CD Review- MusicWeb International on Bobby and Hans, vol 3

A new review from critic Dan Morgan at MusicWeb. Read the whole thing here. 

A short sample follows

Just Released- Volume Three of the Complete Symphonies of Hans Gal and Robert Schumann

Just Released- Volume Three of the Complete Symphonies of Hans Gal and Robert Schumann

The Second Symphony opens with a most unsettling string theme that blossoms into a mellifluous, pulsing tune whose mood and manner might well suggest pared-down Bruckner. Structurally it’s more tightly drawn – no dancing mountains here – and in that sense Gál’s musical language tends to look backwards more than it does forward. That’s not a criticism, merely a marker, for it’s clear this music inhabits a strange, half-lit world between the warm Romanticism of the 19th century and the cooler climes of the 20th. That said, the gloaming is occasionally pierced with shafts of pure, unexpected loveliness.

This band plays with admirable finesse and concentration, and the recording is clean and well focused. Gál’s textures – often spare, but never emaciated – are alleviated somewhat by the greater amplitude and more rhythmically alert Allegro energico. At times there’s a hint of Mahler in dancerly mode, but what strikes one most forcibly is Gál’s propensity for periods of lucence and chamber-like intensity. It’s a persuasive mix, and there are no longueurs to speak of. As for that gorgeous Adagio, with its haunting cello line at the outset, it’s startling in its blend of radiance and gravitas. Eloquent playing, too.

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About the author

American conductor, composer and cellist Kenneth Woods is Principal Conductor of the English Symphony Orchestra, Artistic Director of the Colorado MahlerFest and cellist of the string trio Ensemble Epomeo. He records for the Avie, Somm, Nimbus, Signum, MSR and Toccata labels.

Learn about Kenneth at www.kennethwoods.net

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