by Kenneth Woods | May 25, 2019 | Mahler, News and Reviews
[Re-blogged from MahlerFest.org] BEYERS, DEVANE, KOREVAAR STANDOUT PERFORMERS AT MAHLERFEST XXXII Published in “Wunderhorn”, the Journal of the New York Mahler Society By Kelly Dean Hansen, Freelance Classical Music Writer In its 32nd year, the fourth...
by Kenneth Woods | Apr 25, 2019 | Mahler
In all the long history of symphonic music, with the possible exception of Berlioz, there has probably never been a symphonic debut as audacious as that of Gustav Mahler in his First Symphony. Becoming Mahler In the 130 years since it was written, this work has become...
by Kenneth Woods | Apr 17, 2019 | Mahler, Mahler- Performer's Perspective
On the 19th of May, Colorado MahlerFest will give the world premiere of the new Critical Edition of Mahler’s First Symphony being published by Breitkopf & Härtel. It is the first attempt at a Critical Edition from outside the International Gustav Mahler Society in...
by Kenneth Woods | Mar 28, 2019 | A view from the podium, Mahler
Tuesday 2 April at 7:30 Orchestra of the Swan Stratford Playhouse David Matthews Winter Remembered Mahler Symphony No.10 (mvt 1 arr for strings) Mozart Adagio and Fugue in C minor, K.546 Britten Variations on a Theme of Frank Bridge Kenneth Woods conductor Carmen...
by Kenneth Woods | Aug 25, 2018 | Mahler, Mahler- Performer's Perspective
One hundred years from the day of his birth, Leonard Bernstein remains for many music lovers a marmite musician. Reactions to his work as composer, conductor and pianist remain both strong and strongly divided. No part of his legacy remains more controversial than his...
by Kenneth Woods | Apr 3, 2018 | Mahler, Mahler- Performer's Perspective
Gustav Mahler’s Das Lied von der Erde is a work that ends with the beginning of a journey. Across the first five movements, and through much of the sixth, the narrative voices we hear are passive ones. In the third and fourth songs, the poetry of Li T’ai-po...
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