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The best damn op 98 in history

January 31st, 2008 No comments

I was driving Jorja Fleezanis and Michael Steinberg back to their hotel after our first meal upon their arrival when we got stuck at a railroad crossing. While I was chatting away to Jorja about trains as part of the rhythms of small town life, Michael was relatively quiet. To my mild relief, the train was gone pretty quickly.

“Phew, I was expecting that to take much longer,” I said.

“Ninety-eight cars,” said Michael. Aha, that was why he’d been a little quiet, he was counting!

“Okay,” I ventured, “here’s a trivia question- what is the best Op 98 ever….”

Being the end of the day, neither of us had too many great ideas, but here are some notable Op 98s

Beethoven- Song Cycle “To the Immortal Beloved” (“An die ferne Geliebte”).

Brahms- Symphony no. 4 in E minor

Shostakovich- Five Romances on Poems of Dolmatovsky

Dvorak Suite in A Major for Piano

Prokofiev- Unpublished Sketches for the Soviet National Anthem

 

So, this is an easy one- Brahms a decisive winner, with Beethoven a clear, if deeply moving, 2nd…. Prokofiev gets the nod for least likely to get programmed

 

Redneck Longhair Music update-

Weather- improving, roads melting

Musicians- approaching

Ken’s Mood- mellowing (cautiously)

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The last friend who will ever let you down

January 30th, 2008 No comments

We like a bit a of drama with our concerts here in Pendleton.Actually, that’s not true. I hate a bit of drama with our concerts here in Pendleton. It’s just that there always seems to be a disproportionate amount of drama every time I alight here.

Since a major winter storm rolled in on Sunday, we’ve been following the weather with an extreme degree of trepidation. We have musicians for this concert coming down from Seattle, but yesterday, Snoqualmie Pass was closed for avalanche work. Will it open today and tomorrow? We have musicians commuting from La Grande over the Blue Mountains. Normally that’s only a 47 minute drive and they all like to go home at night rather than staying here, but that pass had 20 inches of new snow Monday and Tuesday, with more forecast. Four invaluable string players are coming all the way from Montana, via Spokane- will their usual 16 hour drive (I told you this was a fun gig) double? What about our Boise gang- two passes to get over and about 150 miles of high desert, with potential for white out conditions… A huge percentage of the orchestra comes up the Columbia River Gorge from Portland, which has been shut several times this week. If that route goes down, the concert is certainly off.

Then there are those whose commutes should be the least problem, but who seem to have the hardest time accepting that the usual breezy drive might be worse- while others are willing to brave epic journeys, the ones who expect an easy zip up the road often can’t seem to adjust.

As I mentioned on Monday, some don’t have the stomach for it, and there are always surprises among those who bail, so every day is a tactical struggle to keep things on track.Tubist’s mom passes away, and we send condolences and spring in to action. Command and control of this operation is run out of OES International Defcom Headquarters- our new offices in the Vert Museum Room. It is a gorgeous space and easy to find- simply look for the sign across the road for “Burns Mortuary.”

 

(photo- Steve Bass)

Old Charlie Burns must have known what he was doing when he commissioned a giant, lime-green neon sign for his funeral home. Trade is always good in the funeral business- no need to worry about recession-era downturns for them, but Burns likes to stay ahead of the competition. He’s always advertised, but for years the local paper refused to run his preferred slogan-

“Charlie Burns- the last friend who will ever let you down.”

The only problem at OES Headquarters is that it is barely functional yet. When we moved in two weeks ago we were supposed to have phone service within 2 days. Then, the phone company decided the building didn’t exist (IT IS THE 3rd BIGGEST BUILDING IN THE CITY!), then they lost the order, so we’re on cell phones until after this thing is over. At least we had great internet service until Monday when the guy from the local computer service center came in to configure the printer network and broke the wireless setup before disappearing off the planet. If he doesn’t call this morning, Mr. Burns may be welcoming a new customer today….

