Kenneth Woods - conductor
  • Home
  • About
    • Orchestral Repertoire
      • Opera Repertoire
    • Artistic Director and Programmer
    • Cellist
      • Concerto Repertoire
      • Chamber Repertoire
      • Recital Repertoire
    • Discography
  • Gigs
    • Past Programs
  • Reviews
    • Features, news and profiles
    • CD Reviews
    • Concert Reviews
  • Blog: A view from the podium
    • Satire- Not Quite the News
    • Mahler
      • Mahler- A Performer’s Perspective
    • Bobby and Hans
      • Bobby and Hans- News and Reviews
      • Bobby and Hans- Discover and Explore
      • Bobby
      • Hans
      • Bobby and Hans Listening Room
    • Richard Strauss at 150
    • Explore the Score
      • About Explore The Score
  • Multimedia
    • Audio
    • Video
    • Photos
    • Rock ‘n’ Roll
      • Screaming Yaardvaarks- Mr PotatoeHead
  • The Downbeat Store
    • Recordings
    • Compositions, Arrangements and Editions
    • Cart
    • Checkout
  • Contact
    • Sitemap
Select Page

Nine reasons you might just get away with a mistake in concert

by Kenneth Woods | Apr 8, 2015 | Lists, Nuts and bolts

So you made a mistake on the gig yesterday. I feel your pain. We all make mistakes- I made a real howler twice in the same place on a cello gig recently and it’s been bothering me ever since. Mistakes are a controversial and painful subject for musicians. Nobody likes...

The official, definitive guide to the greatest D minor Symphonies of all time

by Kenneth Woods | Jan 10, 2015 | A view from the podium, Lists

It’s been hailed as “the saddest of all keys.” Andras Schiff called it “Beethoven’s key of existential struggle.” It was Brahms’s Tragic key- the world of his brooding First Piano Concerto and his Tragic Overture- both quite symphonic works. Yet Brahms never wrote a D...

The 10 Greatest “Must Hear” Cello Concerti of the Last 50 years

by Kenneth Woods | Aug 10, 2013 | A view from the podium, Lists

Whether it was folklore or fact, I’m not in a position to say, but in the latter years of his career, it was reputed that Rostropovich’s fee for a performance of the Dvorak Cello Concerto hovered around $80,000. For any of the 60 or so works written for him, however,...

The Real Top 20 C Major Symphonies of All Time

by Kenneth Woods | Jan 20, 2012 | A view from the podium, Lists

C major. The white keys on the piano. The Symphony has been good to C major, and C major has been good to the symphony, even though there are no Brahms, Mahler or Bruckner symphonies officially in C. Brahms 1 ends in C major (as does Beethoven 5 and Bruckner’s...

The Real 20 Greatest Piano Concerti of the 20th C., part II, no.’s 10-1

by Kenneth Woods | Sep 7, 2011 | A view from the podium, Lists

This is a list I’ve been thinking about ever since I first conducted the Prokofiev 2nd Piano Concerto with Daniel de Borah. I was amused at the thought of just how far down the list of the greatest piano concerti of the 20th c. I would go before I got to a piece not...

The Real 20 Greatest Piano Concerti of the 20th C., part I, no’s 20-11

by Kenneth Woods | Sep 6, 2011 | A view from the podium, Lists

This is a list I’ve been thinking about ever since I first conducted the Prokofiev 2nd Piano Concerto with Daniel de Borah about five years ago. I was amused at the thought of just how far down the list of the greatest piano concerti of the 20th c. I would go before I...
« Older Entries
Next Entries »

Recent Posts

  • John Joubert – Jane Eyre @ Arcola Theatre. Review by Simon Thackery “The View from the Gods”
  • John Joubert – Jane Eyre @ Arcola Theatre. Review from Planet Hugill
  • John Joubert – Jane Eyre @Arcola Theatre. Review from Fairy Powered Productions
  • John Joubert – Jane Eyre. Review from London Theatre1
  • John Joubert – Jane Eyre. Review from The Spiny Stalls

Recent Comments

  • Kenneth Woods on Grimeborn 2025: Jane Eyre – Arcola, London. The Reviews Hub
  • Bill Dodd on Grimeborn 2025: Jane Eyre – Arcola, London. The Reviews Hub
  • Valvicus on LvB 9- Furtwangler 1942
  • Martha Stoddard on Explore the score- Hans Gal: Symphony no. 3
  • The Conductor's Code: Why Beethoven's 5th Sounds Different Every Time on Urtext myths 4: Whose score is it anyway?

Archives

Kenneth Woods on Twitter

Tweets by @kennethwoods
  • Facebook
  • Twitter
  • Instagram

Designed by Elegant Themes | Powered by WordPress