I attended my first Scotia Festival as a student in 1993- Peter Lieberson was the composer-of-the-year, Pierre-Laurent Aimard was the pianist-in-the-house. How could I not want to keep coming back? Over the following years I got to meet and work with composers like Oliver Knussen and Joan Tower, instrumentalists like Marc-Andre Hamelin, and I got to share a stand with Desmond Hoebig and Fred Sherry. I also cut my conducting teeth there, and had all kinds of memorable chamber music experiences/ It broke my heart to realize I was getting too old to keep coming back as a student at some point.
I was last there as a guest artist in 2004. So, how excited am I to be heading back to an event that absolutely rightly calls itself the “greatest little chamber music festival in the world”? (FYI- the last piece I played at the festival was Turangalila- not exactly “little” or “chamber music.”)
Here’s my performance schedule for the two weeks. It should be an absolute blast- great repertoire, great colleagues. If you’re anywhere within about 1000 miles of Halifax, come and catch a concert or two. There are too many highlights to count for me- my first time to conduct anything by John Adams, a chance to do Berg’s monumentally challenging Chamber Concerto, a Britten anniversary celebratory performance of the Frank Bridge Variations and a chance to play some of Epomeo’s real party pieces. The complete Festival schedule is on their website.
Highlight Concert 1
Monday, May 27, 2013 7:00 pm
Sir James Dunn Theatre, Dalhousie Arts Centre
Bach – Chaconne – Philippe Djokic, violin
Schnittke – String Trio – Ensemble Epomeo (Carolin Chin, violin, David Yang, viola, Kenneth Woods, cello)
Schubert – E flat major Piano Trio – John Novacek, piano, Mark Fewer, violin, Denise Djokic, cello
Recital 1 – Ensemble Epomeo
Tuesday, May 28, 2013 7:00 pm
Sir James Dunn Theatre, 6101 University Ave.
Ensemble Epomeo
Carolin Chin, violin, David Young, viola Ken Woods, cello
Krása – Tanec & Passacaglia and Fuga
Penderecki – String Trio
Kurtag – Signs, Games and Messages
Beethoven – String Trio in E-flat, Op. 3
Highlight Concert 3
Friday, May 31, 2013 7:00 pm
Sir James Dunn Theatre, Dalhousie Arts Centre
Britten – Cello Suite No. 3 – Denise Djokic, cello
Brady, Tim – World-premiere – Suzanne Lemieux, oboe, Tim Brady, electric guitar, Caroline Chin, violin, David Yang, viola, Kenneth Woods, cello, Simon Docking, piano
Tchaikovsky – Piano Trio – John Novacek, piano, Mark Fewer, violin, Denise Djokic, cello
Highlight Concert 4
Tuesday, June 4, 2013 7:00 pm
Sir James Dunn Theatre, Dalhousie Arts Centre
Berg – Concerto for Piano, Violin & 13 Winds – Scotia Winds, Robert Uchida,violin, Simon Docking, piano, Ken Woods, conductor
Mozart – Wind Serenade No. 10, K. 361, Gran Partita – Scotia Winds, Ken Woods, conductor
Highlight Concert 5
Wednesday, June 5, 2013 7:00 pm
Sir James Dunn Theatre, Dalhousie Arts Centre
Weinberg – String Trio – Ensemble Epomeo (Carolin Chin, violin, David Yang, viola, Kenneth Woods, cello)
Brahms – Clarinet Trio, Op. 114 – Micah Heilbrunn, clarinet, Blair Lofgren, cello, Peter Allen, piano
Smetana – Piano Trio – John Novacek, piano, Mark Fewer, violin, Denise Djokic, cello
Highlight Concert 6
Friday, June 7, 2013 7:00 pm
Sir James Dunn Theatre, Dalhousie Arts Centre
T. Brady – “We’re Hardcore” – Kenneth Woods, conductor, Janice Jackson, soprano, Airi Yoshioka, violin, Caroline Chine, violin, David Yang, viola, Blair Lofgren, cello, Max Kasper, bass
Kurt Weill – The Threepenny Opera – Scotia Winds, Kenneth Woods, conductor
Britten – Variations on a Theme of Frank Bridge, Op.10 – Scotia Festival Strings, Kenneth Woods, conductor
Gala
Sunday, June 9, 2013 2:00 pm
Sir James Dunn Theatre, Dalhousie Arts Centre
John Adams – Violin Concerto – Mark Fewer, violin
Mozart – Piano Concerto No. 17 in G major, K.453 – John Novacek, piano
Shostakovich – Cello Concerto – Denise Djokic, cello
Wow, Ken, that is an awesome schedule. Enjoy; such great music. I especially wish I could hear the Berg Chamber Concerto.
Hi Lisa
Yes- the programming at Scotia has always been amazing and brave, which is one reason they can be brave. The audience has been brought a long, developed and drawn in to the world of contemporary music, unusual repertoire and risk taking.