by Kenneth Woods | Sep 23, 2010 | Performing Life
I had a nice moment in rehearsal tonight. I first met Mozart 34 in a pretty good chamber orchestra with a pretty bad conductor. It wasn’t an auspicious first date, but in spite of the noisy circumstances, we had chemistry. It probably helped that my stand partner for...
by Kenneth Woods | Sep 22, 2010 | A view from the podium
As a short follow-up to my long post on the Eroica Marcia funebre, I thought I might mention a little bit about Metamorphosen, Richard Strauss’s late masterpiece mourning the end of the great and continuous musical culture that ran from Bach through to him. On the...
by Kenneth Woods | Sep 20, 2010 | Nuts and bolts
In my last post on Beethoven 3, I talked just a little bit about my experience of studying the work with my teacher, Gerhard Samuel (more on him here and here). It remains a particularly memorable experience since it was the first score we went through together, so I...
by Kenneth Woods | Sep 19, 2010 | News and Reviews
Classic FM, October 2010 issue Gál Violin Concerto, Triptych, Concertino for Violin and Strings Annette-Barbara Vogel, Northern Sinfonia/Kenneth Woods ***** (Five stars) One of a generation of native-born refugees from Nazi-dominated Austria in the 1930’s, Hans Gál...
by Kenneth Woods | Sep 14, 2010 | Nuts and bolts
As part of an ongoing effort to make this blog less boring, I’ve decided to try a few posts on major pieces that are more anecdotal than analytical. (Yes, it’s the old master plan of using stories about your own life to avoid boring other people. Guess how well...
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