Huntley Dent, Fanfare<\/a><\/p>\n<p>&#8220;Kenneth Woods\u00a0always keeps Brahms\u2019s orchestra in mind, and the result is a version of the work that, with a few minor exceptions, could easily be mistaken for an arrangement by Brahms himself. Woods evidently has a keen understanding both of the q<span class=\"text_exposed_show\">uartet and of Brahms\u2019s orchestral practice, but he also demonstrates an impressive discipline in keeping this large-scale music within the Classically proportioned orchestral framework that Brahms would have favoured&#8230;The performance, by the English Symphony Orchestra under Woods himself, is excellent.&#8221; <a href=\"http:\/\/www.classical-cd-reviews.com\/2018\/08\/brahms-piano-quartet-no-2-woods-english.html\">Gavin Dixon, Fanfare, Classical CD Reviews<\/a><\/span><\/p>\n<p>&#8220;In every respect, this is a fine achievement, which deserves a place as a classical next to the original version. It preserves Brahms\u2019s Romantic trait and, without wandering off the path of the original composition, it adds many evocative elements to which only an orchestra can gi<span class=\"text_exposed_show\">ve prominence and that an excellent performance as the one recorded here further enhances.\u00a0<\/span>The English Symphony Orchestra plays with stylishness and its sound is bright, perfectly captured by the engineering. Its colours are shimmering and precious and in several passages different instruments (especially woodwinds) play embellishments of commendable beauty. The playing is smooth, remarkable especially for the white hot sound of the brasses and for the silkiness of the strings. Under Woods\u2019s baton, the music flows with brilliance and in a lean way&#8230; coloured by an incredible range of emotional subtlety&#8230;&#8221; <a href=\"http:\/\/themusicgala.com\/classical\/brahms-piano-quartet-woods\/\">Astrid Iustulin,The Music Gala<\/a><\/p>\n<p>\u201cWoods has orchestrated Brahms\u2019s Second Piano Quartet Op. 26 to\u00a0create what\u2019s effectively a completely new Brahms symphony\u2026Any\u00a0Brahms lover would be fascinated to hear this orchestration\u2026\u201d<br \/>\n<a href=\"https:\/\/www.eso.co.uk\/review-birmingham-post-on-kenneth-woods-orchestration-of-brahms-op-26-and-elgar-violin-concerto-with-alexander-sitkovetsky\/\">Richard Bratby. The Birmingham Post<\/a><\/p>\n<p>\u201cIn his Brahms arrangement, Woods proves to be a master orchestrator,\u00a0delivering a score of wide-ranging expression and colour\u2026Woods brings\u00a0glorious warmth to Opus 26, and this could well pass as an original\u00a0Brahms orchestral score\u2026one which will for sure in the future delight\u00a0audiences everywhere.\u201d\u00a0<a href=\"http:\/\/classicalsource.com\/db_control\/db_concert_review.php?id=14999\">Adrian Williams. Classical Source<\/a><\/p>\n<p>&#8220;&#8230;highly recommended&#8230;great personality&#8230;a spectacular result&#8230; Kenneth Woods is a creator.&#8221;\u00a0\u00a0<a href=\"http:\/\/sonograma.org\/suplement-de-discos\/piano-quartet-no-2-in-a-major-op-26\/\">Carme Mir\u00f3, Sonograma Magazine<\/a><\/p>\n<p><a href=\"http:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2018\/07\/NI6364_inlay.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-8139\" src=\"http:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2018\/07\/NI6364_inlay-420x332.jpg\" alt=\"\" width=\"420\" height=\"332\" srcset=\"https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2018\/07\/NI6364_inlay-420x332.jpg 420w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2018\/07\/NI6364_inlay-744x588.jpg 744w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2018\/07\/NI6364_inlay-768x606.jpg 768w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2018\/07\/NI6364_inlay-1200x948.jpg 1200w, https:\/\/kennethwoods.net\/blog1\/wp-content\/uploads\/2018\/07\/NI6364_inlay-600x474.jpg 600w\" sizes=\"auto, (max-width: 420px) 100vw, 420px\" \/><\/a><\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:100px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"https:\/\/kennethwoods.net\/blog1\/product\/cd-brahms-piano-quartet-no-2-in-a-major-orchestrated-and-conducted-by-kenneth-woods-nimbus\/\" send=\"false\" layout=\"box_count\" width=\"450\" show_faces=\"true\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>Conceived in a moment of sudden inspiration while teaching in Italy, Kenneth Woods\u2019 orchestration of Brahms\u2019 most expansive chamber work is the product of a life-long immersion in the music of this great composer as both cellist and conductor. This is a work of symphonic scope, realised here as an orchestral score that fully inhabits [&hellip;]<\/p>\n","protected":false},"featured_media":8123,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":""},"product_brand":[],"product_cat":[995],"product_tag":[1004,1211,998,1213,1212,1214],"class_list":{"0":"post-8122","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-cds","7":"product_tag-brahms-2","8":"product_tag-brahms-sympmphonies","9":"product_tag-nimbus-records","10":"product_tag-orchestration","11":"product_tag-piano-quartet-in-a-major-opus-26","12":"product_tag-world-premiere","14":"first","15":"instock","16":"shipping-taxable","17":"purchasable","18":"product-type-simple"},"_links":{"self":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/product\/8122","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/comments?post=8122"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/media\/8123"}],"wp:attachment":[{"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/media?parent=8122"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/product_brand?post=8122"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/product_cat?post=8122"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/kennethwoods.net\/blog1\/wp-json\/wp\/v2\/product_tag?post=8122"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}