Menuhin Hall

  This Saturday, the Surrey Mozart Players and I had the privilege of being one of the first orchestras to perform in the nearly brand-new Menuhin Hall, a beautiful 300-seat concert hall that just opened its doors in January. It’s always nice to test drive a car you...

Concert Review- Surrey Mozart Players

From “Essential Reading,” November 19, 2006    The Concert with Kenneth Woods  And Bobby Chen Piano The American conductor Kenneth Woods offers a mature and thoughtful reading of another giant in music, namely Mozart. Working without baton, Kenneth Woods...

More Haydn

At a late hour, post concert, a few last minute thoughts on Haydn (again!).  With 104 symphonies to choose from, it would be easy to think that there is such a thing as a “Haydn Symphony.” That is, it musicians and audiences seem to think that there is a general...

November Pontificating

Some random pontifications taken from recent podium chats…. On Scott Joplin- The history of 20th Century popular culture is really the history of American popular music, and the history of American popular music is really the history of black music. The musics that...

Listen harder

Endurance sessions of comparative listening are not for everyone’s taste, but, aided by sufficient quantities of libations and good company, it can be great fun, and certainly illuminating. It’s easy to fall into the trap of taste-testing, listening to a few cool bits...

Halftime show part II

In part two of my halftime show, I want to have a quick look at some of the repertoire I’ve been working on since the season got started.                                                                                                     Popular as a few of his works...

Ormandy on Sibelius

Eugene Ormandy talks about Sibelius Meeting Sibelius for the first time, I had the impression of being in the presence of someone almost superhuman.  Here was a being I had admired and looked up to all my life — and suddenly I was in his presence.  He was a...

Crumb

Funny that Roger Bourland at Red Black Window would write about Crumb’s graphic scores at more or less the same time I was talking about score marking, including re-baring some experimentally notated 20th c. works to facilitate performance  I’ve done a...

The halftime show

Normally half-time means you get a break, but the looming renewal of my work visa in the UK (fun, fun) completely killed off my modest three free days last week, and now I am back in the maelstrom after a slightly-more-tiring-than-usual flight over to the US....

The future in Philly

An interesting follow-up, one of what I assume will be hundreds, as the Philadelphia Orchestra begin looking to the future.  I don’t know Eschenbach’s work there at all, and wouldn’t comment on it anyway, but I do think music director search issue is...