by Kenneth Woods | Feb 12, 2010 | Mahler, Mahler- Performer's Perspective, Nuts and bolts
The Bridgewater Hall- Mahler in Manchester Shortly after I posted my most recent Mahler essay, I had a comment from Mahlerian and sometime Vftp contributor, Mitch Friedfeld, who suggested I might have overlooked something- There’s another instance of a Mahler-Brahms...
by Kenneth Woods | Feb 9, 2010 | Mahler, Mahler- Performer's Perspective, Nuts and bolts
On its most basic level, what most musicians, musicologists and listeners call “interpretation” is, when done right, basically a 3 step process. 1- Observation. What is there in the score? 2- Examination. Why is it there? 3- Application. What...
by Kenneth Woods | Jan 28, 2010 | Mahler, Mahler- Performer's Perspective, Nuts and bolts
It’s probably no coincidence that the two most popular composers of the 20th Century, Shostakovich and Mahler, are also the two whose autobiographies are most intimately associated with their work. However, although their musical work may have been...
by Kenneth Woods | Jan 25, 2010 | Mahler, Mahler- Performer's Perspective, Nuts and bolts
The Bridgewater Hall- Mahler in Manchester My wife and I call Mahler 2 “the Mahler symphony of “this is the best moment in the piece” moments.” From the bracing opening to the shattering climax of the first movement, from the infinitely elegant pizzicato return...
by Kenneth Woods | Jan 14, 2010 | A view from the podium, Mahler, Mahler- Performer's Perspective, Nuts and bolts
The Bridgewater Hall- Mahler in Manchester Mahler in Manchester begins this weekend, as Gianandrea Noseda leads the BBC Philharmonic in Mahler’s 1st Symphony. The performance takes place at 7:30 PM on the 16th of January, 2010 in The Bridgewater Hall I promised, or at...
by Kenneth Woods | Jan 12, 2010 | Mahler, Mahler- Performer's Perspective, Nuts and bolts
“Is Mahler’s music more difficult to conduct than that of other composers?” When I was asked this question just the other day it was by no means for the first time. It is not hard to understand why a listener might suspect that Mahler’s music is harder to conduct than...
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