Composition is …what?

…. notation? * Back in Music History class we all learned how philosophers used to differntiate between “music of the spheres” and “practical music.” The now-quaint terminology masks a somewhat interesting and important differentiation that is actually an...

YouTube- the orchestra strikes back

This arrived in my inbox this morning. Well worth checking out if you need a one minute time waster today. It’s amazing how realistic the animation is- everyone is moving perfectly in synch with the music and everything’s going in the right direction. The only problem...

Press

    Critical Praise “The true stars of the evening followed intermission. Kenneth Woods was confident on the podium, clear and economical in his gestures and knew when to actively lead and when to allow his players freedom to phrase. He delivered a Strauss...

Upcoming Concerts

  Concert Calendar April 18, 2009 Oregon East Symphony Beethoven- Symphony no. 2 in D major Mozart- Requiem Esther Mae Moses- soprano, Emily Muller Calendar- mezzo, Nick Fichter- tenor, Steve Muller- bass May 9-16 2009 Ischia Chamber Music Festival Wednesday May 14,...

Back in bid’nis

Well, summer is officially over, as I am officially back in rehearsals beginning tomorrow. It’s been some weeks since I’ve been on the podium- my last major concert was Bruckner 4 on June 30, and then the OES Camp Honors Orchestra in late July. I’ve not conducted in...

Fiddling around

One of the nice things about having done a fair bit of teaching is hearing what your former students are doing, and this morning I had an update on one of my cello students from my days teaching at Eastern Oregon University. Jacie was already a prize-winning fiddler...

FAQs- Bach Cello Suites

From my inbox comes a nice question from Felicity in Colorado, which gives me a rare, and nice, chance to answer a cello related question. “Dear Ken,” she writes, “when you’re playing the Bach Suites, do you use a baroque bow or baroque cello, what sort of A do...

The right way to do things….

I’m tempted to start a new column here called “things that people state as facts but that aren’t.” Of course, I won’t because I don’t want this blog to be too much of a downer. Nevertheless, every once in a while, I hear or read a comment about music that I think...

Tristan

As part of my summer of Wagner, I recently saw Tristan und Isolde at Glyndebourne with the London Philharmonic conducted by Jiri Behlolavek. Nina Stemme was Isolde, Robert Gambill was Tristan and Rena Pape King Mark. The production was designed by Nikolaus Lehnhoff....