However, right now, it is slightly warming with a projected high of 42 degrees. I am seeing a strange source of light outside the window of Hamley’s Coffee- could that be sun? This is good- we could have an orchestra.

And this is what is amazing about this orchestra- why, on some strange level, it is always worth the ridiculous stress. On one level, there is no “here”- here, or no “there-” there (depending on where you’re coming from), but Pendleton possesses some strange power of attraction that draws in a range of people and talents that is quite extraordinary. That power comes from the tiny but fierce group of local musicians whose blood, sweat and tears keep this crazy endeavor moving forward.

In the orchestra this week are at least five concertmasters of other Northwest orchestras. We’ve got an opera singer who’s a fab violist, a wonderful luthier who is a fantastic violinist, ¾ of a very good string quartet, and who-knows how many conductors in the orchestra now (you can see the malevolently hopeful glint in their eyes every time I cough….if they knew just how hard the Elgar is to conduct, they‘d be drinking to my good health!).

Maybe it’s just the absurdly cold weather, but I find myself thinking that this orchestra is like the Northern lights- something alien and beautiful that flashes across the deserted night sky, only to disappear like the details of a dream when the sun rises again.

 

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Conductors with taste, or a taste for conductors….

January 28th, 2008 4 comments

My Sunday afternoon was spent on an activity not listed in my job description- cooking dinner for some friends of the symphony.

This is something we’ve done for a few years as part of our annual auction- people can bid on dinner with the conductor, cooked by the conductor. Of course, long-time students of conductor biographies will know that almost all of them conclude with “when not conducting the world’s leading orchestras, Maestro ______ enjoys hiking, chess and gourmet cooking.”

I hate to reveal a trade secret, but in many cases I’ve found this to simply mean that Maestro X enjoys eating other people’s gourment cooking. I do enjoy cooking, just plain old cooking,  mostly because I enjoy eating, but I find cooking in other people’s kitchens rather stressful. Still- anything for a good cause, and once your hosts have had a cocktail or three, they stop peering over your shoulder so much.

Some conductors have more to offer than a nicely cooked bit of lamb- personality.

Pianist Peter Donohoe once told about something he and Andrew Litton used to offer. Both Peter and Andrew are well-known as raconteurs as well as musicians, so they thought it would be good to offer the patrons of the Dallas Symphony a chance to bid on an evening of stories and jokes from the two of them. Think highbrow standup comedy…. I forget the exact final bid amount from the Dallas auction, but it was in the neighborhood of $30,000. I hope the jokes were better than my lamb at that price!

At this time, Litton was also Music Director of the Bournemouth Symphony, where Peter was a regular soloist, so they made the same offer there at an auction- dinner and witty conversation with the two of them. I think it tells one a great deal about the fundamental differences between American and British culture to note than in Britain, the going rate for an evening of entertaining BS with a couple of musicians is apparently about 37 pounds and 50 pence (I like the fact that the winning bid involved an increase of 50 p!) instead of 30k.

My attention has now shifted from food to the weather channel- we had a heavy snow storm in Pendleton yesterday, but more worryingly, they are expecting several feet of snow in the mountains between here and La Grande, where a number of our musicians commute from over the next several days as our rehearsal schedule intensifies. One musician, who DOESN”T have to come over the mountains (he’s in Richland) emailed Michelle this morning to say that he was going to cancel becaues of the weather. That’s right- he can’t manage a short commute on a flat route because it will be snowing in the mountains, where he’s not driving. It’s MONDAY, the concert is on Saturday- in this region it could be 70 degrees by Saturday. How do people like this live with themselves?!?!?!?!?!?!?!?!? 

I ask all regular Vftp readers to wish for warm, Pacific air and a quick thaw so we can actually rehearse for this concert. KW   

 

 

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Jorja on my mind or what’s on Jorja’s mind

January 25th, 2008 1 comment

You know it’s going to be a great week when instead of
“Hi Ken, I do the standard cuts * in the last movement of the Tchaikovsky. What time is rehearsal?”
I get….
 

