Kenneth Woods - conductor
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Engaging the Audience

by Kenneth Woods | Jun 7, 2009 | A future for music, A view from the podium, Music and Media, Nuts and bolts, Performing Life

It is a fact of life that most organizations think of programming largely in terms of marketing. While almost all musical organizations have some desire to do interesting things, there is always a certain amount of pressure to focus on “getting an audience,” which...

Haydn- more talented than Mozart

by Kenneth Woods | Jun 1, 2009 | A view from the podium, Haydn, Music and Media

Few are more aware of the difficulties of selling Haydn than Franz Patay, an organizer of festivities marking the bicentenary. View post “If you show someone a (Haydn) bust they’ll think it’s Mozart,” says Patay, who was also involved in the...

Richard Hickox- the final interview

by Kenneth Woods | Jan 6, 2009 | A view from the podium, Music and Media

Hi everyone I’ve just been made aware of this- the last recorded interview with Richard Hickox, available as a podcast on the City of Birmingham Symphony Orchestra website. Click here to listen, or right click and select “save target as” to download to your computer....

Reblog- KW interview with Sophie Hern for Metro

by Kenneth Woods | Dec 5, 2008 | A view from the podium, Music and Media

Too many notes to learn this week to keep up the blogging pace, but have been meaning to re-blog this interview I did for Metro with their culture writer Sophie Hern before my Contemporary Music Ensemble of Wales concert in March since it ran, as it was never...

Extreme Silliness- The 20 Top Orchestras… As conducted by….

by Kenneth Woods | Dec 2, 2008 | A view from the podium, Lists, Music and Media

I knew as soon as I saw the Gramophone list of the “world’s 20 best orchestras” that, in spite of my better judgement, I would eventually be compelled to say… something? It’s a great list, and I love Gramophone because they love Vftp… Why against my...

Why I subscribe to the New York Times

by Kenneth Woods | Aug 13, 2008 | A view from the podium, Haydn, Music and Media

In today’s New York Times Daniel Wakin weighs in on the Elgar-vibrato “kerfuffle” (by the way, I’m not English, I’m not a traditionalist, and I don’t object to Elgar being played without vibrato, I object to the claim that Elgar should be played without...
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Recent Posts

  • John Eliot Gardiner and the Game of Classical Thrones
  • Mahler’s “Death and the Maiden” orchestration – Why a New Performing Version?
  • Elgar’s Enigmatic Silence
  • Catch and Kill – It’s Not Just for Politicians and Porn Stars
  • From Wigmore to Mid Wales Opera, and from Oregon to Worcester

Recent Comments

  • BenG on Mahler 6: Some of the reasons why I conduct Scherzo-Andante (and why I could be wrong)
  • Rodrigo on RIP- Gerhard Samuel
  • Ron Cerabona on Who is not in the “Real” Top 20…
  • Daniel bani on Haydn- more talented than Mozart
  • paige adam on Explore the Score- Schnittke String Trio

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