by Kenneth Woods | Jun 7, 2011 | Nuts and bolts
Many knowledgeable musicians consider Schoenberg to be the musical successor of Brahms. Schoenberg himself thought so too. (You’ve got to hand it to Schoenberg- he managed to position himself pretty convincingly as the heir to both Brahms and Mahler,...
by Kenneth Woods | Dec 15, 2008 | A view from the podium, Repertoire Reports
You can view the 2008 KW Repertoire report here, which lists every piece of music I’ve performed in the 2008 calendar year. I thought I would take advantage of the painstaking efforts of my research assistant, former Lehman Brothers Executive VP Flurp Van Doogle and...
by Kenneth Woods | Feb 22, 2008 | A future for music, A view from the podium, Nuts and bolts
This week, having Sibelius 2 and Schelomo on my desk at the same time has been a fascinating contrast. Although his music sounds like no one else’s, Sibelius’ technique is a logical outgrowth of the method of working with motivic cells perfected by Beethoven and...
by Kenneth Woods | Aug 21, 2007 | A view from the podium, Mahler, Nuts and bolts
Yes, composition is analysis. Let’s start by remembering I didn’t say composition is only analysis. Take for a moment Sibelius’ Fifth Symphony, which I wrote about here. If one sits down and carefully analyzes the piece in its final form, you can’t help but be struck...
by Kenneth Woods | Nov 2, 2006 | A view from the podium
Eugene Ormandy talks about Sibelius Meeting Sibelius for the first time, I had the impression of being in the presence of someone almost superhuman. Here was a being I had admired and looked up to all my life — and suddenly I was in his presence. He was a...
Recent Comments