“Glad to hear that the barometer is reading well for the program. I have felt like a climber going up the sheer cliff for sometime now, but Elgar has been training my steps and I guess the time is nigh to cut loose. There are a million things I would like to say before we launch so I hope we can talk lots between now and then. I will pass on one friend’s comment to me about performing the piece, and this is coming from someone who knew Boult, “keep it moving!”. The things is, there are so many dream moments, halting moments, sometimes quite gently, sometimes quite grandly, but the motion always commences after these so the affect does not get laden but more conjectural or gestural, even recitative-like. The cadenza is of course another string of thoughts and musings and will take all of us being in the ultimate state of reminiscence (emphasis added)….”

People, get your butts to this concert, and colleagues- let’s practice hard….* FYI- there are no standard cuts in the Tchaikovsky. Doing the wrong thing over and over does not make it right….

PS- Did you really think I was man enough to get through this concert without at least Jorja/Georgia pun?

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A cold sandwich and a beer…. in…. The Twilight Zone

January 25th, 2008 7 comments

Somehow, no matter how many times I’ve been here or how many advertures and surprises those trips have held, there always seems to be some shock, some moment of divine cognitive dissonance on my arrival to Pendleton, Oregon. Perhaps the nearby Blue Mountains cast some benign field of energy, perhaps the town sits in the center of a sort of Bermuda Triangle here in the wilds of Eastern Oregon, and maybe it is simply that I always get here exhausted….

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If bad things come in threes, do odd things come in twos?

January 23rd, 2008 4 comments

It was an interesting juxtaposition of concerts for me this past weekend.

On Saturday, the Surrey Mozart Players returned for our second visit to the Menuhin Hall. Our concert last year was the source of grave trepidation because we had no idea if our regular audience would follow us there and it is a very expensive hall. However, we got a decent crowd and the orchestra so enjoyed the venue we decided to return. This year we took a tiny bit of a chance on repertoire, unknown Kodaly and Haydn, who should be box-office but usually isn’t, to balance out the ever-popular Schumann Piano Concerto (which shouldn’t be popular but is, in spite of the fact that it is so inward looking).

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The Sequanza 21 tips thread

January 21st, 2008 13 comments

My recent reposting of “Tips for Composers” has drawn an unprecedented number of comments to Vftp, most of them positive.

Not necessarily so at Sequenza 21, where there were as of this writing 43 comments ranging from positive to downright indignant. I’ve posted the following as a comment there, and also here for regular Vftp readers….

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Fantasy classic-ball

January 17th, 2008 9 comments

Well, I’ve never attempted to start a meme or launch a blog poll, mostly because I fear I’m not actually popular enough to get anyone to take up the challenge…..

Nonetheless, with my beloved Packers possibly only a few days away from earning the privilege of serving as cannon fodder for the New England Patriots, I’ve been thinking about the recent comparisons of the 2007 Patriots and the 72 Dolphins. (For the “real” classical musicians out there, the Patriots and Dolphins are American football teams from Boston and Miami respectively. Both share the distinction of being the only professional football teams to finish a season undefeated, although the Patriots have not yet won this year’s championship).

Far be it from me to settle the burning question of Fish vs Pats, although the 72-zers had much cooler uniforms.

Instead, I thought it might be an interesting exercise in assessing the relative health of the classical music world to try our own version of fantasy football.

So- here’s your challenge (all two of you who are going to take this on- come on, at least let me get two….). Pick the most dominant possible team of musicians or music personalities in 1972 and the most dominant possible team of musicians in 2007. Each team should be either 11 strong (one team gets offense and one defense) or 22 (each team has one offensive lineup and one defensive  lineup).

You can put your top 11 composers of each year on offense and your top 11 conductors on defense (although it is usually the poor composers who have to defend themselves from the offenses of conductors), or you can mix in instrumentalists, singers. Perhaps you feel your wide receivers ought to be tenors and your safeties violists…. You can certainly include musicologists, critics and even bloggers. If Bernstein is your starting QB for the 72 fish, who’s your Tom Brady maestro in 07?  Maybe Messiaen is your head coach in 72 and now Rautavaara is the Bill Belichick of classical music?

