UPDATE- A new interview as Ken speaks to Peter Alexander at Sharps and Flatirons here.
Coverage from Norman Lebrecht’s Slipped Disc here: “The Colorado MahlerFest in and around the city of Boulder is one of the boldest musical initiatives of modern times. ”
Boulder Daily Camera story with coverage of final concert of MahlerFest XXVIII and announcement
KENNETH WOODS APPOINTED ARTISTIC DIRECTOR OF COLORADO MAHLERFEST
Kenneth Woods has been appointed Artistic Director of the Colorado MahlerFest. He is only the second Artistic Director in the festival’s 28-year history and succeeds Founding Artistic Director Robert Olson. Woods will oversee his first festival, MahlerFest XXIX, in May 2016.
Of his appointment, Woods remarks, “I’m thrilled and humbled to be invited to steer the festival’s ongoing exploration of one of the greatest composers of all time. I’ve always been impressed by the sophistication of MahlerFest’s programming and presentation, not to mention the musical standards attained by its participants. I must extend enormous congratulations to Bob Olson for everything he has achieved. The complexity and scale of some tasks can only be fully appreciated once you’ve done them yourself, and as someone who has put together a few crazy Mahler projects of my own over the years, I know something about the kind of heroic effort Bob has made to build and sustain this festival. I take very seriously my responsibility to keep the torch he has lit blazing brightly for many years to come.”
Founded by conductor Robert Olson in 1988, the Boulder-based Colorado MahlerFest is an annual celebration of the life and music of Gustav Mahler. Throughout one week every May, the festival explores Mahler through symposia, exhibits, films and the performance of a major symphonic work by the composer. MahlerFest is currently in the midst of its third cycle of Mahler’s symphonic compositions. In 2005, MahlerFest received the Gold Medal of the Vienna-based International Gustav Mahler Society, an honor so far bestowed on only one other American organization, the New York Philharmonic.
Gustav Mahler’s music has been a lifelong source of inspiration for Kenneth Woods, and has played an important part in his career. He has conducted acclaimed performances of the symphonies and songs across the Americas and Europe. His first recording of Mahler’s music, Schoenberg’s chamber ensemble versions of Das Lied von der Erde and Lieder eines fahrenden Gesellen (Somm Records, 2011), received an IRR Outstanding rosette from International Record Review. Off the podium, Woods is in demand as an essayist and speaker on Mahler’s life and music. He has given talks and participated in panel discussions on Mahler for the BBC and NPR, and was the official blogger of The Bridgewater Hall’s Mahler in Manchester series in 2010-11. In his native US, Woods achieved national media recognition as conductor of the Pendleton-based Oregon East Symphony for staging Redneck Mahler, an event that galvanized the community of a small, western Rodeo town.
With its combination of conducting, symposia, pre-concert lectures, films, community engagement and blog posts, MahlerFest’s format plays perfectly into Woods’ multifarious hands. “For me,” he says, “Mahler has a singular creative voice. His music should be experienced as an immersive, transformative experience.”
PRAISE FOR KENNETH WOODS’ MAHLER
“This is a most important issue, and all Mahlerians should make its acquisition an urgent necessity.” International Record Review
“a richly balanced performance that easily stands out” Gramophone Magazine
“gives Mahler the ride of his life.” The Oregonian
“something that every lover of Mahler should hear.” MusicWeb International
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For any media enquiries, interview and image requests, please contact Melanne Mueller, email@example.com, +44 (0) 20 8698 6933 or +1 917 907 2785
For more information about Kenneth Woods please visit http://kennethwoods.net/blog1/
For more information about the Colorado MahlerFest please visit http://www.mahlerfest.org
About Kenneth Woods
Kenneth Woods is Artistic Director and Principal Conductor of the English Symphony Orchestra, a post he assumed in 2013, succeeding Vernon Handley.
Hailed by the Washington Post as a “true star” of the podium, Woods has worked with many orchestras of international distinction, and has appeared on the stages of some of the world’s leading music festivals. His work on the concert platform and in the recording studio has led to numerous broadcasts on BBC Radio 3, National Public Radio, and the Canadian Broadcasting Corporation.
As Principal Guest Conductor of Stratford-upon-Avon-based Orchestra of the Swan (2010-2014), Woods made numerous acclaimed recordings, including the first-ever cycle of the Symphonies of Hans Gál (AVIE).
Woods’ unique gifts have been widely acknowledged by some of today’s leading conductors. In 2001, he was selected by Leonard Slatkin to be one of four participants in the National Conducting Institute at the Kennedy Center, where he made his National Symphony debut. Toronto Symphony Music Director Peter Oundjian has praised Woods as “a conductor with true vision and purpose. He has a most fluid and clear style and an excellent command on the podium… a most complete musician.”
A widely read writer and frequent broadcaster, Woods’ blog, A View from the Podium, is one of the 25 most popular classical music blogs in the world. He has provided commentary for the BBC Proms, and has spoken on Mahler on NPR’s All Things Considered and BBC Radio 4’s Today Programme. http://kennethwoods.net