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Performer’s Perspective- Mahler 1, a riddle

by Kenneth Woods | Jan 14, 2010 | A view from the podium, Mahler, Mahler- Performer's Perspective, Nuts and bolts

The Bridgewater Hall- Mahler in Manchester Mahler in Manchester begins this weekend, as Gianandrea Noseda leads the BBC Philharmonic in Mahler’s 1st Symphony. The performance takes place at 7:30 PM on the 16th of January, 2010 in The Bridgewater Hall I promised, or at...
Performer’s Perspective- Mahler 1, a challenge

Performer’s Perspective- Mahler 1, a challenge

by Kenneth Woods | Jan 13, 2010 | Mahler, Mahler- Performer's Perspective

    Even today, the First probably remains Mahler’s most popular piece- a generation ago, it was probably his only popular piece. How times have changed. It was the first Mahler work I encountered as a young cellist, and it made quite an impression on me. A...

Performer’s Perspective- Is Mahler’s music hard(er) to conduct?

by Kenneth Woods | Jan 12, 2010 | Mahler, Mahler- Performer's Perspective, Nuts and bolts

“Is Mahler’s music more difficult to conduct than that of other composers?” When I was asked this question just the other day it was by no means for the first time. It is not hard to understand why a listener might suspect that Mahler’s music is harder to conduct than...

Vftp- Official Blog of Mahler in Manchester

by Kenneth Woods | Jan 11, 2010 | Mahler, Mahler- Performer's Perspective

We’re very excited to announce that A View from the Podium is going to be the official blog of The Bridgewater Hall’s “Mahler in Manchester” festival. You can visit our welcome page here. Mahler content is nothing new at Vftp, and you can continue to access all of it...

Another note, another blog post

by Kenneth Woods | Feb 13, 2009 | A view from the podium, Mahler, Mahler- Performer's Perspective

As a follow-up to my post on the volume level of the last note of the first movement of Mahler 5, I wanted to come back to the obvious parallel with the last note of the 2nd movement. The note in question is a single eighth-note a-natural on the timpani, marked...
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