The only rule is that your participants must be/have-been alive and working in either 72 or 07.

Once you’ve assembled your fantasy classical team, explain who kicks who’s butt and why.

If you don’t have your own blog, be bold and post in the comments below.Let’s hope at least some Boston-based bloggers like Matthew and Michael will weigh in. Bassists tend to be more aware of sports and popular culture than other strings players, so maybe Jason (who must be busy with two blogs) will take it up? Speaking of bassists, Matt Heller also plays the bass and worked in Miami. Of course, Lisa Hirsch is in the Bay area- they used to have a football team there in the ’80′s, didn’t they? Crack- you can’t resist a good 49ers dig, can you
KW

 

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UPCOMING CONCERT- Lancashire Chamber Orchestra/Thoughts on B5

January 14th, 2008 No comments

UPCOMING CONCERT-

Lancashire Chamber Orchestra

Sunday, January 20, 2009

7:30 PM

Altrincham Grammar School for Girls

Mozart- Overture to “Die Zauberflote”

Beethoven- Piano Concerto no. 4 in G major

Ivan Hovorum, piano

Beethoven- Symphony no 5 in C minor

Thoughts from Ken-

  Read more…

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Ischia Chamber Music Festival

January 12th, 2008 3 comments

 


 

Ischiafestival 2008:

Chamber music played with passion, coached professionally, in a truly stunning Mediterranean setting

May 10-17, 2008. The Location
The fabled southern Italian isle of Ischia – dreaming with Capri in the timeless blue waters of the Bay of Naples, is home to the Covo dei Borboni, an elegant, white-washed villa surrounded by beautifully landscaped gardens overlooking the sea, which will again be the exclusive venue for our chamber music workshop, that will be held from Saturday May 10th to Saturday May 17th.

The Program
Ischiafestival offers a unique week: playing, studying and enjoying quality, professionally coached Chamber Music. This year’s workshop is privileged to have engaged Byron Wallis, violin, David Yang, viola, Kenneth Woods, cello and conductor, Giuseppe Carannante, clarinet and conductor,and artistic director Aldo de Vero , piano, as resident coaches. Coaching sessions will be focused on specific repertoires (String Quartet, Wind Quintet, Piano Four-hand) in the morning, and on Strings & Winds with Piano repertoire in the afternoon. Coaching sessions will begin Saturday the 10th at 4 p.m. Evenings after 6 p.m. will be free for sightseeing, free-playing, enjoying the wonderful food, sights and ambience of this charming island as well as being warmly welcome to enjoy listening to the three scheduled concerts during the week. The workshop will end with performances by participant musicians on the evening of Friday, May 16.

 

 

 

Accomodation and Meals

Coaching sessions will take place at the Covo dei Borboni, which features practice rooms, a music library, accommodation in apartments with kitchenettes, and two outdoor pools – one filled with the famed spa thermal waters so special to the Island of Ischia. Meals, services and further accommodation in single, double and triple rooms will be provided by the nearby four-star sister Hotel Grazia Terme at special Workshop rates.In addition to the performances of the student groups, there will be two faculty concerts including performances of the Brahms Clarinet Quintet, Mozart Piano Quartet, Arnold Piano Trio and several other works.  The workshop’s website is here.

I hope that many of you who have an interest in chamber music will want to apply. Please feel free to email info@kennethwoods.net with any questions. Messages sent there will either go to me or directly to the festival. It is a magnificent location, great repertoire and a very collegial and expert faculty- I’m really looking forward to the week and the chance to do some good chamber music work again

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UPCOMING CONCERT- Surrey Mozart Players, 19 Jan, 2008

January 11th, 2008 1 comment

UPCOMING CONCERT

Surrey  Mozart Players

Menuhin Hall, Cobham

Saturday, 19 January, 2008

7:30 PM

Kodaly- Summer Evening (1905)

Schumann- Piano Concerto in A minor

Bobby Chen, piano

Haydn- Symphony no. 101 in D major (“The Clock.”)

