A Brahmsian Update

A little update on the Brahms Piano Quartet orchestration project, for those of you interested….   A quick summary of how we got to where we are!   The arrangement had its genesis in 2008 in Ischia when the idea came to me. I spent a good chuck of that summer annotating my score of […]

Read More

ESO 2016-7 in review. The good

This past Sunday afternoon, I conducted the ESO in a performance of Tchaikovksy’s String Serenade which marked the end of our main 2016-7 season. Between now and our return from the summer holidays, my colleagues are doing some fascinating chamber music concerts, the Bach B minor Mass with the wonderful Sarah MacDonald guest conducting, and […]

Read More

Handy Plugin Makes New Music Popular and Profitable

A new plugin for Sibelius and Finale music engraving software is taking the music world by storm. The new “Titleizer” plugin from Demisoft Technology systematically analyses a piece’s duration, instrumentation and pitch content and automatically generates a meaningless and unrelated title for the piece. “Since Haydn’s time, we’ve all known that music sells better when […]

Read More

Explore the Score: Hans Gal (1890-1987)- Concertino for Cello and Strings, opus 87

Hans Gal (1890-1987) Concertino for Cello and Strings, opus 87   Hans Gál was born in the small village of Brunn am Gebirge, just outside Vienna. He studied with some of the foremost teachers in Vienna, including Richard Robert for piano (teacher of Rudolf Serkin , Clara Haskil and George Szell) and Eusebius Mandyczewski for composition, who had been […]

Read More

Haunted by my visit to Thornfield

Where does an opera really take place? Why, on the stage, I hear you say. Of course, that’s true, but not quite the truth. Der Rosenkavalier and The Magic Flute might take place on the same stage in the same week, but they clearly don’t take place in the same place. Of course, in the […]

Read More

John Joubert’s Jane Eyre- A conductor’s perspective

John Joubert’s musical language is original yet familiar, subtle yet direct. Firmly rooted in tonality, his harmonic vocabulary is highly sophisticated and personal, and he seems to have a particular knack for energising traditional harmonies through clashes, bi-tonality and harmonic extension. Joubert’s Jane Eyre is the work of a melodist of the highest order who […]

Read More

Leading Orchestra to “Push the Boat In” for 50th Anniversary Season

The Metropolitan Symphony Orchestra have announced plans for their 50th Anniversary Season, with a celebratory focus on familiarity, conservatism, convenience and conformity. MSO You’ve heard it all here before “When we started thinking about how best to celebrate this special anniversary, our music director Cauze Perdue originally suggested we “push the boat out” with a season […]

Read More

The English Symphony Orchestra’s 21st C. Symphony Project: Nine symphonies, nine composers, one orchestra.

From the latest issue of Musical Opinion Magazine. My manifesto explaining the thinking behind the 21st C. Symphony Project. Subscribe to the magazine here.    On 28 February, 2017, the English Symphony Orchestra will premiere the Third Symphony by Philip Sawyers, the first work in a cycle of nine new symphonies to be commissioned by […]

Read More

KW and ESO’s Recording Krenek Piano Concerti vol. 1 with pianist Mikhail Korzhev a Sunday Times “Best of the Year” for 2016

The Sunday Times has just announced their list of the “100 Best Records of the Year,” across all genres. We’re delighted to learn that our recording “Complete Piano Concertos of Ernst Krenek vol. 1” with pianist Mikhail Korzhev has made this year’s list as one of just 10 CDs in their “Contemporary” category. “Moving from […]

Related Posts Plugin for WordPress, Blogger...

Read More