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Explore the Score- Schumann Symphony in D minor

Explore the Score- Schumann Symphony in D minor

by Kenneth Woods | Jan 19, 2013 | A view from the podium, Explore the Score

It’s time for the third instalment in our Explore the Score series on the Schumann symphonies. Our new recording of Gal’s 2nd Symphony and Schumann’s Fourth has just been released on Avie Records. Ordering via these links helps support these...

Session Diaries- Bobby and Hans vol. 3 with Orchestra of the Swan, Monday morning…

by Kenneth Woods | Dec 11, 2012 | Bobby and Hans, Nuts and bolts

Monday, 3 December, 2012 Session 1- 10:00 AM Scheduled: Schumann- Symphony no. 4, mvts 1 and 2 Recording is like nothing else- getting great material on disc requires a rather unforgiving balance of precision and passion. To get the kind of passion and energy that...

Concert Review- Birmingham Post, Orchestra of the Swan at Civic Hall, “Spring Sounds 2012 Finale- The Trumpet Shall Sound”

by Kenneth Woods | Jun 26, 2012 | Nuts and bolts

A review from senior critic Christopher Morley at the Birmingham Post of last week’s Orchestra of the Swan performance in Stratford-upon-Avon featuring trumpet virtuoso, Simon Desbruslais. For space reasons, the original review was slightly cut for the print...

Gramophone Editor’s Choice- Orchestra of the Swan play Schumann- Symphony no. 2 and Gál- Symphony no. 4

by Kenneth Woods | Jun 10, 2012 | Bobby and Hans, News and Reviews

We couldn’t be more excited aout the fact that Gramophone Magazine has selected the Orchestra of the Swan’s new recording Hans Gal’s Symphony no. 4 and Robert Schumann’s Symphony no. 2 as a “Gramophone Editor’s Choice” for the...

Explore the Score- Bobby Schumann busts out the Klangfarbenmelodie

by Kenneth Woods | Jun 8, 2012 | A view from the podium, Bobby and Hans, Explore the Score, Nuts and bolts

Klangfarbenmelodie, or “tone colour melody” is one of those 2 dollar words we all learned in undergraduate music history class. Simply described, in Klangfarbenmelodie, a single melodic line jumps from instrument to instrument, creating a more-or-less constantly...
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