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Handy Plugin Makes New Music Popular and Profitable

by Kenneth Woods | May 31, 2017 | Not quite the news, Satire

A new plugin for Sibelius and Finale music engraving software is taking the music world by storm. The new “Titleizer” plugin from Demisoft Technology systematically analyses a piece’s duration, instrumentation and pitch content and automatically generates a...
Explore the Score: Hans Gal (1890-1987)-  Concertino for Cello and Strings, opus 87

Explore the Score: Hans Gal (1890-1987)- Concertino for Cello and Strings, opus 87

by Kenneth Woods | May 26, 2017 | Explore the Score

Hans Gal (1890-1987) Concertino for Cello and Strings, opus 87 Hans Gál- Concertino for Cello and Strings, Solo Cello Works, Avie Records £12.00 Hans Gál was born in the small village of Brunn am Gebirge, just outside Vienna. He studied with some of the foremost...
Unfinished/Unheard- The ideas and themes behind the programming of MF XXX

Unfinished/Unheard- The ideas and themes behind the programming of MF XXX

by Kenneth Woods | May 25, 2017 | Mahler

Unfinished/Unheard — By Kenneth Wooods In the 100+ years since his death, Mahler’s 10th Symphony has become possibly the most famous, perhaps even infamous, unfinished work of art in Western civilisation. For over 50 years, it was a work shrouded in rumor and myth, as...
Review: Kenneth Woods makes shattering impact at MahlerFest

Review: Kenneth Woods makes shattering impact at MahlerFest

by Kenneth Woods | May 24, 2017 | Mahler, News and Reviews

CLASSICAL MUSIC Review: Kenneth Woods makes shattering impact at MahlerFest Orchestra performs unfinished Mahler masterpiece By Kelly Dean Hansen Camera Classical Music Writer- Boulder Daily Camera POSTED:   05/20/2017 10:49:21 PM MDT | UPDATED:   3 DAYS AGO Artistic...
No place to call home. An appreciation of Allan Holdsworth

No place to call home. An appreciation of Allan Holdsworth

by Kenneth Woods | Apr 19, 2017 | A view from the podium

  That Allan Holdsworth died this week in relative poverty and obscurity (at least considering his enormous artistic legacy) is a sad but completely predictable sign of the times.   I first encountered Holdsworth as an ambitious young guitar player. Even...
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