Kodaly’s early masterwork, Summer Evening, written in 1905 is a study in atmosphere and color and is already full of the beautiful folk-styled melodies that would characterize his music throughout his life. I had put off programming the piece for many years based on some disappointing experiences playing it in orchestra, but last year I actually had time to look at the score and realized Kodaly was not to blame for my previous frustration.

Atmosphere is also key in Schumann’s understated, elegiac and elusive Piano Concerto… Read more…

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RIP- Edmund Hillary

January 11th, 2008 No comments

The man credited with conquering Everest for the first time, Sir Edmund Hillary, one of the last of humanity’s great explorers has passed away at the age of 88.

Though it was his ascent of Everest alongside Tensing Norgay in 1953 that earned him his  place in the public consciousness and his place in history, Hillary spent the rest of his life in service to the mountain that made his name and the people who live there.

Over many years he and the Himalayan trust built schools and hospitals and worked tirelessly to improve the lives of the Sherpa people, and to encourage cultural responsibility and ecological sensitivity among mountaineers.

I can still remember watching the old PBS special about that first ascent as a kid. When my wife and I first went to the pub in North Wales where the team stayed while training for the Everest expedition, I was as star-struck looking at Hillary’s and Norgay’s old boots and axes as I would be looking at the score of Beethoven 9.

Other than music, the mountains were my great passion as a kid, and I still dream of taking a year to prepare and climb Everest- a dream the Hillary gave to millions around the world. Let’s also remember that with the dream comes a responsibility. It is a great gift to stand on any mountain- these are not playgrounds, but sacred places.


 

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Controversy over Haydn and magic with Schumann

January 10th, 2008 No comments

I’m just back from the first rehearsal for our upcoming SMP concert. As regular readers will remember, we concluded our last concert with a performance of Mozart’s last symphony, which is a work I absolutely adore with all my heart. It is a piece whose title alone conjures up the very notion of a monument of human achievement.

By comparison, it would seem that the final work on this program is altogether less glamorous- Haydn’s Symphony no. 101. Now, I know that those of you who haven’t seen the Haydn light will think I’ve skated right off the rink…. Remember, I love the Jupiter, really love it, and have spent years studying it and trying to come to grips with its challenges and mysteries. Nonetheless, I think it is altogether possible that Haydn 101 is a better piece than Mozart 41….

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Waiting for the verdict, and not in New Hampshire…

January 8th, 2008 6 comments

When I first started this blog, my hope was that it would help bring in some new audiences to the orchestras I conduct, and while it does get read by some very devoted members of the general public (the true, hard-core fanatics!), I think it’s probably morphed into something a little intense for Joe Public. While that may count as a small disappointment, I’ve been really delighted (and occasionally intimidated) to find out just how many of my colleagues in the various orchestras I work with read these pages (hello Surrey Mozart Players, who I’ll be seeing tomorrow).

One thing I’ve learned from them is that players do tend to look and see what I’ve written about our concert together after the fact, and some are not shy about reminding me if I’ve not written something.

“Hey Ken- you didn’t write anything about our concert, so how am I supposed to know how you thought it went?” someone might say….

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Something old is now something new at OES

January 8th, 2008 1 comment

The Oregon East Symphony has hard a long, hard slog trying to recover from “the fire,” and as I expected, the worst of it came not in the weeks just after the inferno consumed our offices, but after everyone’s focus had shifted come Autumn and the real wounds revealed themselves with an exhausted board and an overworked staff. We weathered the storm, though, and I’m starting to think we can look forward to the second half of our season with a smile.

There’s a lot to smile about- our first Strauss since I joined the band (Death and Transfiguration in April), Brahms 1, La Boheme with a stunning cast, and this month, the Elgar Violin Concerto with the one and only Jorja Fleezanis.

However, the project I’m most excited about is the one I’m not involved in at all….

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