Brahms’ Coded Confession

Like all the greatest music, part of what makes Brahms’ music so compelling is the way it seems to work on so many levels- it can be happy and sad, abstract and programmatic, personal and universal all at the same time. To a certain extent, I think many fans of...

2010 Repertoire Report- Alan Gilbert

Well, just when we thought Repertoire Report season was winding down, Anthony from New York took the initiative to get one last report in under the wire, for recently appointed New York Philharmonic conductor Alan Gilbert. Thanks, Anthony. When Anthony emailed me, the...

Dvorak’s missed opportunity.

Usually, studying the score of a great work is like a revelation, even when you know the piece well as a player or listener. However cool you thought the piece was before you opened the score, you can’t help but be amazed and astounded by what you discover when...

2010 Repertoire Report- Semyon Bychkov

Next up in the Repertoire Reports for 2010 is conductor Semyon Bychkov, who was previously featured in 2008. Maestro Bychkov seems to favor carrying a relatively small number of pieces in a year, 50 this year and 30 in 2008 when he was doing even more opera. Anyone...

Gramophone- My kind of Mag

It’s great to see the granddaddy of classical mags waving the flag a bit for Hans Gal. This little shout-out comes from page 66 of the current issue, which you can see below. I’ve been listening to the first edits of the new Gal/Schumann disc this week,...

Hammering away (UPDATED with new hammer blows)

In the course of my exhaustive research on Mahler 6, which I’m conducting next month, I stumbled upon a nice post on an excellent blog by Gene De Lisa that I hadn’t previously come across. It’s well worth a read for a good synopsis of the history of...

2010 Repertoire Report- Jeffrey Biegel

Pianist  Jeffrey Biegel is the next artist featured in our Repertoire Report series. If I had to pick one word to describe Jeffrey’s list it would have to be “eclectic.” Like Leonard Slatkin, Jeffrey approaches “light” repertoire like Leroy Anderson with the same...